The Big Sleep : The Relationship Between Marlowe And Vivian Rutledge

In any genuine friendship there are the differences between the people that spark curiosity, yet, it is similarities that draw two together to form a tight bond. This is evident in the friendship that starts between Vivian and Molly. Vivian, from outward show, does not display the slightest similarity with Molly. It is not until one examines the often tragic back stories of both that striking parallels begin to be made clear. By the time all is uncovered, the likenesses shared between Vivian and Molly far outweigh any disparities. In examining the relationship between Vivian and Molly, a perfect balance is struck in Orphan Train by Christina Baker Kline.

     Finally, in a heated, tearful, and heart-warming debate, Mr. Emerson (George’s father) gives Lucy the last ounce of strength that she needs to complete her transformation from a petty young woman to a subtle heroine. Mr. Emerson sees right through her false excuses for breaking off with Cecil and forces her to realize her genuine feelings of love for George. Lucy succumbs to her passion and overcomes the confining condition of her social class. She tells her family and friends of her love for George Emerson, refusing to hold on to her “distinguished and proper'; behavior, giving into her true desire, and transforming from a petty young woman to a subtle heroine.

While each proses a serve of justice and determination to do the right thing; the men approach the crime scene emotionless, indifferent and determined to go in and get to the bottom of the mystery as quick as possible, and push aside the little details. Little do they know that the things they are putting off could be very essential to their case? For example, in a conversation between the attorney and Mr. Hale who remarks, “..I said to Harry that I didn’t know as what his wife wanted made such a difference to John..” who was interrupted by the attorney in mid conversation and interjects, “Let’s talk about that later, Mr. Hale. I do want to talk about that, but tell now just what happened when you got to the house.” (1127) Meanwhile, while the men are out on their hunt for clues, the women stay in the kitchen to look through Mrs. Wright’s things and discuss a motive for why she killed her husband. Glaspell proposes a plan that by looking deeper into circumstances, you may in turn fully understand its true meaning; leaving no stone left unturned.

The proceedings which take place before the Duke of Venice cause the young wife to assume a heretofore-unheard-of role for herself – that of barrister. She is compelled by the situation to stand before the senators and duke, members of the City Council of Venice, and present her side of the story in a convincing manner. As a lawyer she does remarkably well.

The proceedings which take place before the Duke of Venice cause the young wife to assume a heretofore-unheard-of role for herself – that of barrister. She is compelled by the situation to stand before the senators and duke, members of the City Council of Venice, and present her side of the story in a convincing manner. As a lawyer she does remarkably well.

In contrast with interviews that James conducts as a source or witness, in which he sets the mise-en-scene, James tends to keep the camera true-to-life with the mother (Bellour, 50). James maintains a shaky camera technique to solidify his position as “the eye looking into their world.” During panning or other establishing shots, narrated sequences, and interviews with characters, a tripod is used to separate those moments from the story. Although not entirely non-diegetic, the interviews are spaces in the film shot outside of the story. The audience is given confirmation of how William and Arthur must be feeling during this time, allowing character development. Along with the ethical concerns of not tampering with reality, aesthetic efforts during the interviews was necessary to separate them from reality (Ellis, 222)

Mis-en-scene shows Viven matching Marlowe in wit and power. ‘You're not very tall are you?' represents the ‘higher standing' in society as a woman in late war America.

Vivian is Grant’s beautiful, passionate, and smart girlfriend. She teaches at a black Catholic school in Bayonne. During the book she is married, but separated from her husband, so her relationship with Grant is kept a secret. She has two small children with her husband. Vivian loves Grant but often distrusts him because of his lack of loyalty to his people and hometown.

No other film was as controlled in its production as The Big Sleep. Every aspect of the film is so precise, that the filmmakers left nothing to chance. Every set was built inside, with the exception of a few exterior shots. The Big Sleep is a very visually interesting film that uses quick and precise cutting, harsh lighting, and wonderfully framed shots.

   In response to Raymond Chandler's The Big Sleep, I have just one question. Why all the similes? There isn't a single page in the novel that doesn't display this annoying literary device. Everything is "like this" or "like that." It never ends! Similar to decoding a secret message that isn't difficult to understand, but nevertheless tiring due to the overwhelming amount of messages, the novel is frustrating to read. The following analysis acknowledges Chandler's creativity in developing his main character, Philip Marlowe, with his usage of simile. However, the excessive style of the novel creates a dominating force that ultimately leaves the reader unfulfilled at the end.

The impression the reader gathers about Carmen from the first conversation she has with Marlowe and the description is that she is immature and very childlike. Contrary to the description of Carmen, Marlowe's description of Mrs. Regan's is one which allows the reader to see she is a more sophisticated and intelligent woman

As the novel progresses, Vivian reveals more of her complex character and distinctive ability. Vivian’s plots are complexly woven, and her lies have a direct purpose: to protect Carmen. She even has a strong sense of fairness, holding up her end of Eddie Mars’s deal and upholding Marlowe’s moral standards. Later on in the novel, Vivian maintains her initial struggle for independence, but begins to succumb to Marlowe’s overpowering strength and ability.

Phillip Marlowe (Humphrey Bogart), P.I, is hired by the rich General Sternwood to out a blackmailer, but quickly finds himself tangled in the Sternwood family’s dirty laundry — it’s the classic film noir narrative. At the center of it all seems to be Vivian Rutledge (Lauren Bacall), a Sternwood daughter, and the woman attempting to cover up the murder at the bottom of Marlowe’s case. I used Vivian’s tidy adherence to the femme fatale archetype to dig deeper into its true message about women’s nature, beyond the mysterious façade.

In The Big Sleep, Chandler portrays Marlowe as the knight in shining armor. This establishes a motif of the stained glass window in General Stern wood’s home in the first chapter of the novel and is an appropriate motif in dictating Marlowe’s knightly role in the novel. The stained glass that is reflected in the novel places Marlowe in the position of the knight as it shows a knight who strives to reach a woman to set her free. The fact that he stares at the glass makes him develop the need to offer assistance. This motif is suitable because it sets the stage for what is to take place in the aftermath when Marlowe rescues Carmen. Secondly, Chandler tries to connect Marlowe with the knightly personality from the beginning of the novel that he intended to name his detective the modern knight and a brave man fighting for General Sternwood. He takes the role of the servant to Sternwood’s lord and therefore, in the knightly terms, it is sufficient to say that Marlowe is striving to find justice. Moreover, he is dedicated to rendering his services in the line of duty with much loyalty and honor despite the sexual and financial temptations that come his way. Like the ancient knights, Marlowe has deeply invested in his personal code of chivalry that contain among others, the need to overcome the sexual temptation of whatever magnitude that comes his way. Lastly, as a representation of the modern-day knight, Marlowe comes out in the novel as a tough detective and a brave individual

Much Cunningham's portrayal of Virginia, who is working on her famous novel "Mrs. Dalloway" as the story opens, deals with her feelings about life in the suburbs, a life in which her husband dictates such small details of her everyday life as bedtime, how long she will be allowed to work, and even whether or not going