The Blame Game Analysis

Victor Frankenstein, engulfed in the obsession of creating life out of death, resurrects a body composed of multiple parts from different origins. Victor “had worked for nearly two years, for the sole purpose of infusing life into an inanimate body. For this [he] had deprived [him]self of rest and health;” this madness is Victor’s desire to become a creator that people envied (Shelley 57). Victor creates a monster, one that is the “outcome or product of curiosity … pushed to an extreme” (Brooks 387). Resembling an infant perceiving its surroundings through its parents, the monster’s entire perception of the world is centered around Victor Frankenstein due to . The monster tries learning about his creator

In the novel Frankenstein, by Mary Shelley, the character Victor Frankenstein illustrates betrayal in the way he abandons his creation, with no hesitation he leaves him behind. With the feeling of abandonment ,the creature feels anger towards Victor which leads the “monster” to become a villain. Love and family are all the monster wants, but it is something that Victor could not give due to his own internal battles. As result, the monster begins to take Victor’s loved ones such as: little William and his wife Elizabeth. The monster kills

The reader can immediately see this because the Monster says, “I am malicious because I am miserable. Am I not shunned and hated by all mankind?” (Shelley 124). He begins to murder members of Victor’s close friends and family. His first victim is William Frankenstein. The Monster has no intentions to kill William, but he says, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed” (Shelley 116). The Monster shows his frustration with Victor creating him in this way and for making him into an outcast. After Victor breaks his promise of creating a female monster, the Monster murders Henry Clerval. The Monster’s anger continues to build up over time and he believes the only way to face it is by taking the lives of those who have a close relationship with Victor. The Monster kills Elizabeth Lavenza on her wedding night. He takes the lives of the people who are in a close relationship with Victor due to the anger he feels toward him. The violence the Monster uses is his way to try and seek revenge on Victor because he feels that he set him up to fail, to be an outcast, and to be unacceptable to

When Victor Frankenstein began the process of creating a living being from an inanimate object, he expected the creature to be the beautiful beginning of a new

There is a seemingly endless cycle of revenge throughout the novel, which connects Frankenstein to his creation. When Frankenstein finds out his creation is the reason for William and Justine’s death, it drives his deep emotions for the beast. “My abhorrence of this fiend cannot be conceived. When I thought of him I gnashed my teeth, my eyes became inflame, and I ardently wished to extinguish that life which I had so thoughtlessly bestowed”(Shelley74). He is reflecting on the creatures actions which have pushed him to wish the creature was never born. In a sense, he is

The loneliness of the Creature leads it to unbelievable acts of violence, the first one being the killing of Frankenstein's youngest brother William. The monster describes its terrible act in detail: "I gazed on my victim, and my heart swelled with exultation and hellish triumph: clapping my hands, I exclaimed, 'I too can create desolation; my enemy is not impregnable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him'" (Shelley 97). Shelley is trying to teach the world a lesson by illustrating that the monster is not just a scientific project, the monster is a living emotional being. Frankenstein even further rejects the

The monster starts off attempting to save a little girl from drowning but is falsely accused that he is trying to kill her instead so he is shot in the shoulder. This is the first step to the monsters rage and anger. He then goes off and kills Henry, Frankenstein’s best friend, after Frankenstein refuses to make a female monster. He then kills William, Frankenstein's younger brother, which at this point in the story seems to be the time where all innocence is lost and the monster has all of the power and cannot be stopped by anyone. The monster then kills the most important or influential to Frankenstein, Elizabeth his wife who was an orphan and adopted by the family at a young age. Elizabeth and Frankenstein go to a hotel for their honeymoon, the monster breaks into their room and strangles her. “She left me, and I continued some time walking up and down the passages of the house and inspecting every corner that might afford a retreat to my adversary. when suddenly I heard a shrill and dreadful scream.” He is overcome with grief and vows to return to Geneva to make sure his family is

Victor Frankenstein had the great idea of creating a human-like creature that ultimately became bigger, stronger, and meaner than everyone around. The process and steps took a lot longer than what Victor predicted. When the creature finally took his first breath, the two long years of anticipation finally relieved Victor of his stress. Victor stayed up numerous nights and missed so many meals stressing over this creature. He never gave up despite all the difficulties wanting to become the first ever bringing life to a creature. “So much has been done, exclaimed the soul of Frankenstein—more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation” (sparknotes). The creature was very hideous, gigantic, and didn’t look to friendly to humans. All the time and work Victor put into

Frankenstein works on a project to create a living creature. The moment arrives, and Frankenstein is anxious, but not worried about the outcomes of his experiments. Instead. Frankenstein anticipated the creation of a living being as he says that he might infuse a spark to bring the dead thing to lay at his feet (Shelley 40). Evidently, Frankenstein believes that the living being he is about to bring to life is not entirely human as he calls it a lifeless thing, s description that could be termed as cold. The creature being made is in a sense not a person, but a slave that Frankenstein intended to control, and that is he wanted the lifeless thing to lie at his feet. The physique of the creature is evidently below the human being’s body. . Frankenstein notes that the creature moves inexplicably and its bodily functions are rather weird if compared to the human body movement and function. The implications of his creation come back to haunt him days later. The creature’s odd movement and bodily functions result to its doing things that are not acceptable to the human being’s community. “At length, I perceived a small hut…This was a new sight to me, and I examined the structure; with great

In Mary Shelley’s Frankenstein we are introduced early in the story to one of the main characters Victor Frankenstein and subsequently to his creation referred to as the monster. The monster comes to life after being constructed by Victor using body parts from corpses. As gruesome as this sounds initially we are soon caught up in the tale of the living monster. Victor the creator becomes immediately remorseful of his decision to bring the monstrous creation to life and abandons the borne creature. Victor describes his emotions and physical description of his creation as follows:

In chapter 24, Frankenstein says, “ Scoffing devil! Again do I vow vengeance; again do I devote these miserable fiend, to torture and death. Never will I give up my search, until he or I perish. ” As shown in this quote, Frankenstein has gone mad over his revenge on the creature and even states that he will continue until one of the two, suffer death. “ Are you to be happy, while I grovel in the intensity of my wretchedness? You can blast my other passions, but revenge remains… I may die; but first you, my tyrant and tormenter, shall curse the sun that gazes on your misery. ” (Shelley 20) This quote shows how much madness has fallen into the mind of the creature for his creator tried to be happy and live the normal life, while he could

Frankenstein worked to become the God of a master race that he created. Frankenstein robbed graves of limbs, teeth, organs, and tissue in order to begin his perfect race of beings. In Frankenstein’s tale, he explains that “His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips.”(Shelley, 42). Frankenstein created a monster with no deficiencies physically, as creature virtually had the perfect human frame. The creature had superhuman qualities, as Frankenstein describes an encounter he had with creature, “As I said this I suddenly beheld the figure of a man, at some distance, advancing towards me with superhuman speed.”(Shelley, 80). The animation of creature marked a pivotal point in humanity, as Victor Frankenstein has accomplished no other scientist had, he animated a creature with abilities that nothing could surpass. Overall, Frankenstein worked to push the bounds and limits of science

Furthermore, another example of irony is the monster’s desire to connect and belong to a family, which sets the stage for homicidal tendencies when he is rejected. “I gazed on my victim, and my heart swelled with exultation and hellish triumph; clapping my hands, I exclaimed, ‘I too can create desolation; my enemy is not invulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him” (Shelley 102). The fatalistic tone in the word choice of the creature shows a lack of empathy for the lives of those around and his creator. Likewise, Frankenstein modeled an absence of wisdom and caution concerning the lives of those around him. On his wedding night, he was sure that the monster would come to kill him not considering the actual target was his wife, Elizabeth (Shelley 144).

Frankenstein’s and society’s rejection of the monster, however, drove him to an uneven passionate pursuit for a companion. He forced Frankenstein to create a female monster, and he provided motivation by killing Frankenstein’s loved ones and threatening to kill more of them. The monster recalls in this final scene of Shelley’s novel how his desire drove him to evil. “. . . do you think that I was then dead to agony and remorse?--He . . . suffered not more in the consummation of the deed;--oh! Not the ten-thousandth portion of the anguish that was mine during the lingering detail of its execution. A frightful selfishness hurried me on. . . .” (153) At that point in the novel, the monster has changed from good in nature to evil in nature. His own desires are more important to him than the well-being of others and he is willing to commit murder in order ensure the fulfillment of his desire.

Out of resentment Frankenstein aims to harm his creator, Viktor Frankenstein, by murdering those close to him. Frankenstein’s monster would strive to murder innocent people closest to Frankenstein as revenge for abandoning him and for his grotesque appearance. His lust for revenge is further exploited when Frankenstein breaks his promise of creating the monster a partner, therefore the monster retaliates in vengeance by murdering Elizabeth “leaving a murderous mark of his grasp on her neck” (Shelley, 242). The monster’s murderous intent is fueled by his lust for revenge against his creator. Blaming Frankenstein for all of his misfortunes, such as his horrific appearance and not relieving him of his solitude by not granting him a partner. Revenge forged Frankenstein’s monster from a compassionate giant to a vengeful monster. Dracula and Frankenstein’s monster share the same attribute that all monsters possess which is murdering innocent human beings.