The Bond Between Mother And Child

Through art, man started to change their view on themselves. Paintings during The Middle Ages focused a lot on God and religious views, but not a lot on man itself. During The Renaissance, however, paintings shifted to being much more realistic with humanistic features. Berlinghiero’s Madonna and Child from 1228 shows a woman holding a small child (Doc. A). There are a few facial and body features added such as on the nose and the hands. It shows Mary holding her child, showing that he is “the way to salvation” (Doc. A).

Baby suggs and Sethe are both the Mother figues in beloved and despite their suffering from slavery they both cared for their children greatly. Baby Suggs and Sethe connected through Motherhood to develop a close bond. They shared the love for their children a bond that all mothers can relate with. Sethe has four children that she loves very much but she could not deal with her past of sweet home. Sethe could not bare for that to happen to her children so she had to save them from the schoolteacher and slavery by trying to kill them. She kills one child whom is referred to as beloved for what is written on her tomb stone, but fails to kill howard buglar, and Denver. Sethe motherly natural instincts caused her

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

The viewer can see and feel the bond between the mother and the child. I also think the artwork is beautiful and makes a deep impression on the viewer, because of the innocence and peaceful appearance of the infant. The woman has such an intense gaze with the way she is looking at the infant; it gives each viewer an opportunity to interpret it in their own way, concern or admiration, all part of motherhood. The woman’s body language is intriguing because she is replicating the infant’s arm position, maybe to find her own peace. In my search, I discovered that Berthe Morisot was a famous female artist in the 19th century, and in making a choice, this piece of art quickly caught my

Cassatt’s composition is a great example of the impressionist style movement. It is a great everyday scene showing a mother comforting her child. Cassatt is successful in creating a works of art that perfectly describe the everyday lives during these times. Her piece Susan Comforting the Baby uses various techniques to convey Cassatt’s message on the ordinary life of women and

In the painting, ‘Virgin and Child’, by Rogier van der Weyden, it can be observed that the artist chose to use the medium of oil on wood. Despite the fact that Rogier van der Weyden created this painting in the Netherlands and was born in Tournai, Belgium, their primary influence appeared to stem from the Italian Renaissance, which had begun to use the technique of oil paintings with increasing frequency by turn of the 15th century. The subject of the painting itself, Madonna and her virgin child, were a common theme in the Renaissance, where religious subjects and topics were the primary choice for any prominent artist during this historical artistic period.

Other representations of art, like sculpture and painting were quite popular as well. Rarely were women the artists of such works, but male artists would often paint the women that they were surrounded by and usually for the occasion of their weddings in the noble class (Kaborycha, 94 and 95). Depictions of the non-elite and servant women were rare, but can be found in Renaissance art. For example, a non-elite, but non-servant woman is depicted in a Piero della Francesca painting, titled Madonna del Parto. She is shown as extremely pregnant, and ready to give birth to her child, because of the facial expression that is depicted on her face. The woman looks very uncomfortable and tired. This painting is representative of the role that women primarily took in the Renaissance. Women were the heir producers. More often than not, it was hoped that the child women were having was a boy, so that it could pass on the family name (Discussion, February 10). And if the women were to give birth to a girl, families continued to have children until there was at least one boy. This left some women pregnant for the majority of their lives. Francesca’s painting supports the ideal that Alberti proposed in Family and Fortune. Most women had children and tended to those children as well as their domestic

Throughout history, people have used paintings and art as a tool to express their religious beliefs and values. Illustrations depicting the Virgin Mary and child, often referred to as Madonna and Child, are one of the most recurring images in Christian and European Art through the ages. Though these paintings and sculptures may have similarities in their iconography and style each work of art varies based on the different artists’ and time periods. Two paintings that portray these features currently reside in the Museum of Fine Arts Houston. The first, Virgin and Child by Rogier van der Wyden, was originally painted after 1454. In the painting, the Virgin Mary is holding Christ against her shoulder as he twists around to face toward the viewers. The second painting is Virgin and Child with a Donor, painted by Antoniazzo Romano and originally painted c. 1480. In this painting, Virgin Mary is supporting Christ who seems to be standing and includes a figure of a man with his hands crossed in prayer. While both paintings depict the mother and child, there are both similarities and differences in style and portrayal. In this paper, I will thoroughly examine these traits, as well as address the similarities and differences associated with the two paintings. This analysis will be done by using information gained from reading Gardner’s Art Through the Ages, in class lectures from ARTH 1381 Art and Society Renaissance to Modern and ARTH 1300 Ways of Seeing Art, and close visual

The concept of infant-mother attachment is as important to the child as the birth itself. The effect this relationship has on a child shall affect that child for its entire life. A secure attachment to the mother or a primary caregiver is imperative for a child’s development. Ainsworth’s study shows that a mother is responsive to her infant’s behavioral cues which will develop into a strong infant-mother attachment. This will result in a child who can easily, without stress, be separated from his mother and without any anxiety. Of course the study shows a child with a weak infant-mother relationship will lead to mistrust, anxiety, and will never really be that close with the mother. Without the

This paper will explore the phenomenon of enmeshment between a mother and her child. It will begin by first providing a working definition for the concept of enmeshment, then go into more detail about how and why this manifests within the mother and child dynamic. Next it will discuss maternal enmeshment’s impact on the child’s development during childhood using the theories of Erik Erikson and John Bowlby as a framework of understanding. It will conclude by providing a brief overview of some ways enmeshment can adversely influence the child across the lifespan.

The painting “Mother and Child” is a painting with a Dutch woman and her child.Melchers made this painting because of his art styles and his likes on farming life.The painting was painted on an oil canvas with a pastel on a paper board.The painting is 21 ½ X 16 inches.The painting was made in America in 1904.The painting “Mother And Child” has about 5 other copies of the painting.The painting Mother and Child is famous and unique in its own way,and is still available to see at the Art Institute of Chicago.

The Virgin and Child was created by Barnaba da Modena in 1360, and is deemed Gothic in style. It depicts The Virgin Mary holding a Child Christ in her arms, and rests undamaged to this day in Boston's Museum of Fine Arts. In terms of formal elements, it is 39.4 inches in height and 24.8 inches in width (100 x 63 cm), a religious painting executed by means of tempera on panel. The enduring framing edges might indicate that the painting was initially planned to be the central piece of a polyptych. A first impression is that of anachronism: its opulent golden background and the intricate striation outlines on the Madonna's mantle seem to indicate a much earlier conception, mainly Byzantine in nature. However, the Byzantine herring-bone pattern is clearly endowed with a more modern linear roundness.

Also the crisp outlines of the jewel-colored shapes created by their clothing as well as the continuity of folds and gestures, creates a rhythmic pattern crisscrossing the surface showing the element of design (Stubblebine). The imagery in Madonna and Child is displayed in how the artist expresses himself, and how the artwork communicates with the viewer. The artist expresses himself in that the work is symbolic. It is symbolic in that it depicts the sacred realm and the account of Mary and the Child it also emphasized the thirteenth century devotional practice on experiencing the sacred figures as real (Stokstad 259). In addition, the work was created within a structured stylistic context of devotional images and icons, and was not created as a personal expression. The Madonna and Child painting communicates with the viewer, in that the sense of human interaction convinces the viewer that the two figures exist in real space and time (Tomkins 3) and the intimate interaction between the Child and the Madonna evokes a human response from the viewer. Duccio explored the world of sentiment and empathetic emotional response with a lyricism and sensitivity to color. Some examples of this is the tender gesture of the Child, the distant glaze of the Virgin, yet deeply moving expression, the use of drapery folds to describe the forms of the

The idea of this piece is to show the connection between mother and daughter being painted. It shows the time and the classic style of the

In each person's life much of the joy and sorrow revolves around attachments or affectionate relationships -- making them, breaking them, preparing for them, and adjusting to their loss by death. Among all of these bonds as a special bond -- the type a mother or father forms with his or her newborn infant. Bonding does not refer to mutual affection between a baby and an adult, but to the phenomenon whereby adults become committed by a one-way flow of concern and affection to children for whom they have cared during the first months and years of life. According to J. Robertson in his book, A Baby in the Family Loving and being Loved, individuals may have from three hundred to four hundred acquaintances in there lifetimes, but at any one