The Blind Curtain And Hamlet 's Guilt

Hamlet does not only value his own morality, but also the morality of others. Besides worrying about his own morality, his mother's morality has much significance to him. As Robert Luyster states, "Hamlet would have Gertrude, like himself, become purified, but this can only be done through the acceding to consciousness' claim to be hard"(Luyster 77). Hamlet contemplates his every action. This problem eventually overwhelms him while also causing his madness. The depth of his thought concerning the murder of Claudius following Hamlet's play reveals his madness. "Reason and action are not opposed in Hamlet, but for most of the play, they fail to coalesce as either we or the characters would like them to" (Kastan 48).

This all sets the stage for Hamlet’s mental state prior to learning that he was killed by somebody in his family. These themes of death and betrayal lead into the end of the first act when Hamlet is tasked by the ghost of his father to seek revenge against Claudius for what he did. Hamlet believes that he was “born to set it right” (1.5.190). The extremes of this line reveal that Hamlet believes that the whole reason for his existence is to avenge his father. This need for revenge drives Hamlet for the rest of the play. He wants justice for his father, but he also wants to punish Claudius for his murder and marrying his mother. He gives in to human nature when he starts striving to avenge his father’s death.

Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was

Throughout the play, Hamlet’s character is characterized both by periods of extreme caution and moments of impulsivity. One of the best examples of Hamlet’s heed can be found in Act 2, Scene 2 where he decides to have his theatre troupe perform his play, The Mousetrap. With this, Hamlet hopes that he will be able to “catch the conscience of the King,” by monitoring Claudius during the performance, that heavily mimics his murder of his brother, for signs of stress and guilt. While Hamlet was fully capable of bypassing this step by simply adhering to what he believes is the ghost of his father, Hamlet’s decision to unearth some sort of evidence that supports his father’s accusations is just one example of his cautious ways and need for certainty before action. However, such displays of caution find themselves juxtaposed with Hamlet’s bouts of impulsivity. One of the most telling illustrations of Hamlet’s rashness can be found in Act One, Scene Five, where he first conversing with the ghost of his father. Here, when the Ghost asks Hamlet to “revenge his foul and most unnatural murder,” Hamlet immediately agrees. In fact, within the next few lines Hamlet pledges he will “sweep to my revenge” with “wings as swift as meditation or the thoughts of love”. The fact that Hamlet coins this commitment to avenge his father’s murder without making much of any consideration of the possible repercussions of such an undertaking is one of the best representations of Hamlet’s impulsivity. This rash action, marked by a lack of extended over-analysis and internal debate, contrasts with the excessive caution Hamlet exhibits at many other points throughout the play. Ultimately, the interplay between Hamlet’s caution and impulsivity is one of the most notable juxtapositions of the play and serves to strongly steer the development, not only of

In Shakespeare’s play, Hamlet, Hamlet, a studious young man and Prince of Denmark, struggles to face the death of his father and the task to kill his father’s murderer, Claudius. He was once known as a charming, smart young man before his father’s death. However, Hamlet experiences depression and anger at the world, causing him to look outwardly on society but failing to look inwardly on himself. The death of his father and the task for vengeance leads him to question whether or not he should follow through in killing Claudius. He becomes a man of thought rather than a man of action. In addition, the delay of King Claudius’ murder leads the readers to believe that he wishes not to kill him; he

Hamlet is considered to be Shakespeare's most famous play. The play is about Prince Hamlet and his struggles with the new marriage of his mother, Gertrude, and his uncle and now stepfather, King Claudius about only two months after his father’s death. Hamlet has an encounter with his father, Old King Hamlet, in ghost form. His father accuses Claudius of killing him and tells Hamlet to avenge his death. Hamlet is infuriated by this news and then begins his thoughts on what to do to get revenge. Hamlet and Claudius are contrasting characters. They do share similarities, however, their profound differences are what divides them.Hamlet was portrayed as troubled, inactive, and impulsive at times. Hamlet is troubled by many things, but the main source of his problems come from the the death of his father. “Oh, that this too, too sullied flesh would melt, thaw, and resolve itself into a dew, or that the everlasting had not fixed his canon 'gainst self-slaughter” (Act 1, Scene 2). In this scene, Hamlet is contemplating suicide, which is caused by the death of his father and the new marriage of Gertrude and King Claudius. This scene shows the extent of how troubled Hamlet is. Even though Hamlet’s father asked him to avenge his death, Hamlet is very slow to act on this throughout the play. “Now might I do it pat. Now he is a-praying. And now I’ll do ’t. And so he goes to heaven. And so am I revenged.—That would be scanned. A villain kills my father, and, for that, I, his sole son, do this same villain send to heaven” (Act 3, Scene 3). This scene shows King Claudius praying, while Hamlet is behind him drawing his sword but decides not to kill

Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.

Since the death of his father, King Hamlet, Hamlet his son is eluded between his thoughts and his emotions. The real struggle begins when a ghost, namely the ghost of King Hamlet, his father, accuses Hamlet’s uncle Claudius for his murder. When the ghost tells Hamlet about the reason for the murder Hamlet expresses his thoughts and feelings with passion, “The serpent that sting thy father’s life/Now wears his crown” (Shakespeare). The passion from his anger is also evident at the end of the soliloquy when he calls his uncle “damned villain” (Shakespeare). Hamlet’s mother, Gertrude is also accused by the ghost of King Hamlet for being sexually involved with Claudius and hamlet passionately with rage and anger calls his mother “O most precious women” (Shakespeare) at the end of his soliloquy. This situation put Hamlet in a sensitive and fierce battle between what’s truth and what’s right. His thoughts do not run in parallel with his emotions, Hamlet being caught up in this internal confusion keeps on delaying his actions. Furthermore Hamlet’s reason to kill Claudius comes from his passion, but his intelligence gives him reasons not to kill his uncle Claudius. He keeps

Throughout Hamlet, written by Shakespeare, Hamlet’s emotions, actions, and thoughts cause much trouble during the play. Hamlet encounters stages of sarcasm, inanity, suicidal tendencies/self-deprecation, and procreation/indecision which develop not only his personality but the play itself. Hamlet uses sarcasm to express his emotions, pretends to be insane (ultimately leading him to become truly insane), self-deprecates throughout the play due to family events, and procrastinates because he is indecisive. Hamlet encounters many life-altering events throughout the play such as his uncle poisoning his father and quickly remarrying Hamlet’s mother, to accidentally killing Polonius thinking it was Claudius, all the way to debating upon: his own

Hamlet’s character drastically develops over the first four acts of Hamlet, and his character development is most evident through the soliloquys he delivers throughout the play. The most character development can be seen from the first soliloquy, to the second, the third, the sixth, and the seventh and final soliloquy. Hamlet’s inner conflict with his thoughts and his actions are well analyzed in his soliloquys, as well as his struggles with life and death, and his very own existence. He begins the play wondering what purpose he has in life now that his father is dead and his mother has remarried to his uncle. After finding out foul play was involved in his father’s death, he is motivated by revenge. Finally, he wonders how he can enact his revenge while continuously overthinking and overanalyzing his actions.

Hamlet faces challenges throughout the play that try his inner strengths and test his ability to handle the situation. He is torn between wanting to seek justice, and avenge his father’s death. Hamlet is also caught up in an intricate web of lies and deceit, he is considered mad by most characters when in all actuality it is just playing off of the actions of others to benefit himself. He puts on different acts trying to hide the truth, which makes him seem sincerely mad to the people around him. The truth of the matter is that Hamlet can’t decide whether or not his convictions are accurate. This dilemma ultimately leads to not only the deaths of the main characters, but the downfall of the kingdom.

In order to define a character as purely good or purely evil, one must take into consideration all of their actions and words. However, even then it may be hard to complete the task. The presence of these morally ambiguous characters are shown in the Shakespearean play, Hamlet, but by far the most morally ambiguous of all is Hamlet himself. The inability for the reader to place Hamlet’s true moral intentions fully into the realm of either evil or innocent gives meaning to the play’s overall message: while individuals can be mostly good or mostly evil, it is impossible to be just one or the other.

William Shakespeare’s Hamlet is a tragic play. Most of the characters in the play have selfish motives at heart. Lust, greed, pride, and revenge are just a few sins that are committed in the play. There are few instances within the play that show goodness and kindness. Hamlet has so many people around him trying to bring him down, but he had one friend that was loyal to him, and that was Horatio. The other key characters in the play were only out for their own good. However Horatio was looking out for Hamlet. Unfortunately, Horatio was the only one.

Hamlet’s inaction due to fear ultimately leads to the death of six characters, including himself. Hamlet’s outward conflict is the death of his father and consequently, his uncle becoming the King of Denmark. Hamlet expresses his distaste of his uncle becoming King when he says, “A little more than kin, and less than kind” (1.2.65). Hamlet implies that his uncle is too closely related to him after becoming his step-father. Moreover, during his soliloquy in Act 1 Scene 2, Hamlet blames his mother for being weak and criticizes her decision to marry someone one month after her husband’s death when he says, “A beast that wants discourse of reason/ Would have mourn’d longer” (1.2.146-7). Hamlet denotes that his mother is less reasonable than an animal as she marries one month after King Hamlet’s death, which is an insult to her intelligence. Furthermore, Hamlet compares the world to “an unweeded garden” (1.2.135) and this displays how he does not want to live in this corrupt world anymore. Hamlet’s inward conflict is his inaction after swearing to the ghost that he would exact revenge for his father’s murder.

“O, that this too too sullied flesh would melt, Thaw and resolve itself into a dew, Or that the Everlasting had not fixed His canon 'gainst self-slaughter! O God, God, How weary, stale, flat, and unprofitable Seem to me all the uses of this world!” (Act 1 Scene 1, Hamlet) Hamlet’s idea of role-playing was truly important to Hamlet in the play, because it was his way of conducing revenge, for his father’s death. Hamlet acted deranging and irrational throughout the whole play, to cover up his capacity of killing Claudius, who was the killer of his father, King Hamlet. Hamlet’s actions of insaneness, led him to committing many mishaps in the play that completely disarranged his objective of obtaining revenge against Claudius. However, due to Hamlet’s exploitation in role-playing in the play, it precipitated him into temporizing and delaying his ability to obtain his revenge, which effected many characters along the way. Characters like Polonius, Ophelia, Laertes, Gertrude, and Claudius suffered dramatically throughout the whole play, because of Hamlet.