The Biblical Subtext in Samuel Beckett’s Waiting For Godot Essay

In the book of “Luke” in “The Holy Bible” Jesus is crucified and while on the cross he also calls out to his father, which is God. 7 After Luke is let out of the hole he goes back to his bunk, he returns ” broken by his tormentors and stripped of the respect of worshipful inmates”(William Web). They were disappointed because Luke finally gave into the bosses and they offer Luke no help at all. The other inmates appear sad and some are even trying. This is very similar to how Jesus was forced to carry his cross, and did not receive any help from his disciples, whom had followed him for years. His disciples only act sad and cry from the sidelines. 8 Dragline and Luke escape in the end and we see them hiding out in an orchard. Drag ends up selling out Luke’s whereabouts to the bosses, because he believes they will go easier on him. One of the saddest stories in ”The Holy Bible” is the story of how Judas betrayed Jesus and sold him out to be crucified in exchange for 30 pieces of silver. Jesus and Luke were both sold out to one of their closest and most reliable followers. 9 After Dragline betrays Luke, Luke is shot and killed by the man with no eyes. One of the last scenes depicts Dragline surrounded by inmates

Classical literature is filled with stories of capricious deities playing with human lives as if they were only toys. The Greek tradition of tragedy is based upon celebrating this very aspect of the nature of the pantheon of Greek gods. Sophocles finds a perfect example of this celebration of fate, in the tragedy Oedipus the King. Conversely, the Story of Job uses the dramatic tension of a "wager" between God and Satan on the sincerity of Job's devotion to God. Where Oedipus' life, regardless of personal choice, is bound up by fated situations and their fated outcomes, Job's story is one of choice in the midst of supernaturally imposed difficulties. While both strive to teach resignation to the will of God, they each espouse quite

Theatre is a complex art that attempts to weave stories of varying degrees of intricacies with the hope that feelings will be elicited from the audience. Samuel Beckett’s most famous work in the theatre world, however, is Waiting for Godot, the play in which, according to well-known Irish critic Vivian Mercier, “nothing happens, twice.” Beckett pioneered many different levels of groundbreaking and avant-garde theatre and had a large influence on the section of the modern idea of presentational theatre as opposed to the representational. His career seemingly marks the end of modernism in theatre and the creation of what is known as the “Theatre of the Absurd.”

When it comes to the crucifixion of Jesus, there are many different arguments that appeal to specific peoples’ beliefs or arguments as to what makes the most sense. What really is the determining factor though when we are deciding how we portray Jesus’ death? Is it our faith? Is it what logically makes the most sense to us? Is it what we are taught growing up by our parents or Sunday school? Could it possibly a mixture of all of those factors? Either way, we all have different beliefs and ideas when it comes to His death. One of the most popular arguments for Jesus’ crucifixion is that the reason he died was purely in place of us due to our sins; he was the ultimate sacrifice. In this paper, I will argue from a logical standpoint that not only does this theory not make sense, but Jesus’ life and choices were related to his crucifixion as well. The most logical circumstance is that, instead, Jesus died as a ransom.

The characteristics of a hero are simultaneously interwoven throughout the text in form of adjectives which include “strong,” “stouthearted,” and “bold.” When employed, these words trigger the formation of a mental visual that encompasses the components of a romanticized warrior or what some perceive to be a hero’s prime attributes. Additionally, specifically describing the gallows as “high” dramatizes the martyrdom enhancing in this way the image of a person who approached the site of his inevitable death dauntlessly. The capitalization of terms including “Hero” and the explicitly stated “Warrior” suggests that these are not mere words that are applied only to describe an honorable person but are also additional titles that can be used to refer to Jesus. Just as the “Father” the “Son” and “Holy Spirit” are thought to be titles pertaining to God, “Hero” and “Warrior” are titles that in this case are given to Jesus. Capitalizing both terms is also used to draw a parallel between them which suggests that the two are complementary to each other and as a result can be used interchangeably. Lastly, the capitalization of these two terms in particular is implicative of how much value placed on warriors who in turn were perceived as heroic during the Middle Ages which is when the poem is thought to have been composed.

Another work of Longfellow that included his faith was entitled "The Divine Tragedy". A character in "The Divine Tragedy" named Martha says, "Lord, dost thou care not that my sister Mary hath left me thus to wait on thee alone? I pray thee, bid her help me." Longfellow shows Jesus 's superiority through this character. Jesus always helped people in need, and throughout the epic, Longfellow uses characters to ask for help from Christ in order to show his divine trait and the helper of all in need. This play was composed in three acts and was based on the biblical account of Christ 's life. Longfellow intended to be a treatment of Hebraism and Hellenism. Hebraism is the religion of Jewish people who practice based on the Old Testament and the Talmud, and Hellenism is the principle and ideals associated with classical Greek civilization. The plot of this

In the book of Matthew, Jesus’ story of his crucifixion plays out. His case is brought before Pontius Pilate who rules in Judaea as a judge. Usually at these events “the governor was accustomed to release a prisoner for the crowd, anyone whom they wanted” (Matthew 27:15). The crowd has two choices: Jesus, someone who had had a history of healing and teaching or Barabbas, a convicted murderer and rebel; they choose Barabbas. Pilate wonders why the crowd wants Jesus to be killed so badly. Although Pilate tries to challenge them, they start to riot. He then washes his hands and proclaims to the crowd that he is “innocent of this man's blood” (Matthew 27:24), sentencing Jesus to be crucified and Barabbas to be released.

The play begins with Angel Cruz heavily praying to God; however, he could not preach the Lord’s prayer correctly because he does not remember the right verses which lead to his frustration. It was different to hear since there was cursing involved

Initially, Pontius Pilate did not want Jesus to be put to death as he saw him as innocent but was cautious to not offend the Jews. After examining Jesus privately, he returned to the crowd that gathered and exclaimed that the accused had done nothing worthy of death however, the crowd were displeased with his statement and would not settle with anything less than His death. Trying to maintain his judgement that Jesus was innocent, he offered the

Godot is vengeful, yet is also a savior to them. If they leave, they will be punished. Stay, and they are rewarded. Sounds an awful lot like the Judeo-Christian-Islam God. Godot represent a relief from this empty and boring stage, which perhaps represents life. We are all waiting for something, it's how we fill in the time until whatever is going to happen happens that is the subject of the play. Life has no meaning - this play has no meaning.

Jesus had to carry his own cross, that probably weighed two times his size, all the way up to wear the crucifixion was going to take place. Already beaten and bloody, they lay him down onto the cross shaped piece of wood and begin by nailing his hands and feet into it and standing the cross up into the air. What a brutal sight it must have been for God to see his only son tortured like this, but the good news is that he knew what his plan was for Jesus and for his people and he knew what was going to happen after all this was over. Jesus died hanging from that cross, washing all of our sin away and paying the ultimate sacrifice. After he died he was wrapped in a white cloth and placed into a tomb with a boulder sealing the door to the outside world. Three days after being placed in there, the people went to check up on the tomb to find that the boulder was pushed aside and the white cloth was folded neatly where Jesus was laying. The son of God, the Messiah, rose again from the dead to fulfill his mission so that we may have everlasting life in God’s kingdom. God’s plan for our life and through Jesus he teaches us that if we follow in God’s word and make him our most prized possession and ask for him to be in our hearts that we may to “escape the penalty that God will execute upon all who have broken His

Modernist fiction is incredibly dense and abstract. Writers from the twentieth century also seem to carry with them the weight of the world, and thus their fiction has been filled with realistic misery and pain. Still, these writers often add to this element with existentialist thematic structures, which construct a very unique and experimental viewpoint on a modern existence. This is what is occurring in both Samuel Beckett's Waiting for Godot as well as Albert Camus' The Stranger. The two a very different in format, yet both play upon the modernist idea of abandonment by God and the idea that there is an underlying sense of nothingness that guides modern life. Each focuses on the notion of free will and how it determines our lives in a world devoid of God. Together, these great works of contemporary fiction are a telling testament to the changing nature of sentiments regarding both religion and the meaning of life in a tumultuous twentieth century paradigm.

The whole play, including all the actions and the theme itself, is affected by the mention of Godot. Vladimir and Estragon spend the entire play waiting for this unknown being. Vladimir and Estragon are not even sure if they are at the right place or time for their meeting. They do not even know why they are waiting for Godot. The two homeless men never express any understanding about the reason for the meeting with the unknown man. Both the characters and the audience see Godot as a savior of some sort. He is the one who will bring salvation. He could be a Christ figure or another religious figure. Godot may also be a representation of salvation; this may or may not be a religious rescue. Godot may also be symbolic of the meaning of life that Vladimir and Estragon are searching for. . He is a reason they are still alive. Every day, Estragon wants to kill himself, but not only is there not enough rope, but there is also a hope that maybe, just maybe, Godot will appear the next day and everything will be different. Interestingly enough, Godot is also the one who keeps two friends coming back to the same spot, instead of wandering off and looking for a better place to live. Because of the endless promise that this one person will actually come, they do not leave the place. The character of Godot may be an interpretation of death since that would bring an answer to the questions that the two men are searching and

Another powerful scene that leads up to the cross is when Jesus carried the heavy wooden pole to a hilltop. In this scene, I was angry and shocked that the Roman soldiers made Jesus carry the heavy cross after his flogging. Jesus had no physical strength after his whipping. But this scene allowed us to see he was willing to take the cross and carry it up to the hill for our sake. We are constantly bombarded with this sacrificial and scandalous love where Jesus knows he is taking in the suffering for our sake. Many of the audience in the movie theatre are Christians, but can also be someone who wants to know Jesus more. When non-Christians see this scene, they may start questioning why is Jesus carrying the heavy cross up to the hill. The movie is portraying extremely why Jesus had to take the cross because he wanted to reveal his love for us. This is not the universal love that we relate to but is a sacrificial and scandalous love which Jesus wants to pour out to the audience. And the visualization of Jesus who is physically incapable of carrying the cross doing the impossible. This visualization allows me and others to sympathize with Jesus, but to understand why Jesus is taking the cross. Jesus is doing to show his love for us and humbling himself before the final act.

In Waiting for Godot, Beckett often focused on the idea of "the suffering of being." Most of the play deals with the fact that Estragon and Vladimir are waiting for something to relieve them from their boredom. Godot can be understood as one of the many things in life that people wait for. Waiting for Godot is part of the ‘Theater of the Absurd’. This implies that it is meant to be irrational and meaningless. Absurd theater does not have the concepts of drama, chronological plot, logical language, themes, and recognizable settings. There is also a split between the intellect and the body within the work. Vladimir represents the intellect and Estragon the body, both cannot exist without the other.