In Kelly Brown Douglas’ book The Black Christ, she remarks that “the Black Christian experience has been one in which Black people have consistently confirmed the presence of a sustaining and liberating Christ in their lives.” Essentially, Black Christianity has a high christology and dependence on a Messiah who is a liberator among many other things. From the times of American chattel slavery and the introduction of Christianity to the enslaved Africans brought from their homeland to a strange land as property, the people of the African diaspora have reshaped this religion to suit their desire to be a free people. A central figure that captured the hearts of the enslaved people was Jesus. His ministry outlined a love for the oppressed …show more content…
In my own theology, I grew up believing that Jesus was Black. From Sunday School lessons detailing the description of Jesus in scripture to the Black Jesus artwork that hung in my home, I was surrounded by the idea of a Black Jesus. Even with so much affirming this view of Jesus, I was still very well aware that most people assumed that Jesus was white. Although my home had a black symbol of Jesus on the walls, my grandmother still had a standard portrait of Jesus with light eyes and shoulder-length brown hair. In my bibles as a child, there were white Jesus’s depicted. Even in some of the churches I would visit with my family and church congregation, there were white Jesuses looking down on me. The idea of a Black Jesus is not new among African American Christian communities, however the imaging seen in homes and churches could be traced to the Black Power movements of the 1960’s and 1970’s. As Black Jesus became more accepted by Black congregations and Black people who looked for some redemption in a culturally white religion, images of the Black Jesus began to pop up. One of the more important art mediums that began to discuss Black Jesus was television - more specifically, television shows geared towards Black consumers. Television is a unique medium, as it is often very responsive to the majors issues and topics of American life, more so than literature, movies and movies.
In Chapter 3, Douglas presents three different theological perspectives of the Black Christ. Albert Cleage, James Cone, and J. Deotis Roberts discuss the idea of Christ being Black. Cleage presents, “the most provocative version of Christ’s Blackness” (55). His argument is theoretical in the utmost sense of God as flesh representing Black Americans, but suggesting that Jesus was actually, “…the Black son of a Black Israelite woman and of a Black God” (56). It is of the upmost necessity for Jesus to be ethnically Black to Cleage because of, “…his role as pastor, his understanding of the Black church, and his ties to Black nationalism” (56). Because Cleage views Christ as literally Black, he is not forced to
The author starts out by describing the harsh situation slaves were put in and how the black experience in America is a history of servitude and resistance, of survival in the land of death. The spirituals are the historical songs which tell us what the slaves did to hold themselves together and to fight back against their oppressors. In both Africa and America, music was directly related to daily life and was an expression of the community’s view of the world and its existence in it. The central theological concept, which is the prime religious factor, in the black spirituals is the divine liberation of the oppressed from slavery. Further, the theological assumption of black slave religion as expressed in the spirituals was that slavery contradicts God, and therefore, God will liberate black people. This factor came from the fact that many blacks believed in Jesus, and therefore, believed that He could save them from the oppression of slavery because of his death and resurrection. The fact that the theme of divine liberation was present in the slave songs is supported by three main assertions: the biblical literalism of the blacks forced them to accept the white viewpoints that implied God’s approval of slavery, the black songs were derived from white meeting songs and reflected the "white" meaning of divine liberation as freeing one from sin (not slavery), and that the spirituals do not contain "clear references to the desire for freedom". The extent of
“God of the Oppressed” is a history of the African American Struggle through the complex account of its author, James H. Cone. Written in 1975, “God of the Oppressed” is the continuation of Cone’s theological position, which was introduced in his earlier writings of, “Black Theology and Black Power,” (1969) and “A Black Theology of Liberation” (1975). This final account was put together and published as a response to the continuous dismissal of Black Theology. This response shows Cone’s use of personal experiences, knowledge, and faith to explain the actual God of the oppressed found in Black Theology. The importance of the chosen title is maintained through all ten of Cone’s chapters
This leads to a major issue within the slave community. Slaves possess little knowledge of life outside the plantation or house in which they are working at. This means they have no idea how humans are supposed to be treated, and rather that a “god” would never allow for another to be beaten in such severity. This is an advantage that the slave owners held over the actual slaves. If the slaves were to gain an understanding of the world around them, the “religious” quotes recited by slave owners would quickly lose their worth and soon mean nothing as well as hold no influence over the slaves. Frederick Douglas was fortunate enough to understand this, and even addressed the issue in his life story, “What I have said respecting and against religion, I mean strictly to apply to the slaveholding religion of this land, and with no possible reference to Christianity proper; for, between the Christianity of this land, and the Christianity of Christ, I recognize the widest possible difference- so wide, that to receive the one as good, pure, and holy is of necessity to reject the other as bad, corrupt, and wicked(71).” Douglas understands that the Christianity practiced by the slave owners was far different from the Christianity intended by Jesus Christ. As Douglas referred to it, the “Slaveholding religion” was prominent throughout the slavery era, not only was this damaging for the slaves,
“It should not be possible to treat a slave with Christian fairness and instruct him in the Christian faith as a just substitute for his pagan practices, without mollifying the relationship between master and slave. It has to be. Otherwise Christianity would not be able to spread. Otherwise the African would be deemed our equal simply because he shared out faith in one God and the Afterlife. We both know of the above to be false because of the evidence of how Africans live in their Primitive Land.” (p.111)
For almost eight decades, enslaved African-Americans living in the Antebellum South, achieved their freedom in various ways—one being religion—before the demise of the institution of slavery. It was “freedom, rather than slavery, [that] proved the greatest force for conversion among African Americans in the South” (94). Starting with the Great Awakening and continuing long after the abolition of slavery, after decades of debate, scholars conceptualized the importance of religion for enslaved African-Americans as a means of escaping the brutalities of daily life. Overall, Christianity helped enslaved African American resist the degradation
James H. Cone’s God of the Oppressed is his examination of the origin, development, and significance of black theology as it relates to how he and the black Christian community view God. For Cone, in an America seemingly dominated by white theology and the white Christian community’s views of God, it is imperative to acknowledge and attentively listen to the voices of the theologies of other races and what God means to them, especially that of the black community. Cone asserts without hesitation that the God that is referred to in the Bible and black religion is a Deliver of those held captive by the bondage of oppression. Cone not only asserts this viewpoint of God as the Freer of oppressed people, but he validates this assertion through the use of Scripture, the black experience, history, and tradition. Overall, the central theme of this book is that a plethora of factors continually shape and construct a people’s theology and how that theology is significant in regards to how they see God, the world, and themselves.
The element of worship has always been an essential part of the Black American culture. Black Americans “are markedly more religious on a variety of measures than the U.S. population as a whole.” 87% of blacks vs. 83% of all Americans affiliated with a religion according to the U.S. Religious Landscape Survey, conducted in 2007 by the Pew Research Center’s Forum on Religion & Public
Fredrick Douglass is famous for being an excellent orator, and he is acknowledged for putting much effort into the slavery abolition movements. In the “Narrative of the Life of Frederick Douglass,” he outlines the negative impacts of religion and the bible on slavery alongside the development of Christianity among the whites. Although Douglass seems to be working against Christianity, he is far from being an atheist. Christianity used to be the dominant religion in America when slavery was at its peak in the United States. The religion was practiced by both whites and blacks. Usually, the slave masters professed the same religion as their subjects (Glancy 49). According to Douglass, Christianity is a pure, peaceable, loving and impartial. However, Christianity exists in two forms, namely: “the Christianity of the
For the larger part of his life, Douglass believed in a living God and whom he knew can change the world. According to him, love and freedom were the most important foundations of Christianity. Therefore, it is his faith that pushed his hope that there would be an end to slavery and racial discrimination. It is critical to note that for many years,
While black power focuses on the political, social, and economic condition of black people, Black Theology sees black identity from a theological context. Much of black liberation theology’s foundation comes from God's deliverance of Israel from oppression under the Egyptians. According to James Cone, “the consistent theme in Israelite prophecy is Yahweh's concern for "the lack of social, economic, and political justice for those who are poor and unwanted in the society."# The dominate view of Black Liberation theologists is “God in action, delivering the oppressed because of His righteousness. He is to be seen, not in the transcendent way of Greek philosophy, but immanent, among His people." God is "immanent”” because he is present in many historical moments that focus on liberation of the poor. Its derives it beliefs from the fact that in the bible, God often enters human affairs and takes the side of the oppressed, that god is heavily worshipped where human beings experience humiliation and suffering. Because of these beliefs, blacks adopted a gospel relevant to the uplifting of blacks and ending black struggle under white oppression.# Black theology places both our past and present actions toward black liberation in a theological context, eliminating all false Gods and creating value structures according to the God of black freedom.
Christianity provided African American slaves with hope, because although they were suffering as merely human instruments of work, God was watching them and all of theirs suffering would be rewarded by him. “Slavery, with all its
African firmly believes that there is a living communion or bond of life which makes for solidarity among members of the same family. Before Christianity, Africans did have their own system of salvation. In traditional religions, salvation can and does take the form of courage to face the reality of morality. The church was looked art as a place for political activity, a source of economic cooperation, an agency of social control, and a refuge in a hostile white world. Slaves worshiped with great enthusiasm. Religion, after all, provided a ready refuge from their daily miseries and kindled the hope that one day their sorrows might end. Planter's actually encouraged religious observances among their slaves hoping that exposure to Christian precepts might make their laborers more docile, less prone to run away, and more cooperative and efficient workers. But slaves turned biblical scriptures to their own purposes forging a theology that often emphasized the theme of liberation. It was easy for them to see, for example, in the figure of Moses a useful model for their own dreams; like the Israelites, they too were ready to cross a River Jordan into a promised land of freedom. The religious services held in the quarters provided slaves with so many positive experiences that, even as they were being exploited, they managed bravely, but perhaps not too surprisingly, to feel that they were free within themselves. In this way slaves began to achieve a degree of liberation well
Douglass’s narrative is a courageous work, as it confronts the slavery institution, and the misuse of Christianity by the slave owners
Long before their contact with whites, Africans were a strongly religious, and deeply spiritual people. During the early history of slavery, the African American spirituality was often seen by whites as a pagan faith. These rituals and dogmas were seen by whites as Voodoo, Hoodoo, Witchcraft, and superstitions. They often commented on these "pagan practices," and fetishes, and were threatened by them. As a result, great effort was put on eradicating these practices, and many were lost within a generation.# Although tremendous efforts was placed on eradicating the “superstitious” religious beliefs of the African slaves, they were not immediately introduced to the religion of white slave masters, Christianity. Many planters resisted the idea of converting slaves to Christianity out of a fear that baptism would change a slave's legal status. The black population was generally untouched by Christianity until the religious revivals of the 1730s and 1740s. The Bible was manipulated to support the institution of slavery and its inhumane practices. Christianity was used to suppress and conform slaves. Slaveholders, priests, and those tied to the Church undermined the beliefs of the millions of African-Americans converts.# White Christianity was used to justify the enslavement of blacks. By the early nineteenth century, slaveholders had adopted the view that Christianity would make slaves more submissive and orderly.