The Boarding House

Mary Maloney and Miss Strangeworth are the two main characters in the story. The two of them make up the main parts of the stories. Mary Maloney kills her husband and tries to cover it up and Miss strangeworth is the one who sends the mean notes and is a very fake person, who comes off sweet and innocent, when in reality she is mean and a liar. Mary Maloney kills her husband and tries to cover it up and Miss strangeworth is the one who sends the mean notes and is a very fake person, who comes off sweet and innocent, when in reality she is mean and a liar. Mary Maloney goes to the grocer to cover it up and says, ”Patrick’s decided he’s tired and doesn’t want to eat out tonight,” she told him. “We usually go out Thursdays, you know, and now he’s caught me without any vegetables in the house.” Miss strangeworth is portrayed as a very stuck up and brags to everyone about how her father built the town and how she has been there the whole time. It also introduces her roses. Miss Strangeworth's roses are her life. She tends to them all the time,

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

     The background of the story gives us the idea of what Mrs. Mallard’s marriage meant to her. We see a picture of a young well-to-do wife who seems to be very pleased with her life. We also get the impression that she was deeply in love with her husband.

From this day you must be a stranger to one of your parents. ---Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do’” (97). Mrs. Bennet makes a fuss over trivial things and is partial to exaggeration. These attributes prompt her children and husband to see her as unimportant and harmless. Although her word is ineffective in her household, Mrs. Bennet’s persistence to marry her daughters is ceaseless: “Not yet, however, in spite of her disappointment in her husband, did Mrs. Bennet give up the point. She talked to Elizabeth again and again; coaxed and threatened her by turns” (97). Mrs. Bennet can’t see past her marital ideals for her daughters and can’t understand why they don’t concern themselves as ardently as she does with them. In a fit of anger, Mrs. Bennet claims to disown Elizabeth for refusing Mr. Collin’s proposal by stating, “’But I tell you what, Miss Lizzy, if you take it into your head to go on refusing every offer of marriage in this way, you will never get a husband at all --and I am sure I do not know who is to maintain you when your father is dead’” (98). Elizabeth’s mother thinks that her threats have weight but all the Bennet children know her warnings are hollow. Even when Lydia runs away with Wickham and brings shame to the Bennet family, Mrs. Bennet is only concerned with the fact that Lydia is getting married: “She was now in an irritation as violent from

Curley’s wife perfectly represents the “average woman” in America in the 1930s. She would like to depend less on her husband, she has a fantasy of becoming a renowned actress and she feels secluded and miserable. She has to live in a

Mrs. Bennet’s desperation is especially noticeable when Elizabeth, the protagonist, is given the opportunity to marry Mr. Collins, a distant cousin and a wealthy land owner. After learning of Elizabeth’s refusal to marry Collins, she implores Mr. Bennet to force Elizabeth to change her mind. In her final efforts to convince Elizabeth, Mrs. Bennet addresses,

While the narrator recognizes the great care with which her husband is treating her she seems to constantly feel that she is being ungrateful. She calls herself out in her journal for being a “comparative burden” (Gilman) The room in which the narrator resides has a sturdy bed that is nailed to the floor. The narrator notes that there are bars on the windows and rings hooked into the wall. She wrongly assumes that this room was used as a nursery or gymnasium by the previous owners. As the reader, we are able to instill our own thoughts that this room was in fact built to house someone with a mental disorder. This begs the question of what the house really is, to contain such a room away from decent society.

This stands in stark contrast to what Miss Elizabeth Bennett wants. Mrs Bennett wants her daughters to marry because it’s thea only way for them to solidfy that they will have food on their plates and a roof over their head. Mr. Collins is Mr. Bennetts brother and is set to inherit his estate when he dies. He comes to visit in the middle of the book and his main intentions are to ask on of the daughters to marry him and to observe what he will in time own. Mrs. Bennett says in response to all this “Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousnd a year. What a fine thing for our girls!” (57, Austen) The single man she speaks of his Mr. Collins, the Bennett kids uncle. Austen describes Mr. Collins as a self retious kind of man who thinks he is above the Benntt’s just because he is set to inherrit their estate. This gives him a villeness quality. Austen is commenting on the blindness of Mrs. Bennett to the qualitys of Marraige. She only shes Mr. Collins as money but Elizabeth sees him as a bad person to spend the rest of her life with and theirfore turns down his marraige purposal. Which causes trouble between her and her mother. This is the best example of the contrast in what the two women see as the meaning of Marriage.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

The narrator is portraying a woman who is looked down upon because of her mental illness, but women at the time were often seen as childish or too emotional. “Then he took me in his arms called me a blessed little goose,” (Gilman 5). The narrator’s husband, John, treats her almost like a father would treat a daughter. The narrator is belittled because of her inability to act like women at the time were expected to. “Victorian values stressed that women were to behave demurely and remain with in the domestic sphere,” (Wilson 6). During the 19th century, women were expected to simply care for the children and clean the house. Most of the time, women who aspired to do more than that were not considered respectable wives. “Because the narrator is completely dependent on her husband and is allowed no other role than to be a wife and a mother, she represents the secondary status of women during the 19th century,” (Wilson 5).

considered to be silly and unintelligent. ". . . he . . . called me a

“The Boarding House” is a story that starts off in the beginning with complications, but the main conflict of the story is that Mrs. Mooney, Mr. Doran, and Polly all want different thing. Mrs. Mooney, mother of Polly, want to find a husband for Polly. She wants to bring Polly out of the lower social class and to find her a marriage that will not end in failure like Mrs. Mooney did. Polly also wants a relationship, but is going about it all wrong. Polly is ruining her reputation in the processes. Mr. Doran is a man who wants to have it all. He wants to have an affair with Polly and not ruin his

The first proposal is from Mr Collins, a man to whom Elizabeth was not even his first choice; Jane, the eldest and most beautiful, was his first fancy, but when informed that she had been privately engaged, he swiftly switches to Elizabeth, who is ‘equally next to Jane in birth and beauty’. His introduction to Elizabeth is not a pleasant one, although he is too ignorant to notice; she finds him ‘a conceited, pompous, narrow-minded, silly man’. Her observation is quite correct, and illustrated to the greatest affect in his proposal speech.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

I used their bathroom to puke in the morning.” (PG. 1) At school, students call the teacher, “Miss Mooney”, who is an addict that she relies on drugs that is a substance abuser, although she specializes in alcohol, usually starting at lunch, she tells us, and continuing until late evening, when “I’d switch to vodka and would pretend to better myself with a book or some kind of music, as though God were checking up on me.” (7) This would describe that Miss Mooney is an alcoholic. Miss Mooney has been married, and nearby at the story’s ending she has dinner with her previous husband, who is willing to support her if she will just stop communicating with him when she’s not sober. She would ultimately take the offer from her ex-husband to prove that is approved morally and substantial. She also in a relationship with a man, who is still attending college, although eventually he has apparently “completed his education” as a photography major and moved on forward. Miss Mooney is completely aware of her own reputation which is degrading, but she doesn’t seem that disgusted by her addicting actions. The narration’s tone is better described if it is separated, as if she has become sufficiently accustomed to her situation that she has turned out to be adequately acquainted with her