The Birthmark Reflection

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

Georgiana knows the strain this is putting their marriage. Georgiana begun to contemplate the removal of the birth-mark as well, "Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost to both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity; or it may be the stain goes as deep as life itself. Again: do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little hand which was laid upon me before I came into the world?" Aylmer assured her "Dearest Georgiana, I have spent much thought upon the subject," hastily interrupted Aylmer. "I am convinced of the perfect practicability of its

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

The Birthmark by Nathaniel Hawthorne is trying to communicate some important ideas about a variety of themes, he articulates a few weighty themes around this brief argument: the struggle between science and nature. In a story full of successful and almost magical scientific experiments, it is intact nature itself that is more powerful than any creation made by man. As is to be expected, this path to perfection also includes the creation of life and the victory over death. In the birthmark Aylmer does not see, like others who pretended Georgiana's hand before him, a singularity that accentuates her immaculate beauty. He sees in that crimson little hand an indication of decay and death. And also of immorality and sin, in tune with the belief

Can you imagine a world without imperfections? A world where everyone is perfect is unattainable, but if scientifically there were a way to eliminate imperfections and life threatening diseases, presumably, many people would be curious. In Nathaniel Hawthorne’s short story “The Birthmark,” the author explores the idea of perfection with the help of science. Modern examples of this are mentioned in articles posted on NPR.org and time.com, genetically modifying DNA in human embryos has become largely controversial. By using a method called CRISPR, first, it identifies the defective gene, and then it cuts and repairs the gene, not only for that embryo, but for generations to come. With all the scientific knowledge that we are gaining, we

     Alymer is an older scientist who marries a beautiful woman much younger then himself. Even though Alymer finds his young bride beautiful, he still says that she is “marked.” Upon Georgiana’s left cheek is a birthmark. The birthmark is small, red, and in the shape of a hand. Alymer believes that this mark takes away from her beauty;

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

Georgiana’s birthmark is the main symbol in the story that could have multiple meanings. It is clear what the birthmark symbolizes when Georgiana declares, “I am happy to put my life in your hands,” (Hawthorne 3). Aylmer is ready to start his experiment when Georgiana says she is willing to be a part of it. What Aylmer does not know is that the birthmark actually symbolizes her mortality and when she says she is happy to put her life in his hands, she actually means that her birthmark is her lifeline and she is happy to put it in his hands. Aylmer wanted his wife to be perfect, but he only made the outcome worse with trying to remove the mark. Another example of symbolism is when Hawthorne writes, “The mark was usually a deep red color,” (Hawthorne 1). The color red could symbolize one of many different things, but it mainly symbolizes the color of blood. Blood is a main part of one’s body and mortality, and when the birthmark is described by its deep red color, it means that the mark is her source to life. After the tragic death of Georgiana, Aylmer finally realizes that the birthmark really had been her mortality. Aylmer is so deeply caught up in forcefully trying to get Georgiana to let him remove her birthmark, he does not recognize the true perfection that was there all along. Symbolism helps the theme that is portrayed throughout the story that trying to be flawless results in a devastation.

The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end

Written by Nathaniel Hawthorne during the American Renaissance, the short story “The Birth-Mark” details the events of a brilliant scientist and natural philosopher named Aylmer who obsesses about his wife Georgiana’s birthmark in the shape of a tiny hand on her left cheek. The symbol of the birthmark causes the plot to advance in the story, as Aylmer is compelled by this red mark to act upon his emotions. Aylmer views his wife’s birthmark as an imperfection in her virtually flawless beauty and as a result, attempts to it via a potion that he strongly believes cannot fail. His interpretation of the birthmark creates conflict in the story, which is shaped by the symbolic meaning that he attributes it to. Aylmer’s failure to accept his wife’s appearance for who she is leads to misunderstandings, pain, and ultimately, death.

Too often in this world does man attempt to perfect nature. Tampering with this sort of element most commonly leads to a disaster to come extent. Because man is never satisfied, he is constantly vying for perfection, regardless of the outcome. Such is the case in Nathaniel Hawthorne's short story, 'The Birthmark.' Aylmer's persistent attempt to perfect nature is the cause of Georgiana's demise and the affirmation that when man tampers with such a powerful component terrible things may occur.

One of those signature tales is “The Birth-Mark”; it is a story about the union between a man of science, Aylmer, and a woman of beauty, Georgina (Hawthorne 12). Hawthorne adorned this piece with deep, thought provoking symbols; such as the one on Georgina’s cheek. The mark is more than just a physical attribute on her skin; to Aylmer, it was a “symbol of his wife's liability to sin, sorrow, decay, and death”, in essence the mark is her humanity (14). All humanity strives to get rid of their defects; as well as Aylmer, as his experiment is to rid Georgina of her flaws. The birthmark became more and more present to Aylmer after his marriage; he began observing his wife’s appearance and developed a morbid obsession with the “singular mark” on her cheek (13). The mark is described as being “deeply interwoven” in her skin; it is a part of her being, and not just of her appearance (13). The birthmark resembles a hand; the shape’s importance is recognized

In “The Birthmark”, the relationships and behaviors of the characters play a significant role in the story by revealing more than the story itself does . Through the character’ different actions, characteristics, and behaviors, Nathaniel Hawthorne gives a deeper insight into his life, such as revealing his worldview to his readers, and also gives insight into a more relevant story. Hawthorne’s transcendentalist worldview is conveyed through Aylmer’s and Georgiana’s obsessions, Aylmer’s manipulation of nature, and the birthmark.