The Birthmark, And Rappachini's Daughter, By Nathaniel Hawthorne

The main literary device in this story is symbolism. The birthmark seems to represent many things to each character described. Hawthorne seems to use the concept of science to symbolize the flaw of perfection. The symbolism of Aylmer’s science and knowledge takes its turn shining a spotlight, as a narrative nod toward the practicality and perfection of science.

Nathaniel Hawthorne was one of the representatives of the Dark Romanticism genre. The cultural and literal context, stylistic features and main themes of the Hawthorne’s short story The Birthmark will be discussed in this essay.

The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief

Hawthorne writes puritanical allegories. "The Minister's black veil" and "young goodman brown", are religious allegories where the main

Nathaniel Hawthorne was the author of multiple short stories and poems, all of them in the Dark Romantic genre. Hawthorne gained his inspiration at home with his mother, sisters, and his wife, Sophia Peabody who was a poet as well. In his writing, one of his strongest traits was his use of allegory. Hawthorne often uses allegory in his short stories to add a different perspective onto his many works. In his short story, “The Birthmark,” Hawthorne utilizes foreshadowing and symbolism to portray the allegorical lesson that striving for perfection results in troubling outcomes.

When reading a story, people do not often think about how much it might relate to another story they have read in the past. In “The Birthmark” Georgiana simply wants her unique birthmark removed from her face. Similarly, in “Barbie Doll” the unnamed young lady wants her nose and legs removed. In both of these stories the reader can see that these women are chasing society’s idea of perfection. The short story “The Birthmark” written by Nathaniel Hawthorne and the poem “Barbie Doll” written by Marge Piercy have almost the exact same theme because both of these short works of fiction are about a woman that is influenced by her peers to become

In “Young Goodman Brown” and “The Minister’s Black Veil” Nathaniel Hawthorne writes about a recurring theme of sin. Although sin is present in both of these works, the way that the characters come to deal with this innate sin of humans is very divergent. In both works sin is somehow concealed from others and keeps them from reaching a point of goodness. “Young Goodman Brown” and “The Minister’s Black Veil” can be considered counterparts and both depict the theme of sin and evil.

Many of Nathaniel Hawthorne 's stories are based off of morality and is heavily influenced by religious beliefs and women. Hawthorne published "The Birthmark", a parable, dark romanticism, at a time when people praised the scientific method and were starting to think science could make anything possible. He set his story about sixty years earlier in the 160-year-long wake of the Newtonian Revolution, in the Age of Enlightenment, when science was gaining recognition. His story argues that, despite the general positivism, science has its limits. There are certain things that human are not privileged to know and not capable of doing. For example, Aylmer tries to become a creator of sorts himself by trying to "repair" a "flaw" that Nature left on another human being. The story seems to say tha it is not only ignorant, it is also downright dangerous to try and play God. "The Birthmark" puts the main protagonist, "a man of science", in a situation where he strives to make his "nearly perfect" wife flawless. At the end, because he tried to challenge Nature, he is punished with a dead wife. In "The Birthmark" by Nathaniel Hawthorne, the entire plot of the story is fully revealed at the beginning of passage and tied to religious beliefs through its setting and time of publication, symbolisms and foreshadows, and sentence structure and diction.

Sin, a dark and powerful force, twists the soul and warps the mind to the point where it leaves society with unconquerable difficulties in everyday life. Nathaniel Hawthorne, quite successfully, uses literature to its full potential in order to express sins presence in life. He uses the short story, “The Birthmark” to express this theme. In this story, a man by name Aylmer for the first time sees a small defect in his otherwise beautiful wife, Georgiana. When Aylmer mentions it to her, she feels hurt, but it does not seem to affect her self-image. However, as time went on, the birthmark started to bother her causing her to believe she was flawed and in need of fixing. With the assistance of Aylmer's servant, Aminadab, Aylmer creates a miracle drug that would cure his wife of her imperfection: the birthmark. The possibly deadly drug incites fear in her husband; however, the blemish on her face troubles her, as well as her husband, to the point where she believes her life means nothing unless she could get it removed. After much meticulous preparation, the wife takes the cure. At first, everything seems well as her birthmark faded, however soon everything goes wrong, and Georgina has a terrible reaction. Soon after taking the cure she dies, leaving Aylmer heartbroken and alone without his wife. In, “The Birthmark,” Nathaniel Hawthorne brings to light sin’s presence in society through the use of allusions, symbolism, color, and beauty.

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

Aside from Hawthorne?s use of symbolism, his extensive use of imagery also contributes to the notion that man cannot perfect nature. Aylmer?s true goal in this story is to force Georgiana to believe that her birthmark is ?a symbol of [her] liability to sin, sorrow, decay, and death? (204) and she must rid herself of it. He creates this image in order to brainwash her into believing that it is a ?dreadful hand? (207), and she, too, should wish it away. Finally, after gazing at, and studying the birthmark, this horrible image in which Aylmer had implanted in the mind of his lovely wife has become all too unbearable. Georgiana, feeling unworthy of her husband, freely surrenders herself to Aylmer and his science. ?Either remove this dreadful hand, or take my wretched life,? (207) she tells him, while rationalizing the validity of science on such a thing. Another image Hawthorne makes use of, in order to potentially change the mind of Georgiana, is that of the geranium, once diseased with yellow spots of death, is now full of life. The diseased flower symbolizes, in the eyes of Aylmer, a diseased Georgiana.

Nathaniel Hawthorne is respected as “one of the great masters of American Fiction” (“Hawthorne, Nathaniel” 363). He is an accomplished author who wrote novels as well as children’s literature. However, Hawthorne’s strength is American short story; his “haunting” tales are undeniably responsible for establishing this genre as a “significant art form” (“Nathaniel Hawthorne” Columbia 1). He is known for his “penetrating explorations” of the conflicts within one’s conscience and the consequences that plague his characters, as a result of their disobedience (“Nathaniel Hawthorne” 1). These “dilemmas” of the “human condition” are prominent in his story, “The Birth-Mark” (Tuerk 1). Mosses of an Old Manse, is a compilation of short stories; which

In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.

Hawthorne uses the theme of sin to create the image of a man who cannot accept the sins of mankind around him. Though the burden is not his to bear alone, Goodman Brown feels as though the sins of society have consumed him. “Young Goodman Brown” reveals a truthful representation of the Puritan lifestyle and the effects that sins have on the conscience of an individual. Events such as the Salem Witch Trials, intolerance of the Quakers, and King Phillip’s War have subtle reference in Hawthorne’s work, which aide in the presentation of the darkness of sin society would have faced (Eberwein 29). Hawthorne uses the story

Hawthorne marks his characters as potential usurpers of God who are undermined by an inability to negotiate with human chaos. Confronted with examples of imperfection or fragmentation, the scientific minds of "The Birthmark," "Rappaccini¹s Daughter," and "Ethan Brand" attempt to efface or fuse flaws as they seek an impossible ideal of total encapsulation and order. Unsatisfied with writing a Psalm, they try to script the entire Bible. This analogy is not incidental, the three stories are all, to some extent, revisions of the Garden of Eden tale. The trio attempts to reconfigure Original Sin, either by blotting it out or by internalizing and conquering sin to the point of