The Beat Poetry Revolution Of The 1950-1960s

The evolution of the 1960s “protest song” has typically been associated with Joni Mitchell, but the expanding range of protest songs in the 1970s defines her continued presence as a leader in terms of environmental activism. More than just a vestige of the late 1960s, Mitchell continued to write protest songs long after many other artists from the 1960s had changed their lyrical content. In the “mellow turn” of early 1970s country rock and folk music, Mitchell represented a new environmental shift that moved away from the proto-typical antiwar songs of the 1960s. Mitchell, along with other musicians of this era, defined a shifting musical focus on songwriting and musical presentation during the early 1970as:

Langston Hughes once said, “Negroes - Sweet and docile, Meek, humble, and kind: Beware the day - They change their mind.” Poetry has had a profound impact on the society and culture of the American people, changing styles throughout the decades, but remaining steady in

During the mid 1900’s, New York City’s queer citizens were discriminated against and faced an anti-gay system. The Stonewall Uprisings were a set of raids and riots in the 1960’s that took place for six days involving thousands of people in Greenwich Village. They were the result of hundreds of years of discrimination and violence against gay and transgender people in America as well as the influence of new thinkers like the writers of the “Beat Generation” who were trying to express their individuality and unconventional thinking. Because of this movement, gay liberation and the fight for modern LGBT rights in the United States changed. Activist groups formed and were inspired to find safe places for them to express their sexual orientation

Allen Ginsberg’s revolutionary poem, Howl, is a powerful portrayal of life degraded. It represents the harsh life of the beat generation and chronicles the struggles of the repressed. Howl is a poem of destruction. Destruction of mind, body, and soul through the oppression of the individual. Using powerful diction, Allen Ginsberg describes this abolition of life and its implications through our human understanding of abstractions like Time, Eternity, and self. The poem’s jumbled phrasing and drastic emotion seems to correspond with the minds of the people it describes. Ginsberg uses surprisingly precise and purposeful writing to weave the complex

Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis

The late 1960’s and early 1970’s was a time of intense political change and shifting worldviews, especially in the Bay Area. Particularly, the summer of 1967, nicknamed the “Summer of Love,” had widespread political impacts, even though that was not the intention for some participants. With the emergence of LSD and new optimistic, loving mindsets, hippie culture shaped peoples actions in regards to prominent issues in the years following, such as the Vietnam War and the War on Drugs. This paper will explore how the Grateful Dead influenced and adapted ideas from this time period. Despite the band’s self-proclaimed apolitical stance, the Grateful Dead inadvertently influenced the proliferation of LSD, the War on Drugs, and drug use in conjunction

The Beat Generation phenomenon itself has had a huge influence on Western Culture more broadly. In many ways, The Beat Generation can be seen as the first modern "subculture". During the very conformist post-World War II era they were one of the forces engaged in a questioning of traditional values which produced a break with the mainstream culture that to this day people react to or against. There's no question that Beats produced a great deal of interest in lifestyle experimentation (notably in regards to sex and drugs); and they had a large intellectual effect in encouraging the questioning of authority (a force behind the anti-war movement); and many of them were very active in popularizing interest in Zen Buddhism in the West. During the 1960s other cultural movements absorbed "Beat" ideas and attitudes, and those who practiced something similar to the "Beat" lifestyle were

The historic beat generation served as a bridge to the hippies in the early 1960’s. They were radical poets who opposed censorship. They were outspoken and placed a great deal of emphasis on drugs, alcohol, and sex. They were known for their eccentric writing styles. “Much of the poetry in the mid-‘50s was in a kind of neoformalist and academic mode that was very tame and highly intellectual and spoke to a small and elite audience” (Interview). However, the beat generation spoke to the rest of the population. They were elite, for they came from top notch universities, nonetheless, they wrote about the forbidden topics. No censorship, everything was placed out in the open for everyone to see. A prolific figurehead arose, Diane di Prima. She

The beat generation was a movement that sought to oppose American society values, and any sort of control. They explored Eastern religions, was somewhat postmodernism, rejected the materialistic culture, spoke about drugs, our conscious mind, and fought for sexual liberation and exploration with their unapologetically offensive language. While reading the novel Jitterbug Perfume written by Tom Robbin, one can witness how the novel exhibits aspects of the beat literature, and thus concluding that the beat generation served as inspiration to Tom Robbin.

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

In the poem Howl, Allen Ginsberg challenges the modernity of American culture, which enforces the “best minds” (1) to give up their freedom to conform to the desired sense of normality. Ginsberg states “I saw the best minds of my generation destroyed by madness, starving hysterical naked/ dragging themselves through the negro streets at dawn looking for an angry fix” (9). His expression of Moloch The angry fix is what all of these “best minds” look for after being stripped of their freedom to conform to the new American culture after World War II.

To understand the sixties counterculture, we must understand the important role of Bob Dylan. His lyrics fueled the rebellious youth in America. Songs such as “Blowin’ in the Wind” and “The Times are A-Changin” made him favorable to anti-war demonstrators and supporters of the Civil Rights movement. He was commonly hailed as the spokesman for his generation. Dylan used lyrics to allow the youth to find their own form of counter-culture. The youth generation began to see the effects racism, war, etc. effect the society in America. To combat this, the youth created their own form of counter-culture to promote a peaceful change within society. Some of their actions include forming anti-war protests that opposed America’s involvement in the Vietnam War, and supporting African Americans/women get the rights they deserve through the Civil Rights Movement. Bob Dylan’s music appealed to the young generation because he openly expresses his disapproval of the establishment in order to influenced his audience to move in a direction for change. Counterculture youth rejected cultural norms of the previous generation and their values and lifestyles opposed the mainstream culture present in the 1950’s. The folk music revival of the early 1960s, as well as the counter-culture movement played an important role in advocating change. Bob Dylan wrote songs that influenced the Civil Rights Movement, New Left Movement, and Anti-War Movement.

The Beat Movement, beginning in the 1950’s, consisted of a group of American writers that went against the social norms of that generation. During that time in America, society bent themselves out

The Beat Generation is a literary movement during the 1950s that consisted of male authors including the widely known Allen Ginsberg, who explored American culture in their poems. The Beat Generation could be described as misogynistic and patriarchal due to their exclusion of women and concerns confined to only male outcasts. In Allen Ginsberg’s 1956 “Howl”, he brings his audience’s attention to male outcasts in society. In her 2015 “Howl”, a critical response to Ginsberg’s “Howl”, Amy Newman explores the oppression outcasted women endure in a male-dominated culture through the allusions of an admired female poet, Ginsberg’s original stanza form, and utilizing diction to convey a woman's perspective antithetically to Allen Ginsberg's original.

The elements of the Beat Generation’s poetry are drugs, sexuality, religion centering on the Eastern World, rejection of materialism and freedom of expression. The members of this movement were known as non-conformists and were spontaneously creative in their writings. Thomas Merrill states that the influence of drugs in the movement was: