The Beat Generation In Jitterbug Perfume By Tom Robbin

In the 1960s, Rock ‘n’ Roll was replaced in popularity by other branches of rock such as Acid Rock, Psychedelic Rock and Hard Rock as a hippie counter culture arose, mainly to protest against the Vietnam war. These new forms of rock provided social commentary on the wide range of assassinations and anti-civil rights actions that infested the country, and united those that wanted to end them. They too celebrated anti-authority actions, but now they were used to promote peace and drugs. Americans—mainly college students—were still rebelling against societal constraints, but instead of fighting against the conformity of white suburbia and their parents, they were uniting to fight against U.S. governmental authority. Rock in the 1960s still mainly appealed to the younger generations, but its influence was spreading. Folk Rock (Bob Dylan) was playing in protest, reminding the individuals there that they were fighting for peace, and Psychedelic Rock—which replicated or enhanced the mind altering experience of psychedelic drugs—created a soothing and new atmosphere in the U.S. Music festivals such as Woodstock in 1969 sprung up to promote peace, do drugs, listen to music, and enjoy being alive and young.6 However, this element of extreme partying and pleasure, eventually brought a few stars to early deaths, such as Janis Joplin and Jimi Hendrix. In the

The music shaped society during the 1900s, helping in the development of society’s social history. Music and society are highly influenced by one another. Music both inspires and motivates people to do what they feel is right. When we realize how they correspond with each other, it brings others together, for example, “On February 9, 1964, an estimated 70 million Americans tuned into the Ed Sullivan show”(Wong, 39), all different kinds of people in America came together to watch what was called “The Beatlemania”, which featured The Beatles. The Beatles inspired other music artists to push the way they play music in a new way. The more music being played, the more media it would receive, which would bring in more profits. Music is in every culture, such as, Christians who sued music as a praise to Christ, to thank him and worship his holiness. It is widely varied between all times, places and cultures. People express their emotions and ideas through their music. Music expresses people’s emotions, concerns, and feelings about situations like, the Civil Rights Movement.

Geoffrey Bennett’s article Hip Hop: A Roadblock or Pathway to Black Empowerment illustrates the influence hip hop and rap music has had on not only the music industry but mainstream culture, African Americans to be specific. Geoffrey Bennett, a senior English Major from Voorhees, New Jersey goes over many aspects of how hip hop came to be “the forefront of American attention.” He starts from its early history in the 1980s as an African American exclusive music genre to what is now a worldwide phenomenon. He reviews the affect it has had on the lifestyle of many people and the ways it’s changed the way people

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New

Management of Billy’s made several assumptions towards its newly acquired company, Little Drummer Boy. Management finally adopted the assumptions that the fair value of significant assets acquired was $865 million and that of other assets was $145 million. At the same time of the acquisition, management also decided that useful lives of the acquired plant and equipment were 30 years and 15 years, respectively, which were different from the 20 years and 10 years useful lives for the previously owned plant and equipment. Furthermore, management determined a useful live of 15 years for the acquired customer list. Regarding the $865 million assumption, auditors only adopted the procedure to compare the percentage used to

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

During the 40's and 50's, drug use was seen as a symbol of counterculture. Jack Kerouac and other important figures of the Beat Generation all

From the 1960s to the 1970s, the Hippie Movement was apart of the counterculture era. This was an age of renewal and change amongst society. People known as Hippies focused on pursuing a life different from the one proposed by mainstream culture. Hippies followed transcendentalism, which influenced their idealism of their understanding of nature and society. They often used drugs such as psychedelics, amphetamines, methamphetamine, and marijuana to experience spiritual and artistic awareness as well as self-fulfillment. They created a new culture of teenagers and young adults who dressed and acted differently from those before them. Hippies focused on experimentation and redefining themselves. Hippies helped influenced music, television, film, literature, and the arts and changed the societal norms.

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

The Beat Generation was one of the first groups of writers to break down the barriers of traditional literature and set a precedent for future writers with their writing style, their way of life, and by the messages they portrayed. They were the kids dressed in black, hanging out at coffee shops, reading their latest poetry. They

The beat generation were the first who wanted to be different they wanted change and rejected the social norm.The beat generation was known for inspiration and literacy development that believed in nonconformist and always asked questions.The leaders of this generation are famous male writers; Jack Kerouac, Allen Ginsberg, and William Burroughs. What about the women ? The women of the Beat generation are the same as the men; influential and creative. Both sexes had the same mentality but weren't treated the same. It seemed that women are only to stay at home and men were superior. This differentiation was also noted in the book On the Road by Jack Kerouac, who was one of the leaders of the beat movement. One example of this is when Sal visits

Jack Kerouac was one of a group of young men who, immediately after the Second World War, protested against what they saw as the blandness, conformity and lack of cultural purpose of middle-class life in America. The priorities of people of their age, in the mainstream of society, were to get married, to move the suburbs, to have children and to accumulate wealth and possessions. Jack Kerouac and his friends consciously rejected this pursuit of stability and instead looked elsewhere for personal fulfillment. They were the Beats, the pioneers of a counterculture that came to be known as the Beat Generation. The Beats saw mainstream life as a prison. They wanted freedom, the freedom to pick up and go at a moments notice. This search for

From the beats to the lyrics, the current generation of youth is engrossed in hip-hop culture, tending to idolize the artist behind the songs. Since the 1970s, hip-hop has influenced American culture tremendously. In the past, hip-hop held a central focus around inequality, empowerment and overcoming hardships. Today, hip-hop talks more about sex, money, a male dominant social standing, and drugs. Hip-hop, from then to now, has drifted to the darker side of the social spectrum. The majority of today’s youth were subconsciously thrust into a time when the darkness of hip-hop was nearing its climax. Young African American males

The elements of the Beat Generation’s poetry are drugs, sexuality, religion centering on the Eastern World, rejection of materialism and freedom of expression. The members of this movement were known as non-conformists and were spontaneously creative in their writings. Thomas Merrill states that the influence of drugs in the movement was: