The Body, By Jeanette Winterson Essay

For a time, Lucy Gayheart feels the assurance of a bright future reaffirmed daily. And then a tragedy strikes, an undreamed-of turn of events, something which happens every day, and yet which we never address, because it is unthinkable. So will Lucy allow tragedy to beat her down into an existence she has long scorned? Or will she find the mettle to not only endure, but to grow in the face of, her heartbreak? This book was published in 1935. Its syntax can be long-winded, but its imagery is unforgettable. The author conveys a deep love for her fellow man, and for the inexpressible promise of a young life. I believe there is Lucy Gayheart in all of us.

The change on the contemporary wedding, from what the society has been seeing in the 21st century, is phenomenal. People approach marriage very differently nowadays. Individuals still look for their “would-be” spouses. However, it's not for love or companionship purposes but convenience. In fact, Dr. Strohschein is quoted saying in the talk show says that marriage evolved to a "capstone" to an individual’s life and no longer a cornerstone of life as it used to be (Woodford, Luke, Grogan-Kaylor, Fredriksen-Goldsen, & Gutierrez, 2012). This paper explores Strohschein’s views in the light of sociological concepts and theoretical paradigm.

Marriage is the union of two people who want to spend the rest of their lives together.In order to get married, either the man or woman in the relationship must propose to their partner. In Jane Austen’s Pride and Prejudice, Mr. Collins proposes to his partner in a self-centered and detached manner, whereas Mr. Headstone, in Charles Dickens’ Our Mutual Friend, proposes in a romantic and touching way.

The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.

The interviews in Anne Fadiman’s The Spirit Catches You and You Fall Down and Joshua Reno’s Waste Away both have their fair share of barriers to overcome, even though their research could not be more different. Anne Fadiman conducts interviews in two drastically different topics, Hmong culture and medicine. Joshua Reno favors a landfill in Michigan; interviewing residents living next to Four Corners Landfill. However different these two areas of research may be, both books show that interviewing individuals is a research method incredibly valuable when working to determine a person or group’s feelings and ideas. Both anthropologists use interviewing as a method to gain information, but are careful to align with the culture of each of the

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

The book has a section entitled, “Marriage is traditional” and in that particular section it mentioned about how “marriage has changed over time.” When examined current day marriage trends show that people are looking for partnership or soul mates, not for the most traditional reasons of the past. The idea that one person is supposed to be with one person for the rest of their life is no longer relevant. It is possible to have many happy years with one person, but that does not mean that these people will die together. People can have a falling out. Situations change—people do grow. If people stayed stagnant their whole lives, where would society be? With the way

Miller constructs the plot of this essay both vertically and horizontally. She juxtaposes thoughts triggered by her senses, and her past. She weaved her racing thoughts into the moment of her present, while she was anxiously waiting away the final minutes of her date’s arrival. The author captured imagery through metaphors through word play of the word date, and connects past memories of her’s into her present state of waiting anxiously within those final minutes, “The dates-heavy, cloying ,dark as dried-blood- always made the roof of my mouth itch, but I ate them anyway because they came in a white box like candy. I ate them because I was told they were precious, the food of the gods.” (Miller, 2007, P, 386). Miller’s attention is caught on the items in her home. She stared at her refrigerator, trying to think of what her date would think of her based off of her material possessions. These fragments such as pictures, poetry on her walls, and even her blinds initiate thoughts within her. She started to form her own judgements of herself through the exceptions from her society.

Often times in literature the body becomes a symbolic part of the story. The body may come to define the character, emphasize a certain motif of the story, or symbolize the author’s or society’s mindset. The representation of the body becomes significant for the story. In the representation of their body in the works of Marie de France’s lais “Lanval” and “Yonec,” the body is represented in opposing views. In “Lanval,” France clearly emphasizes the pure beauty of the body and the power the ideal beauty holds, which Lanval’s Fairy Queen portrays. In France’s “Yonec,” she diverts the reader’s attention from the image of the ideal body and emphasizes a body without a specific form and fluidity between the forms. “Yonec” focuses on a love not

Intro Paragraph: The story “The Body,” written by Stephen King, shows how 4 boys slowly start to forget about their childhood, but at the same time, it shows how the realities of adulthood comes down and crashes their imagination. In the story, there are parts that show that they are just kids being kids and not knowing any better, but there are also parts where they are just immature and are being ignorant to the consequences. Chris and Gordie soon learn to accept the realities of adulthood and the idea that they can’t go back now that they have reached so far. Later on in the story, it shows how they shift from that kid inside them to a wise and reliable adult. From reading the book, it is clear that the ignorant and immature side of Chris and Gordie has vanished into a more mature nature that gives those two a better opportunity.

Many years ago love was not what it always seemed like for a certain female. Her life was a very peaceful normal life until her coming of age came around the corner. Life for women in the 1930´s was a time of perfection,women had to be up and on their feet throughout the day. They had to keep the house tight,provide food for the family of the house, and were expected to keep themselves top shape and nice all the time. In the novel¨Their Eyes Were Watching God¨ by Zora Neale Hurston uses figurative language to demonstrate the love is not always how it seem.

Marriage unites two people for better or worse, in sickness and health, until death they do part. In earlier times, some people might say wedding vows were taken more seriously; other say divorce was different back in the day. Looking at Katie Chopin and Nathaniel Hawthorne, who both exemplify martial vows in their short stories, “The Story of an Hour” and “The Birthmark.” It is clear in one instance, it was because divorce was different but then on the other hand the stories demonstrate the seriousness of the wedding vows. However, these stories express a husband-dominated relationship, in which the men possess ideals such as possession, perfection, and being all knowing.

The short stories, “Turned”, by Charlotte Perkins Gilman and “The Good Corn”, by H.E Bates provide strong examples of how the representation of characters influence’s the reader’s perception of a text. Both stories depict similar characters: a middle-aged, childless wife, her husband and an 18-year old girl who works for them. They are both about a similar situation: man cheats on wife with girl and girl falls pregnant. However, the author’s of the text are from very different backgrounds and this is reflected in their stories. Although there are many similarities between “The Good Corn” and “Turned”, the values reflected in these stories, their resolutions and the reader’s perception of them are vastly different due to the contexts of

Throughout the last half of the century, our society has watched the divorce rate of married couples skyrocket to numbers previously not seen. Although their has been a slight decline in divorce rates, “half of first marriages still were expected to dissolve before death.” (Stacy, 15, 1991) Whatever happened to that meaningful exchange of words, “until death do us part,” uttered by the bride and groom to each other on their wedding day? What could have been the cause of such inflated divorce rates? Perhaps young married couples are not mature enough to be engaged in such a trremendous responsibility, or, maybe, the couples really do not know each other as well as they thought. Possibly, they have been blinded by infatuation rather than by