The Bishop's Candlesticks Essay

A common theme in many great works of literature is that of forgiveness. Through studying some of these classics, we can learn the lesson that forgiving others, lets you to let go of hate and anger, and to draw nearer to God; this helps people to be happier and to obtain peace, even in terrible circumstances. First, in Left to Tell, Immaculée was able to find comfort and peace, when she found it in her heart to forgive. Second, in Blood Brothers, Elias found comfort and strength in the understanding that Christ loves and forgives all. Third, in Les Miserables, we see the results of being selfless and choosing to forgive. In this essay, we will examine this fundamental theme in the books Left to Tell by Immaculée Ilibagiza, Blood Brothers by Elias Chacour, and Les Miserables by Victor Hugo.

The minister they had once sought for comfort and solace has become a seductive, mysterious stranger with whom nobody can identify. The congregation feels as though Hooper can reach into their souls and see all the inadequacy and sin hidden within. As expressed in the story, "Each member of the congregation, the most innocent girl, and the man of most hardened breast felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought." Because of his vow, the minister is forced into a life of solitude, forever lacking satisfaction and comfort.

The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched

Working Thesis: In “A Good Man is Hard to Find”, O’Connor uses the corrupt, manipulative character of the grandmother, as well as the story’s plot and theme in order to emphasize the flaws of the church and the need for grace.

“Doubt can be a bond as powerful and sustaining as certainty.” Based upon a few indirect details and various intuition, the ultra-strict, Sister Aloysius Beauvier believes that one of the priests, Father Flynn, at the St. Nicholas Catholic Church and School has been molesting a twelve-year-old boy named Donald Muller, the school 's only African American student. To help her, Sister Aloysius recruits a young and naive nun, Sister James, to assist her in monitoring the suspicious yet charismatic Father Flynn. She also addresses her concerns to Donald 's mother, who surprisingly is not horrified or even shocked by the allegations. She is more concerned about her son getting through high school and avoiding a beating from his dad instead of what her son is going through at school. Close to the ending of the play

While outdated traditions obtain the ability to negatively impact the relationships between characters, they are also capable of creating internal conflicts within a character. In both texts, readers witness the effect traditions have on one’s morality, mental mind, and sense of identity. The occurrence of atrocious, old traditions plays a significant role in corrupting one’s morals, inducing conflict with a character’s past values. This is clearly exhibited when “Mrs. Delacroix selected a stone so large she had to pick it up with both hands” (51). The ritual itself of hurling stones at another human is a demoralizing act that should not be justified by society, and reveals her iniquitous and immoral traits as she lacks awareness of her dehumanizing actions amidst participating in the ceremony. Mrs. Delacroix picks a colossal stone amongst a variety of possible sizes, demonstrating her loss of morals and redefined focus on the power she obtains from this abhorrent tradition. Moreover, traditions from the past are

The Canterbury Tales, written and narrated by Geoffrey Chaucer, explores manipulation and dishonesty in the Catholic Church. The Nun in “The General Prologue” exemplifies improper qualities to which a Prioress should have. Along with the Nun, The Friar in “The General Prologue” uses false information to gain customer. In “The Pardoner’s Tale,” the Pardoner uses greedy tactics to wield other pilgrims into buying his relics.In Geoffrey Chaucer’s Canterbury Tales, Chaucer uses the Nun and the Friar in “The General Prologue” and the Pardoner in “The Pardoner’s Tale” to show the hypocrisy in the Church.

In the book The Castle of Otranto the people of the castle are surrounded by unexplainable events. These events are in most cases damaging to one’s own mind. Those who are seen as great and loving are turn in to violent and unpredictable individuals. Those who were affected include the highest level of nobility, down as far as to the simple servant. While denial is shown by them there is no doubt that they have changed, and only in disastrous ways. Weather the person has good intentions or not they are changed and their intention becomes what they do. A corrupt power which cannot be stopped. People may try to help and form the person to their former self but in The Castle of Otranto this is not the case. When people react to unexplained

The protagonist’s transformation begins when the bishop recognizes Jean Valjean’s human soul that is capable of goodness. When he is put out into the streets, Valjean goes from place to place being rejected for being a convict until he meets the bishop who sees him as a common person, “That men saw his mask, but the bishop saw his face”(75). Even though people might be good, they don’t always see someone’s true soul. The bishop’s simple act of kindness and deeper understanding

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.

When terrible things happen to good people there are two paths that can be traveled: forgiveness can be offered, or vengeance can be pursued. Madame Defarge from Charles Dickens’ A Tale of Two Cities, takes the latter of these two options and religiously lives by it, seeking revenge on the cruel heartless aristocracy plaguing France with famine, poverty, and oppression; however, the reasons behind her malice force the reader to understand why she performs such hateful acts during the French Revolution. Madame Defarge, though intelligent, is consumed by her hatred and has transformed into something just as bad, if not worse, than the members of the aristocracy.

Booked into custody and physical injury are extortions no longer, of almost all circumstances, he can bribe his way out? Yet, if whatever thing, Candide is much dissatisfied and doomed as a rich man. The possibility of seeing his money drop away into the hands of unprincipled merchants and officials puts his hopefulness in a trial in a way that no extent of flogging could. In fact, when Vanderdendur frauds him, seems to hit Candide’s optimism an all-time low; at this point it is that he selects Martin as his traveling companion who is pessimist. Candide’s wealth appeals untrue friends persistently. He could not praise great piece of art because Count Pococurante’s money pushes him to such discontented monotony. As terrible as the poverty and oppression that disease the poor and weak may be, it is obvious that money—and the power that goes with it—makes at least as many difficulties as it

In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.

In summary, the desire for money and social status ends up in taking the protagonist's life. The author, D.H. Lawrence reveals the theme exceedingly well through the use of relations between the engraved characters and the symbolic inferences. Paul in the end receives the attention and love which he longs for, but unfortunately his mother realizes this too late. The author in the end succeeds in revealing the theme which makes this short story more

In his novel, Les Miserables, Victor Hugo identifies the principle social evils of French society through the actions and qualities of his characters. By depicting each of his characters’ struggles through destitute and oppressed measures, Hugo is able to identify the social errors of 19th century France. The fact that characters such as Valjean, Javert, Fantine, and Cosette, attempt to rise above poverty and redeem themselves indicate that such inequalities did, and still do, exist to this day. Through the use of feminist ideals and the criminal injustice system, Hugo attacks the principle social evils that each of his characters face in Les Miserables.