The Between Ancient Chinese And Their Relationships With Nature Essay

Shen Fu was a Chinese writer and art dealer who lived during the Qing Dynasty. He had a very strong love for his wife Chen Yun and she is the inspiration for his book “Six Records of a Floating Life”, which vividly describes their life and love together. Shen Fu discusses the happiness that he found in marriage to his cousin Yun, in his first chapter, “Joys of the Wedding Chamber”. He then goes into detail, and is even reminiscent, about enjoying the little things and his experiences with them in the second part of his book, “Pleasure of Leisure”. Next Shen Fu talks about the adversities that he and Yun have to experience, in their sometimes-trying

“Well, and I suppose that means you do not want to work on the land and I shall not have a son on my own land, and I with sons and to spare.’ This he said with bitterness, but the boy said nothing” This conversation between him and his son made him finally realize that they wouldn’t carry on their father’s great values, and that is because during the time he was rich he left some traditions behind. Wang lung valued his land and above all he had faith in his gods once again. Traditional values were forgotten by the result of wealthy living, the kids not caring about the farmlands and not understanding the earth gods prove that wealth destroyed ancient traditions.

Humans often find bliss in nature, as it can be a place of comfort for many. On the other hand, nature is also a place where we go to test our strength, and learn life lessons. By getting out there and letting the trials of mother nature challenge us, valuable encounters and experiences build our character in a positive way. Humans crave adventure. With nature’s resources, the glorified idea of adventure becomes a reality.

    Earlier this week we focused on ancient eastern China during the Han Dynasty and the east asian philosophies that arose during this time period. We reviewed three great asian philosophers, Confucius, Lao Tzu, and Buddha. In class we also picked from a list of quotes from these three philosophers a quote they said that really resonated with us and wrote a descriptive essay on it and shared it in class for extra credit.

The historical classic, “The Good Earth”, revolves around the life of Wang Lung, introducing the average Chinese farmer on his wedding day to the slave O-lan. Together, the newly married couple care for Wang Lung’s father and farm the land, prospering from the fruits of their labor. Their early life continues to bring great fortune when they are able to purchase land from the House of Hwang, who O-lan served, and when their first two children are born sons.

‘The sheer popularity’ of stimulating nature or using nature as ad space ‘demands that we acknowledge, even respect, their cultural importance,’ suggests Richtel. Culturally important, yes. But the logical extension of synthetic nature is the irrelevance of ‘true’ nature— the certainty that it’s not even worth looking at. (Louv lines 9-19)

The Great Wall of Ancient China: Did the Benefits Outweigh the Cost? The Great Wall was built by the Qin and Han Dynasty in order to protect China from the Mongols. However, the benefits of building the Great Wall of China did not outweigh the costs for building the Great Wall. In accordance to Document C, the soldiers had to leave their homes and families in order to work on building the Great Wall. This supports the claim because the soldiers had to sacrifice their families when they had already been sacrificing their lives to fight for China.

Usually you would hear of hundreds of people being killed by terrorist attacks, airplane crashes, or war, but in Ancient China, the Great Wall of China killed hundreds of peasants in the makings through forced labor. The benefits didn't outweigh the costs because through the makings of the wall, it separated families, killed soldiers, and families/ loved ones sacrificed their lives and lifestyle.

The world's longest man made structure started out as the world's biggest cemetery. In 221 BC Emperor Qin Shi Huang ordered for the construction of a great wall to protect, impress, and glorify Ancient China (history.com). His labour force was mostly made up of soldiers, peasants, convicts, and volunteers and it is estimated that 400,000 died during the construction (background essay). While the Great Wall costed Ancient China lots, it gave them protected from their biggest threats, protected merchants trading on the Silk Road, and opened China up to the rest of the world.

“ All our civilization is based on invention; before invention, men lived on fruits and nuts and pine cone and slept in caves “ - Reginald Fessenden. All major civilizations have a significant influence on mankind and the different inventions the civilizations produced. Although, it is evident that the Chinese Civilization has the greatest impact on the development of man out of all of the civilizations due to the innovation of gunpowder, and the discovery of the silk road.

Art that was connected to the afterlife typically was symbolic of objects needed for use after death and these were limited to the very wealthy. Although sometimes included on a grand scale, such objects spoke less about the beliefs of the afterlife and more about what was important to each individual before death. Additionally, the most common death-related art focused not on burial or the afterlife, but instead on the practice of the living honoring their ancestors. This lack of evidence linking the afterlife to the art of ancient China supports the thesis of this essay. There was, in fact, even less evidence of a correlation between the two than expected. In fact, art in ancient Chinese culture, even the art related to deceased relatives,

Throughout today’s society there are several different cultural perspectives which form theoretical and practical understandings of natural environments, creating various human-nature relationship types. In this essay, I will describe and evaluate different ways of knowing nature and the impact of these views on human-nature relationships. From this, I will then explore my own human-nature relationship and reflect on how my personal experiences, beliefs and values has led me to this view, whilst highlighting the strengths and weaknesses of each and reflecting upon Martin’s (1996) continuum.

The people nowadays also abuse on what nature can provide to them. People are influenced by the western Culture, Man is more powerful and can have dominion over nature and that nature as they see become merely an instrument to satisfy human needs and wants. This kind of thinking or we can say attitude towards nature is called the “Anthropocentric Attitude”. Man reduce the value of nature as it is and it’s important because nature has made all things specifically for the sake of man and that the value of non-human things in nature is merely instrumental. An opposite thinking would be the Eastern Culture, for they value nature very well and they treat nature being one with them. This thinking or attitude is known as “Ecocentric

In American Literature many authors write about nature and how nature affects man's lives. In life, nature is an important part of people. Many people live, work, or partake in revelry in nature. Nature has received attention from authors spanning several centuries. Their attitudes vary over time and also reflect the different outlooks of the authors who chose to discuss this important historical movement. A further examination of this movement, reveals prevalence of nature's influence on man and how it affects their lives.

A landscape painter “tended to be a recluse, an individualist, and a Daoist (Morton and Lewis 2005).” These artists thought of landscape painting as the “grandest and most satisfying way to represent nature as a whole, to feel a sense of communion with nature, and to know oneself to be part of an orderly cosmos (Morton and Lewis 2005).” Thus, one can see the implications of landscape painting lay not just in its beauty and simplicity, but also in its spiritual connection with Nature, and thus had wide appeal. The point of view in landscape painting was also of paramount importance. The Chinese artists understood that Western artists took in scenes from five or six feet from the ground. Chinese artists worked from a raised viewpoint, so that they are not bogged done by small details in the front and get a better sense of the whole scene (Morton and Lewis 2005). Every part of the image that is created has its own innate interest, and yet it all comes together and works well as a whole (Morton and Lewis 2005). It is clear that landscape painting was a cherished and important art form in Song Dynasty culture.