The Beauty Myth By Naomi Wolf

Men do have different ways to respond to different situations than women, and it is

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

Throughout their lives, women of all ages are constantly being bombarded with advertisements convincing them they must meet an ideal of the perfect body image. This is all thanks to companies that share a common goal to influence the mainstream population into believing they need to purchase certain products in order to compare to the impossible standards set by the beauty industry. In Dave Barry’s “Beauty and the Beast” he displays that it is planted in young girls minds that they need to look, dress, feel, and even act a certain way. However, men aren’t as affected by these capitalistic marketing schemes. In short, the media has affected the way women think of themselves.

While reading “Beating Anorexia and Gaining Feminism” Marni Grossman, Grossman models how a woman’s image reins supreme towering over any other attribute she may posses merely to fit the beauty norm. By sharing her personal experience about recovering from anorexia, Grossman explains how feminism saved her life. Although growing up in a feminist-friendly household, she became engrossed in the standard of beauty mass-media projects at the age of 16. Because of the social

“The Beauty Myth” written by Naomi Wolf is an essay written to present how the advancements of women in social power lead to a societal backlash that lead to a woman’s value being equated to her appearance by both sexes. This devaluation of women has led to a harmful relationship with food and women subjecting themselves to mental and physical torture to be thin. Wolf describes in the 1920s was the first time that women became “preoccupied with dieting and thinness” after receiving the right to vote. In the 1950s, women’s curves were celebrated again because “their minds were occupied in domestic seclusion.” According to Wolf, when women were in male spheres, “that pleasure had to be overridden by an urgent social

Raina Kelley covers society's issues and cultural controversies for Newsweek and The Daily Beast.’s. In her article “Beauty Is Defined, and Not By You” aims to convince her readers that women success or not is not depends on beauty. “When I’m on m deathbed, I hope to be smiling in satisfaction about all I accomplished, not that I made it to 102 without any cellulite.” One of her goals is to remain all girls do not get influence by this society, just be brave and continue to reject that beauty is the only way to get ahead. Kelley used personal experiences, facts and examples, also counter argument to create a convincing argument.

The author, Naomi Wolf is an American writer, journalist and former political advisor to Al Gore and Bill Clinton. She has been intimately involved with and experienced the inner workings of our governmental system and its processes and policies. With the publication of her socially groundbreaking work, “The Beauty Myth” in 1991, Wolf’s name shot into the public awareness. Her ideas and perspectives lead her to becoming the leading spokeswoman for what was later described as the third wave feminist movement. She also wrote “Vagina: A New Biography” and four other books addressing sensitive social issues. Wolf has also written extensively on topics such as abortion, Occupy Wall Street, Edward Snowden and ISIS. Her work has earned her critical admiration and endorsements by many famous political and entertainment figures.

In other words, the more an individual is exposed to certain images – even alarmingly unhealthy ones – the more desensitized one becomes; in fact, what may have once been considered “ugly” may actually become desirable, if widely accepted and glamorized by the fashion industry. Furthermore, in the title of Bordo’s article, “Never Just Pictures,” we are given to understand that this prevailing cultural sickness is merely a “symptom” of more systemic issues. For example, Bordo touches on “deep anxieties” stemming from “Western philosophy and religion” which have been linked to eating disorders in America today; in fact, for those who are unfamiliar with her book, Unbearable Weight, a greater elaboration on this aspect would have been desirable. She also reveals other subtle messages underlying fashionable face-value images, many of which create powerful currents surrounding the development of eating disorders. According to Bordo, the endless barrage of images (regarding what the fashion industry deems perfection in appearance) serves to strongly communicate “fantasized solutions” to our challenges in life. It is a false narrative which goes something like this: “achieving the body- and beauty-ideal will magically make everything in my life right with the world; I’ll be beautiful, popular, strong, admired, in control, etc . . . .” Bordo’s point is that these types of fantasies may become potently motivational to the individual striving for “the cultural ideal” through starvation and other extreme

The movie Miss Representation begins with the quote “The most common way people give up their power is by thinking they don’t have any” written by Alice Walker. They use this quote to speak to the audience because society today is so caught up in being what they see in magazine or on television. The media portrays women to be “skinny, beautiful, tan, flawless” when most of us know what is really behind the scenes. The women who model in magazines either starve themselves to live their dream of being a model or they allow the photographer to Photoshop their body into being fit so that’s what the world sees. Young girls who look through these magazine or watch the television such as the “Victoria’s Fashion Show” begin to develop

In the article “An Image To Heal”, it is stated, “I have known hundreds of women who feel justified in their starving, binging and purging, and excessive exercise--their attempts to drain themselves of fat and mold their bodies into the illusions of perfection that pour into their senses from every direction” (Zimmerman).

The Beauty Myth is the last (and most dangerous) of a long line of lies concerning the "rules" of feminine attributes and behavior. It is the most dangerous because it has succeeded in effecting women's internal sense of themselves. It has created a standard of

Beauty is determined by society and their standards. Women are expected to be skinny, pretty and to be a thin size which puts pressure on women. The pressures of society persuade women to go through extreme measures to fit in with society standards. This is evident in the short stories “The Falling girl” and “They’re Not Your Husband” as the main characters are impacted by social expectations, insecurity and peer pressure.

Realistic representations of women in the media will teach women to strive to achieve attainable goals that have positive outcomes. Furthermore, the media’s definition of “beautiful” is not healthy.

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.