Women now and from the past are a part of one of the most tedious battles that needs to end with the use of common sense. Some males have the tendency to think that they have unlimited power and that nothing is going to stop them from trying to harass their partners, or other women. An example of this harsh reality goes to the written book by Toni Morrison, dubbed ‘The Bluest Eye’, following behind its movie counterpart. The MacTeer family took Mr.Henry (a boarder) and a young girl named Pecola under their wing after the suffering of the Great Depression. The two sisters – Frieda and Claudia – met with Pecola’s admiration of Shirley Temple, whom she believed Shirley’s whiteness is considered captivating while her black skin tone is considered a disgrace. Pecola confesses of her home life being rather difficult since her father, Cholly, abuses the use of alcohol and constantly fights with his wife. …show more content…
From the issues in her life, she wishes to have blue eyes and look stunning so she can fulfill the life she wanted, everyone loving her. A few seasons later, Mr.Henry decided to grope Frieda and the Macteers’ kicked him out of the house. This situation applies to reality of how woman of the past and today still get sexually abused in one way or another. Especially when Cholly – Pecola’s dad – enters his house in a drunk state. He forced himself upon Pecola and rapes her, leaving her to be until Pecola’s mother inflicted a beating upon the girl, not believing Pecola’s story. As mentioned in the article, most women barely had any control over their partner’s forced rape and some refused to contact the police because they were too afraid to get punished
In the course of The Bluest Eye, Pecola Breedlove has shown signs of low self esteem. She would always be the one to compare herself to something she admires to be beautiful. Perhaps, sometimes problems surround her get a little too much, she has not yet realized the fog will clear up. For example in the autumn chapter, a quote has said “Thrown, in this way, into the binding conviction that only a miracle could relieve her, she would never know her beauty. She would only see what there was to see: the eyes of other people.” There is no such thing as a “Pecola’s point of view”. She lives off of people's judgements and believe physical appearance is all there is to a person. Her desire to be beautiful is not having attractive long black hair and golden skin color, but blonde hair with a white pigmentation. Which causes her to dream and want even more.
Toni Morrison, the author of The Bluest Eye, centers her novel around two things: beauty and wealth in their relation to race and a brutal rape of a young girl by her father. Morrison explores and exposes these themes in relation to the underlying factors of black society: racism and sexism. Every character has a problem to deal with and it involves racism and/or sexism. Whether the characters are the victim or the aggressor, they can do nothing about their problem or condition, especially when concerning gender and race. Morrison's characters are clearly at the mercy of preconceived notions maintained by society. Because of these preconceived notions, the racism found in The Bluest Eye is not whites against blacks. Morrison writes about
In The Bluest Eye, Toni Morrison depicts racism all throughout the novel. Discrimination is very heavy in the 1940s, and the protagonist Pecola Breedlove experiences that. Pecola is a lower-class black girl who is constantly picked on for not only her looks, but her uncontrollable family situation. Maureen Peal is a new girl that arrives at Pecola’s school, and she is an upper-class, wealthy black girl. When Maureen goes out for ice cream with Pecola, Frieda, and Claudia, the girls talk about menstruation, and Maureen accuses Pecola if she has ever seen her father naked. Pecola denies the accusation, and conflict arises between the girls. Maureen shouts, “‘I am cute! And you are ugly! Black and ugly black e mos. I am cute!’” (Morrison 73).
In the aftermath, there is a dialogue presented between Pecola and an imaginary friend. The dialogue includes conflicted feelings of Pecola’s rape, and her deluded thoughts of her wish for blue eyes has been granted. She believes that the changes in behavior of the people around her are because of her new eyes, and not the news of her rape. Claudia speaks for a final time, and describes the recent phenomenon of pecola’s insanity. She also suggests that Cholly, (who had since died), may have shown Pecola the only affection he could by raping her. Claudia believed that the whole community, herself included, have used Pecola as a way to make themselves feel beautiful and happier.
Throughout Toni Morrison's novel The Bluest Eye, she captures, with vivid insight, the plight of a young African American girl and what she would be subjected to in a media contrived society that places its ideal of beauty on the e quintessential blue-eyed, blonde woman. The idea of what is beautiful has been stereotyped in the mass media since the beginning and creates a mental and emotional damage to self and soul. This oppression to the soul creates a socio-economic displacement causing a cycle of dysfunction and abuses. Morrison takes us through the agonizing story of just such a young girl, Pecola Breedlove, and her aching desire to have what is considered beautiful - blue eyes. Racial stereotypes of beauty contrived and nourished by
After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater
Throughout all of history there has been an ideal beauty that most have tried to obtain. But what if that beauty was impossible to grasp because something was holding one back. There was nothing one could do to be ‘beautiful’. Growing up and being convinced that one was ugly, useless, and dirty. For Pecola Breedlove, this state of longing was reality. Blue eyes, blonde hair, and pale white skin was the definition of beauty. Pecola was a black girl with the dream to be beautiful. Toni Morrison takes the reader into the life of a young girl through Morrison’s exceptional novel, The Bluest Eye. The novel displays the battles that Pecola struggles with each and every day. Morrison takes the reader through the themes of whiteness and beauty,
The desire to feel beautiful has never been more in demand, yet so impossible to achieve. In the book “The Bluest Eye”, the author, Toni Morrison, tells the story of two black families that live during the mid-1900’s. Even though slavery is a thing of the past, discrimination and racism are still a big issue at this time. Through the whole book, characters struggle to feel beautiful and battle the curse of being ugly because of their skin color. Throughout the book Pecola feels ugly and does not like who she is because of her back skin. She believes the only thing that can ever make her beautiful is if she got blue eyes. Frieda, Pecola, Claudia, and other black characters have been taught that the key to being beautiful is by having white skin. So by being black, this makes them automatically ugly. In the final chapter of the book, the need to feel beautiful drives Pecola so crazy that she imagines that she has blue eyes. She thinks that people don’t want to look at her because they are jealous of her beauty, but the truth is they don’t look at her because she is pregnant. From the time these black girls are little, the belief that beauty comes from the color of their skin has been hammered into their mind. Mrs. Breedlove and Geraldine are also affected by the standards of beauty and the impossible goal to look and be accepted by white people. Throughout “The Bluest Eye” Toni Morrison uses the motif of beauty to portray its negative effect on characters.
In the novels, The Bluest Eye, by Toni Morrison and The Things They Carried, by Tim O'Brien, the two authors portray masculine traits through their primary female characters to symbolize a disconnection from society. Morrison portrays Claudia and Pecola as characters that many people can relate to. In the novel, Pecola is criticized for many points that are entirely not her fault such as her looks, her unwanted pregnancy, and the unfeminine way she acts. These criticisms eventually drive Pecola to the point of insanity, where she becomes obsessed with the thought of having idyllic blue eyes although she still possesses “ugly” brown eyes. Claudia is the youngest and exhibits many masculine traits that are viewed negatively among the female figures in her life, making her feel like an outcast. This idea of never being perfect enough is a prominent one throughout the novel and is especially relatable to the modern day female in society due to the immense beauty market that constantly exploits women’s insecurity. Morrison and O’brien show this trope of insecurity through masculine traits in women and how this manifests an “unconventional” personality.
A standard of beauty is established by the society in which a person lives and then supported by its members in the community. In the novel The Bluest Eye by Toni Morrison, we are given an extensive understanding of how whiteness is the standard of beauty through messages throughout the novel that whiteness is superior. Morrison emphasizes how this ideality distorts the minds and lives of African-American women and children. He emphasizes that in order for African-American women to survive in a white racist society, they must love their own race. The theme of race and that white skin is more beautiful is portrayed through the lives and stories told by the characters in the novel, especially the three girls Claudia, Pecola and Frieda. Through the struggles these characters have endured, Morrison shows us the destructive effect of this internalized idea of white beauty on the individual and on society.
In The Bluest Eye, Toni Morrison shows that anger is healthy and that it is not something to be feared; those who are not able to get angry are the ones who suffer the most. She criticizes Cholly, Polly, Claudia, Soaphead Church, the Mobile Girls, and Pecola because these blacks in her story wrongly place their anger on themselves, their own race, their family, or even God, instead of being angry at those they should have been angry at: whites.
This can be seen toward the end of the novel, on page 199, where, in a conversation between Pecola and a figure of her thoughts, Morrison reveals that Pecola may have been raped twice. “You said he tried to do it to you when you were sleeping on the couch. ‘See there! You don’t even know what you’re talking about. It was when I was washing dishes,’” reads the exchange. These lines also tell the reader that even with this information, Pecola is still internally unsure of what happened herself. Through internal dialogue, her personal insecurities are projected. Dialogue is key in presenting major ideas in the novel.
The novel The Bluest Eye written by Toni Morrison is subjected on a young girl, Pecola Breedlove and her experiences growing up in a poor black family. The life depicted is one of poverty, ridicule, and dissatisfaction of self. Pecola feels ugly because of her social status as a poor young black girl and longs to have blue eyes, the pinnacle of beauty and worth. Throughout the book, Morrison touches on controversial subjects, such as the depicting of Pecola's father raping her, Mrs. Breedlove's sexual feelings toward her husband, and Pecola's menstruation. The book's content is controversial on many levels and it has bred conflict among its readers.
Morrison also includes sexual scenes where characters willingly having sex to demonstrate empowerment based on autonomy. The ruined women in The Bluest Eye are also the most liberated characters in the novel. Marie, China, and Poland are sex workers that control their own business; thus, making them independent and self-reliant. Because these women are seen as independent and sexually confident, their occupation as a sex worker suggests that they are liberated from an oppressive society. As a result, they do not have to conform to societal norms: “They were whores in whore’ clothing, whores who had never been young and had no word for innocence” (57). They are not only comfortable with themselves, but they are also comfortable with being “fallen
For decades there has been an ongoing discussion on society’s standards of beauty and what makes someone beautiful. In Toni Morrison’s The Bluest Eye she challenges white standards of beauty. Just like today, the society in Loraine, Ohio establishes a standard of beauty, and this beauty is defined as being as close to white as possible, having blonde hair, blue eyes, and a “Jack and Jill” family. Most of the characters in The Bluest Eye attempt to conform to society’s standards (complicating this idea) and believe if they can achieve at least one of the aspects of beauty their life will be better and they will be treated in higher regards. Through the female characters of Pecola, Claudia, Maureen, Geraldine, and Rosemary it is prevalent that there is a spectrum of beauty and the person who is closest to this standard, white skin, blonde hair, and blue eyes, is considered pretty and is respected by society, while a person who is not close to this standard is considered ugly and is treated poorly by society. By ascribing to society’s expectations of beauty, Geraldine extends the role of white supremacy and undermines her own self-worth.