The Beast In the Cave

The composer of the novel uses the monster to conflict towards Conor’s emotions to “speak the truth”, thus to demonstrate that there’s only one way for the protagonist to escape the nightmare and it is by confessing the ‘Fourth tale’. Additionally, throughout the chapter, the monster also illustrates the use of narrative devices of repetition and imperative voice towards Conor to “speak the truth or stay here forever”. Ness also demonstrates emotive language to help display Conor’s suffering and affliction, “the blackness was wrapping itself around Conor’s eyes now… it was suffocating him. It was killing him”, as the composer uses personification to help shape meaning to Conor’s soreness and pain. Furthermore, Patrick Ness also uses Conor to describe emotive language, “Conor’s eyes were filling now. Tears were tumbling down… nearly taken him over completely”, as it illustrates that the fear and darkness is suffocating and killing the protagonist. Therefore, the author uses the monster to help contribute to the character’s change, by establishing the use of language techniques to reveal the

Transformation plays a role in stories meant to scare us by playing with our imagination safety and mood of a story. Imagination appears in both Edgar Allan Poe’s, gothic fiction story “The Fall of the House of Usher,” by Usher’s isolated environment and in Joyce Carol Oates gothic literature story “Where is Here?,” by foreseeing who people are. Transformation also plays a role by it assists knowing our own selves are safe in a scary situation. This is shown in, “ Why do Some Brains Enjoy Fear?,” by Allegra Ringo and in “ House Taken Over,” by Julio Cortazar. Transformation plays with our imagination and our safety it also plays a role in the mood and setting. This appears in , “The Fall of the House of Usher,” and “The Dream Collector,”

A key element in horror stories is foreshadowing. Foreshadowing will make readers want to read more and it will also create suspense. Foreshadowing is nearly same in horror stories. Foreshadowing in horror stories such as “THE LANDLADY”, “THE MONKEY’S PAW” and “THE TELL- TALE HEARTS” and "The Hitchhiker" are very important and creates suspense for the readers which makes the readers want to read more.

This theme shows in a multitude of ways that the author utilizes throughout the story, but perhaps most significant is the central conflict

Battles and fights are some examples of conflict in most fictional stories. They can be many different fights, like the epic battle between good and evil, or a kingdom defending their land from enemies. When people think of the word ‘battle’, they may think of climatic sword fights and war. But sometimes, battles can take place inside of a person. Perhaps a character may have conflicting aspirations and desires that may cause an internal battle and maybe result in something catastrophic. Or perhaps a character has opposing personalities that might clash and cause something important to happen. In many works of literature, the writer

In Mary Shelley’s Frankenstein, the narrator, Dr. Frankenstein, enhances an atmosphere of horror through diction and imagery, which creates escalating a tone of darkness. Frankenstein had been working on this experiment for months, and on a late, fall night it finally presents itself. The narrator is extremely anxious, and images of a lack of light, his “candle… nearly burnt out,” promotes a tone of fear and disquietness. Frankenstein means to contrast the living and the dead by reviving a “lifeless thing,” but ends up locating the peak of dread.

All stories have at least one of three different kinds of conflict, man versus man, man versus nature, and man versus himself. Some stories, like Richard Connell's “"The Most Dangerous Game"”, use all three conflicts uniquely and clearly. When each conflict is put to a test of strength in the story, man vs man is the strongest. The weakest is man vs himself. And the final conflict is man vs nature. The three conflicts are used evenly so they end up being as significant as each other.

The short story “The Rats in the Wall” by Lovecraft, told in first person narrative, gives the reader a strong sense of his feelings and emotions. The narrator is the last of his family lineage, having lost his father, wife, and son. This loss plays and influences the horrifying events throughout the story.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

The Allegory of the Cave or also known as, Myth of the Cave, is a good example of explaining the feature of the way people think. It is a concept that demonstrates how humans are fearful of change and what they don’t know. Plato says that men are living in an underground cave and it is a situation. The Allegory of the Cave is Plato's explanation of the education of the soul toward enlightenment. Plato talks about being free, everyday life, knowledge, and essentially what he wrote to be true. I think that he was very unique with his writings because there are so many ways to look at the world and his way was just one. He was educated highly and is recognized as a philosopher to this day.

Each story ever written has many literary elements within it. Elements such as setting, characters, resolution, plot, and lastly conflict, Conflict is a major part of any story. The plot is centered around any sort of conflict in a short story or novel. It creates challenges with the story and within the characters. It keeps a reader entertained enough to see if the characters overcome those hardships. James Baldwin’s story, “Sonny’s Blues”, uses conflict as the main concept of the story, the conflicts and struggles wither make or break the characters in the story.

The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.

Horror Stories are a very popular genre of books. Some can be exceptionally malicious and gruesome in nature while others are tamer and rely on suspense. People tend to read these stories for the adrenaline rush, to explore the unknown, and to conquer their own adversities. Studies show that us as humans like to experience fear. We read and view scary stories so we can experience artificial situations of “fight or flight.” These scenarios, whether real or imagined, get your body ready for action by giving you an extra dose of adrenaline. The thrill and suspense that hangs over us while reading, is a welcomed feeling. Scary stories also allow us to explore the unknown. In books there are boundless supernatural realms, where wonder and horror walk side by side- realms were people rise from the dead, and fight their own

Stephen King once said, “We make up horrors to help us cope with the real ones.” Bram Stroker, H.P. Lovecraft, Mary Shelley, and Edgar Allan Poe may have been a few of the greatest authors of horror to ever live. Out of all of these authors, Poe may have written the most freighting tales. All of his stories are considered horror, but some of them have more horrific qualities than others. “The Pit And The Pendulum” is one of Poe’s most famous works. “The Pit And The Pendulum” by Edgar Allen Poe meets three qualifications of a true horror story.

The lush green slopes of the kelp beds had long since faded away, an ash and charcoal sand taking its place, dotted here and there by dark and gnarled husks of those who had ventured through before, and the innocent looking gray vines that had ensnared them. Swaying slightly in the current these vines looked as dead as the rest of the landscape, calm and deceptively innocent. Suddenly, the sea bed changes, a glassy surface of polished stones slope down towards a deep dark hole dominating the murky darkness ahead. In the center of this dark hole a shimmering light is barely visible. A sirens’ call to lure you in. It is the sea witches’ lair and once you have seen the light you are caught just as surely as if you got too close to the