The Bloodhound-The Hero In The Iliad As A Hero

Joseph Campbell dedicated his whole life researching patterns that appear in almost every hero story or movie. He discovered that there are a few basics stages that just about every hero character goes through. This cycle is called “the monomyth” or more commonly known as “the hero’s journey.” This paper will compare and contrast Beowulf and Shrek and how each fits into the monomyth. Every story that involves a hero will subsequently follow the concept of the Heroes Journey.

Although epic hero’s either fictional or non-fictional have similar journeys while becoming a hero, each character has distinct characteristics that present divergent outcomes. Two of the most evident characteristics that come to mind when thinking of a hero is bravery and strength. Amongst Gilgamesh, Beowulf, Luke Skywalker, Sunjata, and Rostam they’re all brave strong men with their own traits that shape them into heroes. All five of these men’s lives begin in an ordinary world when they receive a call to an adventure. Each hero has the choice to either refuse or accept the journey that they have been called upon. In “The Hero With A Thousand Faces,” Campbell’s gives an example of how the call to adventure

Usually, when people think of the word ‘hero’, their mind conjures up several images of Superman, Batman, or Spiderman. Most people think of a hero as a steroid-riddled man in a tight suit and a cape, capable of flying, shooting lasers out of their eyes, or using some other kind of superhuman abilities. But a hero in a classic story is a completely different kind of archetype. Archetypal heroes are far from perfect – receiving supernatural help and making fatal flaws. A hero also embarks on an epic journey in which they face many issues, and are often honored after their death.

A leader is one who knows the way, goes the way, and shows the way. ( John C. Maxwell, brainyquotes.com). Day is the hero in the dystopian novel Legend by Marie Lu. Day is a hero because he saves people, "they're coming, we have to hide you all." (Pg 152, Lu). June is not the hero because she worked for the wrong government. Day is the hero because in the end June supported Day. He is also a leader which is like a hero because he showed the way to

In the Iliad there are many characters that could be considered heroic. But the two main characters that stand out as heroes to me are swift-footed Achilles and flashing-helmet Hector. Numerous times throughout the epic they display qualities and traits that are unsurpassed by anyone on their side. Many times throughout the epic Achilles and Hector are tested for their strength, and will to win in battle, which for both warriors always ends up positive because they always win their battles. Although both fighters are among the elite status in the armies, they each show human and god-like qualities that help them be as a fierce and feared as possible.

Heroes are the people who demonstrate qualities of courage or outstanding achievements and are recognized for their influence in the society. Heroic characters are defined similarly in literatures as well. In the two literatures, Sundiata An Epic of Old Mali and The Odyssey, the main characters shape the plot the stories by their heroic abilities. The literatures also tend to illustrate how heroic qualities were perceived and portrayed in societies. Both characters come from different part of the world yet their plots are similar to each other. The protagonist from two literatures is on a quest to go home and to claim their ancestors’ throne, which is righteously theirs.

Leadership As the esteemed writer John Updike once said “A leader is one who out of madness or goodness volunteers to take upon himself the woe of the people”. Many great pieces of literature illustrate the numerous qualifying factors of effective and inspiring leadership. Some examples can be found in Harper Lee’s To Kill a Mockingbird, Shakespeare’s Julius Caesar, and Doug Stanton’s

Achilleus recognizes Lykaon, one of Priam’s many offspring, emerging naked from the river (21.27). He had captured Lykaon only twelve days prior and sold him into slavery, but he was ransomed. Unfortunately, he fell back into the hands of his captor. Lykaon, on his knees, begs Achilleus to spare his life, but he shows no mercy this time as he strikes Lykaon with his sword to avenge Patroklos’ death. He then desecrates Lykaon’s body by throwing it into the river, which carries his body to the sea where Achilleus insists he’ll be feasted on by fish (21.34-21.135). The gruesome act of slinging Lykaon’s body into the river and feeding it to the fish portrays the drastic change in Achilleus character.

Achilles can be described as a Tragic Hero in many ways. He was brave and had great strength but, he was also prideful and lacked control with his emotions, and in all the label of a tragic hero fits him. A Tragic hero is “a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy” (“Tragic Hero”). To many men Achilles was god-like, and immortal, the epitome of a hero to the Greeks, he was strong, brave in the face of war, and of noble birth because he was the son of a goddess. In the Iliad, Achilles, driven by anger seeks revenge on Hector for killing his “dearest comrade” (“The Heroic Age”), Patroclus, whom he claims to have valued more than his own life. He

The idea of heroismhas been traced back to centuries of years throughout history. Greek Mythology is the father of this concept of heroism and this concept has continued to grow and develop through stories, writings, and films over the years. Humans have always been intrigued with the idea of heroism which is why many movies, books, and stories are written after this very idea. In Linda Seger’s “Creating the Myth”, she argues there are 10-points into creating every “hero myth”, using Luke Skywalker in Star Wars as her hero myth example; in the film Harry Potter and the Sorcerer’s Stone, Harry follows Seger’s 10-point system of creating a

Achilles’ sinful desire for glory ended up killing him, his comrades, and his reputation. Achilles spent the majority of the battle withdrawn from the fight and moping, so when he eventually ended up dying there was nothing particularly noble or glorious about it. If, however, Achilles had gone out heroically and risked his life at the beginning of the battle as he fought alongside his comrades, he could have died in battle and had people remember him as one of the greatest Greek heroes that ever lived. Achilles had three main faults in his personality that ruined his chance at glory. First, because of his selfishness, Achilles kept making choices that benefited himself and nobody else, which is in stark contrast with the selfless mindset required of a hero. Second, because of his pride, Achilles withdrew from the battle and stubbornly refused to fight, which resulted in the deaths of countless comrades. Finally, Achilles’ anger towards Agamemnon kept Achilles from fighting, allowing the Trojans to win many battles. When Achilles finally died in The Odyssey, he was merely making up for his wrong attitude earlier in the war. He was not fighting in order that he might protect and save his comrades. That, therefore, is why it was not at all noble of him to want to die for glory.

be looked at as "the wife of Hektor, who was ever the bravest fighter of

The classical hero is a timeless description of human beings all around the world. Not only is it part of some human’s nature; it is used as a source of entertainment for people as well. The classical hero is seen both in the Iliad, as we have discussed, and in today’s world every day and in most cases everywhere. Heroes are seen today in TV shows, novels, movies, sports, in politics, and on the news, etc. As an audience, we love to study the classical hero whether we’re watching something or reading a novel or story about one. It always seems to be exhilarating because it’s part of our nature. The story of the hero motivates individuals to want to be like that person and strive to help

In the Iliad there are many characters that could be considered heroic. But the two main characters that stand out as heroes to me are swift-footed Achilles and flashing-helmet Hector. Numerous times throughout the epic they display qualities and traits that are unsurpassed by anyone on their side. Many times throughout the epic Achilles and Hector are tested for their strength, and will to win in battle, which for both warriors always ends up positive because they always win their battles. Although both fighters are among the elite status in the armies, they each show human and god-like qualities that help them be as a fierce and feared as possible.

Throughout the Iliad, death is a theme that readers encounter frequently because this poem confronts the fact that everyone is destined to die. Because Kleos, meaning ultimate glory, is something that is worth fighting for, characters like Sarpedon die in order to battle honorably by the side of the Trojans and to protect them from Agamemnon. Because of this, Sarpedon can be seen as a hero because of the glory he has achieved. In any case, it can be controversial in the matter of what drove Patroclus to his death and why, particularly when it could be a direct result of intervenients of Gods or just Achilles not being present in war. In spite of the fact that Patroclus was horrifyingly slaughtered by Hector's lance, what truly drove Patroclus to his demise and to be in that circumstance? In view of all that, it is clear that Patroclus himself is the reason for his passing. Also, though he is battling with the Greeks, it is impossible for Patroclus to leave the fight alive on the grounds that he is physically defective as he can not be compared with Achilles. Battling in substitution of Achilles while murdering Trojans caused fury and outrage becoming within him, coming to a point that it can be reflected to the rage of Achilles, which shapes The Iliad. Patroclus' fury blinds him from the possibility of death coming, even subsequent to getting notices about what can happen when fate and the Gods are disregarded.