Introduction (first slide) For this media assignment I selected to analyze Jack and The Beanstalk and the lens I will be using will be the feminist lens. Summary of text (second slide) Just to briefly recap, Jack and The Beanstalk narrates the story about Jack, a young poor boy living with his widowed mother and their cow who is their only source of income. He is to sell the futile cow who’s stopped giving milk and find a job to support his mother and himself. Instead, he trades his cow for some magic bean when offered the opportunity. Overnight, the beans grow into a beanstalk with a magical land at the peak. Jack discovers it’s home to a man eating ogre and his wife, the ogresse. Deceptively, Jack steals the ogre’s golden coins, magical hen and singing harp. After facing a confrontation with the ogre and winning he becomes rich, marries a princess and lives happily ever after. …show more content…
Contextual evidence/Analysis The widow is objectified as this being with a lack of emotional stability whereas her son is portrayed as cool, calm and collected. The ogresse, on the other hand, is Jack’s nurturer and the ogre’s housewife. In addition, the women are illustrated as oppressed, secondary, unimportant characters in contrast to the masculine power that is being represented through the depiction of the men in the story at the same time upholding the stereotype that mentally, emotionally and physically men will always be stronger than women which is how the ogre and Jack see their mother and wife: inadequate. Picture #1 The first picture illustrates the “idea” wife in her natural role and environment: repressing her needs and wants and taking care of everyone else but herself Picture
In the book The Bean Trees by Barbara Kingsolver, the wisteria vine functions as a symbol of Turtle’s growth throughout her journey, as well as the people that have helped her along the way. When Turtle is first given to Taylor, she is agonized and timid, without a clue of whom she can look to as a motherly figure. Taylor remarks how “the most amazing thing was the way the child held on... to [her]… it’s little hands like roots sucking on dry dirt.” (22) Turtle’s horrible past has mentally scarred her. She views Taylor as safety and is relying on her for care. Turtle’s need for Taylor is similar to a plant’s need for water. Neither can survive without the other. As time progresses the duo bonds more closely, and Turtle begins to open up. One
The next morning Jack went to the market and tried to sell the cow when he was confronted by a mysterious old man who offered Jack five magic beans.
Birds are a personal symbol for Turtle’s development. Throughout the novel, birds are tied to Turtle and major events in her life. Turtle makes her first sound when the car stops suddenly to avoid a family of quail. “I slammed on the brakes and we all pitched forward… ‘I think that sound was a laugh’...In the road up ahead there was a quail, the type that has one big feather spronging out the front of its head like a forties-model ladies' hat. We could just make out that she was dithering back and forth in the road, and then we gradually could see that there were a couple dozen babies running around her every which way” (Kingsolver 106-107). Turtle and Taylor have become comfortable as a family and Turtle has recovered from her previous trauma to the point that she makes audible noises and expresses herself. Just as the family of Taylor and Turtle has brought joy to the lives of Lou Ann, Mattie, Esperanza and Estevan, this disruptive family of birds bring joy and laughter to Taylor and Turtle. When Taylor takes Turtle to the doctor and learns the extent of Turtle’s abuse, she sees a bird that has made its nest inside a cactus. “I looked through the bones to the garden on the other side. There was a cactus with bushy arms and a coat of yellow spines as thick as fur. A bird had built her nest in it. In and out she flew among the horrible spiny branches, never once hesitating. You just couldn't imagine how she'd made a home in there” (Kingsolver 137-138). Just as the bird has
The book The Bean Trees, by Barbara Kingsolver, is a coming of age story about a young girl, Taylor, that is thrust into motherhood when a baby is left in her car. Taylor however, is not the only example of a mother in the story. There is Lou Ann and Esperanza, both literal mothers, but only one of them has their child to take care of. There is Mattie, one of the first people that Taylor meet in Tucson, and who becomes almost a surrogate-mother for both her, and also the refugees that she shelters. In all of the both literal and figurative examples of motherhood in the story, none of them really fit into the idea of a traditional family setting. Kingsolver is expressing to the reader that being a successful mother does not rely on whether the family is “normal”, but rather being able to do the best for your children.
The Bean Trees, by Barbara Kingsolver, is her first novel, published in 1988. It is a novel that tells the story of a young girl who leaves her hometown to create a new life for herself. Along her journey, she finds a group of friends who offer endless love and support, allowing her to fulfill a happy life. Although she is presented with many obstacles, she is determined to continue her journey, in which she is faced with a lift-changing decision. Taylor Greer, the protagonist in the novel, must take on the challenges of motherhood and accept her newfound responsibilities. In the novel, The Bean Trees, the author uses the key literary elements of setting, character development, and theme to create interest in a young woman’s journey through life.
In The Bean Trees by Barbara Kingsolver, Missy, also known as Taylor, goes on a physical and emotional journey in which she learns to become a responsible adult and to become a loving and nurturing mother. In Pittman County, Kentucky Taylor is an innocent young girl who finds herself bored with her small town and the only lifestyle she has ever known. When she finally decides to leave Kentucky, she drives straight through to Oklahoma and her life is forever changed. She is starting to realize how hard being an adult can be. While in Oklahoma on the Native American reserve, she is given a baby girl which she names Turtle.
Anaïs Nin dared to question the norm of society; she asked “how wrong is it for a woman to expect the man to build the world she wants, rather than to create it herself?” The two main characters in the novel, The Bean Trees, written by Barbara Kingsolver, are two young women who share a common struggle, Taylor Greer and Lou Anne Ruiz. The book changes protagonist between Taylor and Lou Anne whom are complete opposites. However they both deal with their hardships together in Tucson, Arizona. Most women end up pregnant and dependent on their spouse just like Lou Anne. Both of these protagonists learn from each other to improve their lifestyles. Women are not dependent on men; life is what you decide to do not society’s trends.
In the novel The Bean Trees, written by Barbara Kingsolver, a young woman goes through a life-changing journey where she overcomes many obstacles thrown towards her by life that included her becoming a mother of an orphan Indian baby although she did not intend to. Throughout her journey, Taylor experiences many drawbacks that ultimately lead her to show her true heroic traits. Taylor manifests her heroic character throughout the novel by demonstrating her problem-solving abilities and expressing her sedulous, altruistic and considerate personality.
The strength of the female population is constantly increasing. Women are gaining the courage to be stronger and more independent. Women are proving that they are just as strong as men, they are becoming CEO’s and running for president. Barbara Kingsolver wrote these three main supporting characters going through difficult events, but making it through them with the strength they have as single females. The female strength in these three women is one of the main themes in the book The Bean Trees by Barbara Kingsolver.
With good intentions, John controls his wife's life and makes all decisions for her, whether she agrees with them or not. His wife is full aware of the restrictions that her husband has imposed on her, but she is recessive to his control and often agrees with him. However, she fails to see “signs of her confinement: the bars at the window, the gate at the top of the stairs, steel rings on the walls, and the nailed-down bestead” (Korb). Because she is unable to escape from the isolation that her husband has kept her in, the woman seeks relief from the yellow wallpaper and she creates an imaginary relationship it. In fact, the worst thing her husband should not of done is give his unstable wife an object that is not appealing to focus on. In doing so, he has given her an opportunity to let her mind wonder and create objects that no one else sees. John, however, does not give any thought to this because after all, he thinks he knows what is best for his wife.
In order to properly view a story from a feminist perspective, it is important that the reader fully understands what the feminist perspective entails. “There are many feminist perspectives, and each perspective uses different approaches to analyze and interpret texts. One is that gender is “socially constructed” and another is that power is distributed unequally on the basis of sex, race, and ethnicity, religion, national origin, age, ability, sexuality, and economic class status” (South University Online, 2011, para. 1). The story “Girl” is an outline of the things young girls
Writer Ngozi Adichie says a feminist is a “person who believes in the social, political, and economic equality of the sexes,” meaning both sexes are treated equally. “Cinderella” does not portray women as equal to men, rather it suggests that a woman’s value highly depends on a man and teaches girls to become patient victims. For instance, it places attention on a woman’s chastity, beauty, passiveness, as the story accepts abuse, discourages powerful women, and insists on a double standard.
In paragraphs three through seven, Brady provides the reader with what she desires in a wife. Through repetition and tone, she shows the reader the unrealistic roles of a wife.
Once again, we see a female character dependent on her male counterpart for her well being. Lulu is very much a catalyst for the action in the story. Her suffering forces Mann to act, pushes him to use the stolen boat and ultimately seals his fate. The final archetype of women offered in the collection is the role of women as mothers. In “Long Black Song” Sarah is the primary caregiver and is responsible for looking after the house. Her primary concern is her child when Silas throws her from the house. This idea of women as the caregiver is evident in all of the stories. The mother figure in “Big Boy Leaves Home” frets about her son’s well being as the father makes arrangement to get his son to safety. Aunt Sue in “Bright and Morning Star” takes action to protect her son and his comrades. Throughout the stories we see time and time again that the place of the woman is in the private sphere, the home, while the men are far more assertive in the public setting.
"Jack and the Beanstalk" is an example of a Buildungsroman. As the tale progresses, Jack evolves from an immature person into a mature, self-assertive person. While minor differences exist in various versions of the tale, such as those between Joseph Jacobs' and Horace Elisha Scudder's versions, the tale can always be read as Jack's quest for maturity. Some critics, however, analyze the tale as one in which Jack remains spoiled and immature. While they make points which support their claims, careful analysis of the tale will reveal that Jack's struggle to grow up and to achieve maturity is representative of the difficult process of adolescent (especially male) maturation and the