The Blues In African American Culture

The Blues also became a hit in the 1920s after Mamie Smith recorded “Crazy Blues” and it grew into a huge part of the Jazz Industry. African Americans were given credit for the creation of the Blues industry of music as well. Bessie Smith was known as the “most famous of the 1920s Blues singers.”

The intended audience for the early rock and roll of the 1950's and 1960's were that of a teenage audience while blues, jazz and country were aimed toward the more adult crowds. With the maturation of an unprecedentedly immense and prosperous teenage audience, rock and roll music developed the sound of young America and soon spread about the world. Folklorists like to sentimentalize blues music as being an unadulterated expression of culture, but documented blues music was carefully promoted to its intended audience from its very beginning. As early as the 1920s, music intended at African-Americans was labeled as “race music”, and the best way to publicize it was in the pages of African-American newspapers. These newspapers had a wide transmission

How did Blues Influence Rock and Roll? When we think of rock and roll, we think electric guitars, amplified sounds. Blues music is one of the most influential characteristics that gave birth to rock and roll. Beginning in the Mississippi region with African slave work songs and expanding to areas of Chicago and Dallas, blues went on to inspire rock legends such as: the Beatles, the Rolling Stones, and Jimi Hendrix.

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

In this paper I discuss the African-American culture in regards to values, norms and beliefs.

Music is a creative art form that allows the artist to construct something that expresses a purpose. It evolves over time and changes as the world changes, taking on many different motivations behind the melody and lyrics. In today’s society, anger, oppression, racism, and negative opinions rule the media and popular culture. I believe that African Americans need to show their self worth and not let white people hold them back. With the music in white culture often mocking African American culture and portraying negative stereotypes, African Americans have to find ways to gain respect. In acknowledgement of the negative portrayal of their culture, African Americans respond by creating songs and videos that express their pride in their culture and heritage, react to white oppression, and communicate their independence.

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

The blues, a uniquely American art form, was born on the dusty street corners of the Deep South in the late 1800s. An evolution of West African music brought to the United States by slaves, created the blues which was a way for black people in the south

Africans have, since the early settlement of America, has had a great influence in the nation’s growth. These contributions to the United States from enslaved Africans have been greatly portrayed in American culture. Varying from cuisine, to song and dance are not only portrayed today but it has a deep-rooted impact throughout the United States. During the middle passage, enslaved Africans were forced to abandon their everyday lives, their families and their homes and forced to adapt to a new lifestyle they knew nothing of. However, upon arrival into the New World, due to their prior knowledge and wisdom from back home, they were able to quickly adapt and custom themselves to this new lifestyle in order to survive with the hope of potentially one day returning back to Africa. Unfortunately, African contributions to the culture of the United States has received little to no recognition and it has been taken credit for by Europeans and Whites since the early establishment of the United States.

The Unites States is a true melting pot of ethnicities and cultures. For many members of minority groups a certain hybridity is readily adopted, but for others, cultural assimilation can be quite difficult. Chicana author, Sandra Cisneros described this phenomenon as “always straddling two countries… but not belonging to either culture” (Doyle. 54). African American author, Alice Walker shared Cisneros’ sentiment, but focused her attention on the assimilation of black cultures and subcultures within the United States. Cisneros and Walker make the same poignant statement about the strains of cultural assimilation, with reconciliation of split identities as the goal, in their respective works, 1991’s “Woman Hollering Creek,” and 1973’s “Everyday Use,” yet their unique ethnic perspectives allow them to make it in surprisingly different ways.

Rock ‘n’ roll has played a major role in some known historical developments post World War 2. Music plays a significant part in America 's Cold War culture. Music gave us a sense of new technologies and helped the world to prosper. It also is linked with African Americans living in the South. Music was known for shaping the lives of the people during the 1950s and 1960s. Music was geared towards the youth, race, ethnicity, gender and class. “All Shook Up: How Rock ‘n’ Roll Changed America” by Altschuler, Glenn C, tells us the story of the birth of rock and roll during the concrete years of 1955 to 1965. Altschuler gives us a overview of how rock ‘n’ roll has an historical context. “ For two years the Times printed dozens of

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

     The Blues musical move was prominent during the 1920s and '30s, a time known as the Harlem Renaissance. Blues music characteristically told the story of

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.

I have traveled all over the world but I have never been down South. Being from New York has also given me a very narrow perspective of African American culture. The purpose of this research project is to gain some understanding of Black culture specifically in the South. College has exposed me to a lot of people who were born and raised in the South and some of my closest friends are southerners. By researching the history, culture, and demographic information of the South, I plan on becoming a more well-informed American.