The Beach Murder: Connor Stanhope's Who Killed My Husband

It felt really good to know that we have good people like them coming to support us. Throughout the whole experience, everyone was very understanding and sweet to our family.

On the night of August 20, 1989 Lyle, age 21, and Erik Menendez, age 18, shot their parents, Jose and Kitty, to death with a 12-gauge Mossberg shotgun in the den of the family’s Beverly Hills, California, home. After committing the murders they drove to Mulholland Drive, where they dumped the shot guns. They went to a local movie theater to buy tickets as an alibi. After attending the show, they returned home when Lyle frantically contacted the Beverly Hills police department and cried “Somebody killed my parents!”. The BHPD showed up to find a gruesome crime scene. They shot their father, Jose, twice. The first shot hit him in the left arm the second was a point blank shot to the back of the skull. The boy's mother, Kitty, made a desperate

I shivered and wrapped my jacket tighter around my torso as another gust of cold wind blew past me. That was the 9th car that has passed me in the last 5 minutes. I had just finished burying the last person I killed, Jason, my ex-best friend. I've had the desire to murder since my 12th birthday when I accidentally cut off my brothers finger and realized how much I enjoyed it. Later that year I snuck out of my house with one of my mom's butcher knives and lunged at a middle aged woman walking down the street. I killed her and her dog and buried them deep in the woods, approximately 10 miles from my house. Since then, I haven't been able to stop. I try to contain myself but every time I feel the urge, something comes over me and I feel a rush of

Well the holidays are over, and I feel that they were a great success. I would like to thank Rabbi Hal and our Hazzans, Ron Fink, Mayer Grob, Sheila Pour, and Art Todras for wonderful services, but without the following people helping in someway, we could not have had these services: Iris Petersiel, Michael Kornstein, Sam Richardson, Fran Todras, Daniel Elmakis, Deb Lebman, Ellen Bernstein, Marilyn Wiener, Sonya Brockstein, Michael Schoenhaut, Barry Green, Diane Girgente and her ushers, Al Sherman, Craig Hammons, Jeremy & Isabel Schlussel, Tomomi Rubin, Larry Feldman, Jeff Scharf, Lori Shiffman, Philip Perschetz, Elizabeth Harper, Bruce Nordin, Matt Nordin, Tom McClish, and Michael Yetsin

We had SO much fun. Loved working with Andie and loved getting to know her a bit. Behind the scenes stories... hmmmm. There was a funny high heel shoe to my forehead story! We were on a romantic stroll and Andie's character falls and we end up laying with each other. When we shot it, her shoe shot up and landed on my forehead leaving a massive "golf ball" bump! Luckily, it was the last scene on a Friday and pretty much was back to normal by Monday :)

The morning of September 17, 1996 in Louisiana changed my life forever. I was skimming through the daily Gambit when he came in. Mr. Callahan, the local policeman, walked into my office, holding a paper that was dated from this Friday.

One of the biggest lessons I learned throughout the shoot was the value of maintaining a positive attitude, even when in stressful situations. While I myself tried my best not to ever come across as negative, there were a few instances where other members of the production team came across as tense or even slightly antagonistic toward me. When these events happened, it caused me to feel insecure about the work I was doing. Instead of motivating me to work harder, it only made me feel unhelpful. In my opinion, treating people respectfully and maintaining a positive attitude is a better form of motivation than antagonism, especially when you are in a position such as 1st AD. I’ve found people are more willing to cooperate when you lead with kindness rather than in a dictatorial manner. Furthermore, another thing I plan on continuing to do is ensuring that there is good communication between the Assistant Directors. One of the aspects that I thought worked very well on this shoot was that Savannah (the other AD) and I tried to work as a team as much as possible. As a result, we made sure to communicate as much as possible so we each knew when we were needed, how we were needed, and when the crew was filming among other things. This helped me feel like I was part of team and, in my opinion, helped make the shoot run more

I had a unique childhood, unlike any other. Just to let you know when I say a unique childhood, I mean a dangerous childhood. For example, The time when I saw Johnny stabbing Bob Sheldon right in front of my eyes!! It was terrifying. Now that I am older and reflect on my past events, I realize that many of those things were truly life threatening. Although the stabbing incident led to Bob's death; I believe that Johnny isn't responsible for the murder, in fact, I know that Bob alongside his friends and family are the ones who caused the tragedy.

My friend Simon (not his real name either) had gotten a central role, and Eric and Donnie had small parts. I could easily be stuffed in a corner. As it was a very low budget made for T.V. serial, I wound up helping out more behind the scenes then in them.

Murder on a Sunday Morning, a documentary based on the case "Brendon vs. Florida," which is one of the most mishandled cases in America. In this documentary, a 15-year-old African American male named Brendon Butler, was arrested for the murder of a German female tourist named Mary Ann Stevens. The incident took place on May 2000, in Jacksonville, Florida, and was handled in one of the most unprofessional, unimaginable manner conceived.

On Thursday March 10, 2016 at 1310 hours a call came from dispatch about a possible murder. I arrived at 210 Downey Way, at 1327 hours. Mr. Henry Winkler, who was the next door neighbor, was standing outside of the victim’s house. Officer Twumasi and I approach Mr. Winkler, who advised that he was the person who reported the call. He said, that while he was eating jello that he heard a loud boom coming from Ms. Nelson’s house about 15 minutes before he made the call. Mr. Winkler said he was scared and when he looked out of his window he saw Jim, the victim’s boyfriend leaving the victim’s house in a blue Ford Escort, 1999 model, four doors with Harley Davidson sticker on the back window. While gathering information from Mr. Winkler I learned

While I'm sure all your roles are memorable for various reasons, what are a couple that really stand out to you and why?

This summer, Hallmark has been premiering a whirlwind of "Summer Nights" movies, and a couple of weekends ago, I had the glorious opportunity to view the début of For Love and Honor, starring the fabulous James Denton, but also starring opposite him, the enchanting Natalie Brown. In spite of her very busy schedule, I recently caught up with Natalie, and she answered some questions about her career with a specific focus on her current Hallmark offering with a nod to her other upcoming roles as well.

North and the women from Love and Sex in China, because none of those ladies were real detectives they just happened to do detective things well. We didn’t talk about Jessica Fletcher much but Blomkvist reminded me of her because she was a detective that wrote books and he was a journalist/detective who wrote for

My love for acting stemmed from my performance as Ugly Duckling/Young Fiona for the musical Shrek. For me, getting a major role for the first rime was life changing. In the beginning the casting director didn’t want to cast me as Ugly Duckling because I was too small and the role was originally made for a young male. However, I was given this role because I didn’t walk in the room as myself. Instead, I portrayed the role as ugly duckling throughout my entire audition. I became the ugly duckling, and the judges forgot all about how small I was, and how the role was originally meant for a young male.