The Black Man and Langston Hughes

During the early 1930s many black writers begin to produce works that helped to shape and define the Civil Rights movement. Among them was Langston Hughes whose poems and writing contributed directly to the rhetoric of the day and inspired many African-Americans, both in and out of the Civil Rights movement. Much of this grew out of what was called the Harlem Renaissance, which emerged during turbulent times for the world, the United States, and black Americans. World War I and the Bolshevik Revolution of 1917 had left the world in disorder and stimulated anti-colonial movements throughout the third world. In America, twenty years of progressive reform ended with the red scare, race riots, and isolationism throughout 1919 and led to

Through his poem “Theme for English B”, Langston Hughes expresses his will to exterminate discrimination by proving that despite different skin colors, Americans all share similarities and learn from each other. Langston wrote the poem in 1900, when black Americans were not considered Americans. He talks about a black student being assigned to write a paper about himself. The audience is thus the student’s professor – the representation of the white Americans. Since the professor said: “let that page come out of you---Then, it will be true.”, the student began wondering “if it’s that simple”. He then describes himself to explain why it isn’t simple: he is “twenty-two”, “the only colored in class”, and lives in the poor community Harlem.

Langston Hughes was the leading voice of African American people in his time, speaking through his poetry to represent blacks. His Influence through his poems are seen widely not just by blacks but by those who enjoy poetry in other races and social classes. Hughes poems, Harlem, The Negro speaks of rivers, Theme for English B, and Negro are great examples of his output for the racial inequality between the blacks and whites. The relationship between whites and blacks are rooted in America's history for the good and the bad. Hughes poems bring the history at large and present them in a proud manner. The injustice that blacks face because of their history of once being in bondage is something they are constantly reminded and ridiculed for but must overcome and bring to light that the thoughts of slavery and inequality will be a lesson and something to remember for a different future where that kind of prejudice is not found so widely.

“The history for Blacks in America starts at slavery,” the further I ponder this statement from my friend Joe, a navy veteran, the more I do not believe it to be true. Today many Blacks in America do not remember stories of their African heritage. Although, they may not know their African history, it does exist, and they did originate from Africa. So, their history does not start at slavery. In a recorded interview, Langston Hughes says he wrote the poem, “The Negro Speaks of Rivers” in 1920, after he completed high school. Hughes also credits his source of inspiration to the Mississippi river which he passed, while on the train, to visit his father in Mexico. He acknowledged what the Mississippi symbolized to Negro people and how it was linked

We are affected in many ways based on race and social status. It is how we over come these challenges, that makes us who we are. The question is what is wrong with black? I read an essay by Langston Hughes in which he breaks down the use of the word black. This essay provides the idea of how the word black creates a negative impression of African Americans. I found this essay rather interesting and biased in some cases, but it is an essay I feel everyone should read. In this essay he uses explains what the word black really means and the negative connotation that is sometimes attached to it. He stated how(709-710)”white folks have done used that word to mean something bad so often until now when the N.A.A.C.P. asks for civil rights for

One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land.

So what is the black identity? Are you black enough? Do you talk black? Are you a hyper masculine heterosexual male with kinky hair and a criminal record? I can see how it must be difficult to maintain a sense of communal self. Angela Davis one of the speakers in the film, provides this answer: "You take some color, a dash

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

The life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination… the Negro is still languished in the corners of American society and finds himself in exile in his own land (qtd. in W.T.L. 235).

Langston Hughes’ style of poetry renounced the classical style of poetry and sought out a more jazz and folk rhythm style. Most of Hughes’ poems were written during the Harlem Renaissance, named after the cultural activity African Americans participated in, such as: literature, music, art, theatre, and political thinking. William Blake, on the other hand, was a nonconformist who was associated with the leading radical thinkers of his day. Although, considered a lyric poet and a visionary, Blake’s poetry was not read by many, yet he still believed that his poetry could be understood by common people and was determined not to sacrifice his vision to become popular.

For some, whose body was of a darker pigment than their neighbors, life was lived with constant disturbing fear. This way of life could never be understood by a white man. In Harper Lee’s book To Kill a Mockingbird, Tom Robinson says, while on the witness stand, “‘Mr. Finch, if you were a nigger like me, you'd be scared too’” (195). Robinson knows he suffers a greater consequence than if a white man were in his unfortunate situation, and in his attempt to enlighten Mr. Finch of this, he gives us an insight at how blacks and whites lived contrasting lives during the time period. According to Robert Pratt, author of African Americans, “Poverty, crime, and despair plagued the black communities.” Crime rate was sky-high in black communities most likely because it was easier to win a case against a black man than against someone of white skin. Another possibility for such a high crime rate could be that they were poor, needy, and most likely envious of families of lighter color. The author of Hardship and Hope: America and the Great Depression, Victoria Sherrow, says, “By the 1930’s, many African-Americans had left the rural South for northern cities, where they hoped to be treated more equitable and find better jobs” (49). However, although one million Southern blacks moved to the south with high hopes between 1910 and 1930, most of them quickly discovered that the north did not hold the solution to their

The growth of identity is a practice molded by a person’s family history, environmental experiences, and societal attachments. Identity endures ordeals to make the person secure and attentive so that it’s easier for the person to know what to expect out of their life. Although changes in our surroundings can be accepted, adjustments to one’s identity can often be challenging. Particularly in African American identity, there is difficulty in accepting who one is and knowing one’s place in society. There is an even greater difficulty if one is a biracial African American.

Identity has been a major concern of African and African American authors from the beginning. In fact African American identity underwent drastic transformations between the eighteenth century and twentieth century. As Amistad, "Federalist No. 54", The New Negro and The Souls of Black Folks shows, African American identity has shifted from an early tribal identity, to a dehumanized identity based in slavery, and finally to a ‘new' type of Negro identity based in art and African origins. These transformations of identity have been a tremendous struggle that were produced by their exploitation by white America.

In exploring the problem of identity in Black literature we find no simple or definite explanation. Nevertheless, it is generally accepted that it is rooted in the reality of the discriminatory social system in America with its historic origins in the institution of slavery. One can discern that this slavery system imposes a double burden on the Negro through severe social and economic inequalities and through the heavy psychological consequences suffered by the Negro who is forced to play an inferior role, 1 the latter relates to the low self-estimate, feeling of helplessness and basic identity conflict. Thus, in some form or the other, every Negro American is confronted with the

The Harlem Renaissance was a cultural movement and the enlightenment of black minds as a whole. This movement sparked the minds of many leaders such as Marcus Garvey, W.E.B Dubois, and Langston Hughes, these men would also come to be known as the earliest Civil Rights activists. While Garvey and Dubois expressed their views in speeches and rallies Hughes had a different approach and chose to articulate his thoughts and views through literature more specifically poetry. Through his poetry, Hughes became a world renown poet for such works as “Let America Be America Again”, “Harlem” and “I Too” taken from his first book “The Weary Blues.” These poems while written and inspired by the everyday struggles of being an African-American were arguably targeted at white Americans. Hughes wrote a majority of his work during the Harlem Renaissance and as a result focused on “injustice” and “change” in the hopes that society would recognize their mistake and reconcile, but in order for this to happen he would have to target the right audience.