(Response to Question 2) In studying the Black Church not only as an institution, but as a transitioning tradition—I have come understand the role it plays in the lived Black experience. It is within the Black Church that one encounters a Divine that affirms and respects Black bodies, communities, and cultures. And from that affirmation and respect, derives the societal call to address the systemic oppression and disregard of Blackness. This statement and movement pivotal to the Black Church tradition is rooted within the intersectional space of prophetic and pastoral—physical voices and actions accompany faithful witness to the gospel message. However, as pop-culture (the engine of cultural appropriation within the neoliberal reality that …show more content…
While the representation of the Black Church in pop culture is normally displayed through images conveying Protestant undertones, the basic spiritual “reaching” of Black bodies and beings defined as religious frenzy is no different within the expression of Black Catholic liturgy. For example, within the fictional church community of “Little piece of Heaven” in the film Red Hook Summer, the viewer witnesses a Church community composed of struggling African-Americans. This church community faces the challenges of systemic oppression, the growing dangerous of gentrification, crime, and hopelessness due to the cultural disregarding of Black life—issues that plague the entire African-American community. No matter High or Low Church spirituality, the Black Church (at its best) is a space of reflection and healing nurture for the Black community—a shelter from the systemic forces that seek to harbor the flushing of the lived Black experience. It is exactly this movement of “nurture” taught during the duration of this semester that has caused me to discern what is my response as a Black Catholic to the issues facing my ethnic community. What is my role as a Black Catholic in resisting the systemic movements of commodification and dehumanization of Blackness that neoliberal American pop culture is engaging …show more content…
Throughout the duration of the class, I have come to understand Black Church studies as an examination of the complex meaning of contextual theology in the lived of African-American experience—theology rooted within the experience and social realities of the believer. Religious identity being a force that does not consume the identity of the person, but is shaped and formed by the cultural reality of the believer. It is within this dynamic that I have come to understand both traditions that shape my personhood (the tradition of Catholic moral theology and African-American liberation ethics) call me to public resistance of the neoliberal aggressions that harbor the African-American community. As stated within Black Church Studies: An Introduction regarding liberation, “We should not understand liberation in the passive voice...Rather, we should construe liberation in an active sense, in which the Black community is forever liberating in order that it may do more and be more than it has done or been before.” Within this statement, lies the obligation I have as a Black Christian to participate in the resistance to the systemic movement(s) of reducing human life. It is within this notion of bearing witness (participating) in the pursuit of a liberated world,
Unlike DiAngelo’s White Privilege essay, a group of religious authorities under the umbrella of Christian Churches Together in the U.S.A. wrote a response letter to Dr. Reverend King’s “Letter from Birmingham Jail.” First quoting a portion of Dr. King’s letter then responding to the quote, the group takes a Biblical stance on the racial issues that continue to preside in modern day American culture. Beginning the essay, the group differentiates between merely acting upon the symptoms of racism. “... (a) superficial kind of social analysis…” and discovering and fixing the root of the racial. By investigating the racial issues at hand and striving towards Dr. King’s dream of a community of equal opportunities for all races, then the conversation of racial inequality can begin. Realizing that fostering a multiracial community centered around radical love that forsakes “safety of our social order,” we, as the Christian body need to develop a society that eliminates the social prejudices currently penetrate into every aspect of
Kelly Brown Douglas begins by posing a series of questions, including, “Who is the Black Christ?” and “Is the Black Christ Enough?” (6-7) For Douglas, the Black Christ, “…represents God’s urgent movement in human history to set Black captives free from the demons of White racism” (3). The question of “Who is the Black Christ?” is addressed in Chapter 3. The question of “Is the Black Christ enough?” is addressed in Chapters 4 and 5, as Douglas critically examines the relationship of the Black Christ to the Black community and ends with addressing what womanist theology is and why there is a need for it in understanding the Black Christ.
In the Letter to a Birmingham Jail edited by Bryan Loritts, the reader is given several reflections from various individuals who were influenced by Dr. Martin Luther King Jr. 's A Letter from Birmingham Jail. These various accounts contain an overall theme of injustice, inequality and focus on how the church plays a pivotal role in correcting such societal issues. In the section, A Painful Joyful Journey, the reader reviews the life of Crawford W. Lorittis Jr. and his navigation in the North as an educated black man. In this section he addresses the many societal adjustments he had to encounter throughout life. Often criticized by both the Black and White community, Lorritis sought validation from both groups, as a way to gain self-worth.
A passage that argues for the church and other African-Americans to join in the fight for equality for women, especially African-American women.
This showing that the average African-American’s faith is what kept them strong and able to do whatever it takes in their struggle for freedom. However the sermon in a typical “Negro” church would also show just what kept them so strongly endowed in their religion.
These three perceptions are distinctly different, but ultimately speak to the contextual nature of Black theology—rooting worship, adoration, and discipleship within the notion a (conscious) living G-d. The first perception explored is the image G-d adored through the lens of Sister Sweet and Mother Darling. At first glance, these women appear different in life style and theology—different churches, different abilities, and different approaches to discipleship. But upon further examination, one discovers the same paradigm at work. Both have lost children to AIDS. Both have committed themselves to a praxis centered theology to process their loss. Mother Darling is street missionary and Sister Sweet is a disabled woman confined to a wheel that feeds the birds and attends to the needs of the Little piece of Heaven Church. Both have found peace in their personalized work for the Lord. Their G-d is a “shelter in a time of storm.” The second perception is the image of G-d as seen through Deacon Zee. This G-d is one of salvation and complacence for Deacon Zee. The “White Jesus” he prayed to for his assistance in finding his copy of the Wall Street Journal—a nuanced symbol for prosperity. This G-d speaks to the corporate nature and element of
“God of the Oppressed” is a history of the African American Struggle through the complex account of its author, James H. Cone. Written in 1975, “God of the Oppressed” is the continuation of Cone’s theological position, which was introduced in his earlier writings of, “Black Theology and Black Power,” (1969) and “A Black Theology of Liberation” (1975). This final account was put together and published as a response to the continuous dismissal of Black Theology. This response shows Cone’s use of personal experiences, knowledge, and faith to explain the actual God of the oppressed found in Black Theology. The importance of the chosen title is maintained through all ten of Cone’s chapters
“I began thinking about the fact that I stand in the middle of two opposing forces in the Negro community. One is a force of complacency, made up in part of Negroes who, as a result of long years of oppression, are so drained of self-respect and a sense of ‘somebodiness’ that they have adjusted to segregation; and in part of a few middle class Negroes who, because of a degree of academic and economic security and because in some ways they profit by segregation, have become insensitive to the problems of the masses. The other force is one of bitterness and hatred, and it comes perilously close to advocating violence. It is expressed in the various black nationalist groups that are springing up across the nation, the largest and best-known being Elijah Muhammad’s Muslim movement. Nourished by the Negro’s frustration over the continued existence of racial discrimination, this movement is made up of people who have lost faith in America, who have absolutely repudiated Christianity, and who have concluded that the white man is an incorrigible ‘devil’”.
followed. Cone frames a theology of liberation from within the context of the Black experience
“Roll, Jordan, Roll”, “Nobody Knows the Trouble I’ve Had”, “Go Down, Moses”, and “Wade in the Water” are the titles of only a handful of what were called “Negro Spirituals”, which originated during the reign of slavery in the United States (Frey). Such spirituals used call-and-response, a method of communication that was popular with slaves who brought African traditions to America, and gave way to the gospel music and unique form of preaching characteristic to the Black Church. The history of the Black Church, which began during the slave era, demonstrates the way that African Americans found refuge in Christianity, where the church became the center for African American communities (Baer). Born out of struggle and oppression, the Black Church not only became the focus for the religious practices of African American communities, but also worked to “re-member” the community through rituals such as that of call-and-response, a core element of the Black Church which served as a powerful tool for the African American community in the fight for the exercise of true freedom in America.
The African Methodist Episcopal Church also known as the AME Church, represents a long history of people going from struggles to success, from embarrassment to pride, from slaves to free. It is my intention to prove that the name African Methodist Episcopal represents equality and freedom to worship God, no matter what color skin a person was blessed to be born with. The thesis is this: While both Whites and Africans believed in the worship of God, whites believed in the oppression of the Africans’ freedom to serve God in their own way, blacks defended their own right to worship by the development of their own church. According to Andrew White, a well- known author for the AME denomination, “The word African means that our church was
The struggle that Black churches have on homosexuality has been an ongoing battle. The issue of homophobia and heterosexism within African-American churches is a difficult one. Regardless of the complexity of the matter, it is one that the black community must address. It is, to ensure, time for the black religious leaders to truly live into its justice asserting social, political, historical, and theological beliefs which would lead to eliminating any manifestation of the sin of homophobia from its very mindset. The denouncement of black LGBT individuals presents factors about why 49 percent feel suicidal or have attempted suicide. What some people fail to understand is that there is a certain privilege in being able to wake up every
Although this information on Liberation Theology is essential to understanding of this concept, the focus of our presentation, in relation to our class, was Black Liberation Theology. It is easy to see how African Americans relate to the idea of Liberation Theology, as a historically socially oppressed group of peoples. The encompassed theme of Black Liberation theologians is the concept of God emancipating African Americans from white racism. Jesus in Liberation Theology is commonly represented as a ‘Poor Black Man’, therefore allowing the representation of a relatable figure for the African American people. One way in which we felt the concept of Liberation Theology come together with class discussion, was in relation to the Black Liberation Theologian, James Cone, whom we had previously discussed in class time, leading up to this presentation.
I jumped at the opportunity to complete the extra credit assignment because of the topic. I have always wanted to attend an African American Baptist Church. I was raised Catholic in a predominantly white community and for the chance to experience something different was appealing. I’ve seen the stereotypes in movies and on TV about what an African American Baptist church looks like but I wanted to experience it myself. I wasn’t sure on what to expect but kept an open mind about the situation.
Therefore, when the Black Church stand with formerly incarcerated African American men they are fulfilling what Jesus read in Isaiah 61:1. And they are expressing Christian love by helping these men develop self-esteem, decision-making skills, and a connection with God, all while assisting them in achieving their life