The Bloody Chamber By Angela Carter

Stephanie Coontz is a teacher, historian, author and a scholar activist. She has also very indulged in the world of public debate on families, this mostly due possible because of her extensive skills to study modern families as well as historical patterns. In her book The Way We Never Were, Coontz presents a historical look at the family and how it has changed over time. Her interest in the subject comes for her need to understand how families functioned in the past and present, and what lead to notion and definition of family nowadays.

To study the gender issues in The Bloody Chamber we have to first look at the motivations behind the writings. Carter’s feminist agenda creates the feminist tones in this novel which are overtly represented. An excerpt from an English anthology writes on the feminist switch of focus, {A} ‘from attacking male versions of the world to exploring the nature of the female world and outlook, and reconstructing the lost or supressed records of female experience’. This is what Angela Carter explores in her novels. The Courtship of Mr Lyon is a reconstruction of a traditional patriarchal story to highlight female independence.

In “The Victims” by Sharon Olds it describes a divorce through the eyes of the parents’ children. The first section is shown through past tense as the speaker is a child and the last section is shown in present tense with the speaker already being an adult trying to make sense of past events. The word “it” in the first two lines carries a tremendous weight, hinting at the ever so present abuse and mistreatment, but remaining non-specific. The first part generates a negative tone toward the father who is referred to as malicious by the mother who “took it” from him “in silence” until she eventually “kicked him out.” Through the entirety of the poem the children are taught to hate their father. Who taught them? Their mother showed them that their father was a villain and were taught to have no sympathy for him but “to hate you and take it” and so they did so. Although the poem never directly states what the father did to receive the family’s hated, the speaker gives examples as to why he is hated.

For my book report I chose to read, Trapped Between the Lash and the Gun, by Arvella Whitmore. The story was overall about a little African American boy that goes back in time to meet his great grandfather and realize how difficult life was in the 1700’s. He became a slave for the white men and would get punished abusively if he didn’t complete or finish a task. The overall mood of the book was pretty suspenseful and perplexing. In the beginning it was in the 19th century, but once he went back in time it changed some 200 years in the past.

In this essay I intend to explore the narrative conventions and values, which Oliver Smithfield presents in the short story Victim. The short story positions the reader to have negative and sympathetic opinion on the issues presented. Such as power, identity and bullying. For example Mickey the young boy is having issues facing his identity. It could be argued that finding your identity may have the individual stuck trying to fit in with upon two groups.

Sophie Treadwell’s Machinal is a strangely riveting play so filled with unlikable characters that it makes one want to scream and throttle which ever one is closest to hand without prejudice as to which persona it might be as they are all equally detestable in their own way. Unfortunately, the infuriating characters are exactly what make the play so fascinating. Each of the characters in the play, originally intended to display that life is an inescapable machine, exhibits many disturbing psychological qualities, and the main character suffers a slew of near textbook psychological misfortune. Whether Sophie Treadwell created her play with this facet intentionally or not is unknown, but the examples are so perfect it is difficult to think

There was never a bloodier war on American soil in history than the Civil War. Those short four year took the lives of thousands soldiers and destroyed many infrastructures of America. The war, however, was more than a battle between Lincoln and Davis, North and South, slavery and freeman. The Civil War was a war of ideals. The accounts told by the soldiers shown that, although the two sides did not agree on most topics, the North and the South did held certain ideals. In The Killer Angels by Michael Shaara, the eyes of James Longstreet and Joshua Chamberlain expresses the battle between the North and the South as an opportunity to show their major contributions, their loyalties to their troops, and their opinions of the war that shaped them.

Just about everybody knows the story of the Battle of Gettysburg. Michael Shaara puts a little different spin on it in his book The Killer Angels. The book is a work of fiction, but based on facts and experiences from people that were there. Michael Shaara gives us all an inside look at the multiple points of views about the cause of the war. He tells the battle from the perspective of the Union, Confederates, and even a couple of people from other countries.

The Battle of Gettysburg brought the dueling North and South together to the small town of Gettysburg and on the threshold of splitting the Union. Gettysburg was as close as the United States got to Armageddon and The Killer Angels gives this full day-to-day account of the battle that shaped America’s future. Michael Shaara author of “The Killer Angels,” tells the story of the Battle of Gettysburg through the eyes of generals Robert E. Lee, Joshua Chamberlain, James Longstreet, and John Buford, and the other men involved in the action of the battle. The historical account of the Battle of Gettysburg gives the reader a chance to experience the battle personally and not the history book manner taught in schools. The feelings and inner-thoughts of each General and the conditions of the battle are seen, heard, and felt by the reader in the historical account. Shaara takes historical license with letters, the words of the men, and documents written during the four hellish days of the battle. Shaara also avoids historical opinion and provides his own opinion towards the Civil War and the people.

Reading literature, at first, might seem like simple stories. However, in works like William Faulkner's “A Rose for Emily,” Katherine Mansfield's “Miss Brill,” and Kate Chopin's “The Storm,” the female protagonists are examples of how society has oppressive expectations of women simply because of their gender.

In this novel, one could say that the main character, Carrie, is ‘not like other girls’— she’s overweight, with greasy hair and uncontrolled acne. In fact, the novel notes that her excess weight resulted in part from the bullying when her description states that “she felt so miserable…the only way to fill that…hole was to eat” (King 39). She doesn’t have many friends and is the complete opposite of a ‘Cosmo Girl’. In the words of the school coach, “She [had always been] the group scapegoat” (King 21). From her description in the novel, a reader can see that in terms of gender and gender roles, she was not very “feminine”. In 1981, the Journal of Sex Research came out with a study that categorized the results of certain combinations of “low-feminine” preferences in a household could affect it. In the case of Carrie’s household, according to the study, one could characterize Carrie’s bible-thumping mother as having “low-feminine identification”, as she often took the masculine role of disciplining her child. Carrie also had “low-feminine identification”, seen by her carelessness of her appearance. The study falls parallel to the argument that women propelled their own anguish as it says that “A frustrating and rejecting mother, one who keeps her distance between herself and her daughter, may cause such weak

For this paper, I read the graphic novel, One Hundred Demons by Lynda Barry. Barry’s novel is similar to Kochalka’s series, American Elf since her life is the main plot and focus. Like the title, Barry divulges into instances from her life that could be considered a demon, or something negative. For example, the first demon she discussed was about her first love and how much he differed from one of her boyfriends. This was considered a demon to her because of how he treated her and how she felt better off without him. In a way, this novel is Barry’s method of expressing her negative moments and sharing them to the public. Not only does this graphic novel encourage others to speak about their demons, Barry is healing herself from her negative

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

We live in the age of constant technological innovation and endless information; in which we are so connected and dependent on the technology we use that we sometimes don’t even realize how much we’re relying on it. In The Glass Cage by Nicholas Carr, Carr defines automation as, “the use of computers and software to do things we used to do ourselves,” and argues that there are daunting consequences to our reliance on technology (Carr 1). In his book, Nicholas Carr sets up three arguments related to automation, tacit knowledge, and the idea of work. His main arguments throughout the novel are that humans are overestimating the benefits of automation, losing tacit knowledge through our reliance on technology, and

In the story of The Bloody Chamber, Angela Carter attacks the conventional gender roles of women. The conventional Gothic plot revolves around pursuit. A young heroine’s virtuous virginity, purity and innocence is sexually threatened. Thus, what Carter does in “The Bloody Chamber” is redefine female desire and sexuality which are rendered passive and repressed through traditional Gothic texts. Where the mother exemplifies the heroic woman, the “girl” is the traditional damsel in distress. Maria Makinen’s assessment of Carters feminine characters is both truthful and incorrect. Carter uses traditional female stereotypes as well as her unique women to make a contrast between these perceptions of women.