The Book Of Margery Kempe

Throughout history, there have been a select number of women with extraordinary talent, intelligence, and passion that have challenged and defied society's subjugation of women and have stood their ground under the pressure of patriarchy. The Middle Ages, in particular, generally cast women in a negative light. Some medieval women used their abilities in the arts to leave a lasting impression on a society that affiliated women with Eve, who was believed to be the reason for man's fall from grace. Others had a religious perspective, immersing themselves in God's work on earth. One such woman was Margery Kempe, a fifteenth-century visionary who was widely criticized as being a heretic and worshipper of

Louise Halfe’s “Body Politics” challenges the qualities and behaviour of the idealized feminine woman by contrasting the stereotypical “city woman” with a more masculine “real woman.” The poem’s speaker describes her mother’s opinion of what it means to be a real woman, which is seen through “Mama said.” Throughout the poem, the speaker uses vivid imagery to create a stark contrast between the idealized feminine “city woman” and a “real woman” who does not conform to the feminine gender norm. To begin with, the title of the poem itself can be viewed as an obvious critique of the feminine ideal. By definition a body politic is a group of people “considered as a collective unit” (Merriam-Webster). This is significant because in Butler’s theory, she emphasizes that a person’s gender can vary depending on a given situation, and therefore women cannot be grouped together and defined exclusively by their feminine qualities. Instead, she argues that women should be viewed as individuals capable of possessing both masculine and feminine behaviour. This belief relates directly to the poem’s title, as Halfe is clearly making a statement on the manner in which patriarchal societies expect women to conform to a singular feminine ideal. Moreover, it illustrates how women’s bodies become a political site for the masculinist culture to impose feminine gender on. With consideration to the title’s reference to a homogeneous group of women, it is interesting that stanzas two through four all

In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman

The two publications that best contextualize gender are the Lowell Offering and the Godey’s Lady Book periodicals as the articles found in both magazines depict traditional gender roles for males and females. For the Lowell Offering, this is best seen in the article entitled, “Woman’s Proper Sphere”, which focuses on the thoughts associated with oppression like, “Is it ambitious wish to shine as man’s equal, in the same scenes in which he mingles” or “Does she wish for a more extensive influence, than that which emanates from a woman’s home?” Yet these progressive questions are met with answers like “How necessary, then, that she should understand these pursuits (of men), that she may truly sympathize with and encourage those, with whom she may be associated. In this way…her influence must and

Major Claim: The objectification and “currency” of a women’s body is the pivotal focus for the readings presented in class. It is discussed in the readings about how women are only considered for their looks, and not their personal depth or knowledge. Additionally, intersectionality is observed and how these objectifications effect marginalized groups. Finally, the term of enlightened sexism is introduced and how this concept is dangerous to and reverses feminism.

During her journey, Margery, is met with much sexism. One example is her encounter with a priest who demands “you wolf, what is this cloth that you have on?” (88) Margery refuses to answer the priest which being a woman is a risky move. The priest becomes upset by her refusal to obey him so “he began to swear many great oaths.” (88) Margery instead of apologizing stands by her decision to remain silent then states “sir, you should keep the commandments of God and not swear so negligently as you do.” (89) Margery reprimands the priest regarding his poor behavior thus proving herself to be a more devout Christian. Another occasion of sexism occurs when Margery is told “damsel, forsake this life that you

Feminist Laura Mulvey asserts, “woman is traditionally a use-value for man… a commodity,” which, according to Hélène Cixous, censors the “relation of woman to her sexuality… [that] gives her access to her native strength” (262; 246). In Barbara Kingsolver’s The Poisonwood Bible, Rachel “is reduced to being the servant of the militant male” in her obedient childhood and unfaithful marriages where she appears “in a familiar state of dependency upon man” (Cixous 246; Mulvey 259). However, she embraces her role as an objectified woman to subvert the authoritative masculine dictation of her life. Rachel methodically uses her physical femininity to acquire ownership of her future, prideful empowerment in her sense of self, and independence from man’s provisions on her pursuit of liberation fueled by man’s inability to control his sexual desires.

Margery Kempe is a true feminist icon. Clever, ambitious, and married to Jesus. Kempe uses her mystical marriage to Jesus to achieve the life that she always wanted. Her ideal life is traveling to important religious monuments and being recognized as a notable religious figure. This paper will be discussing her literacy and how she uses it to her advantage, her mistrust of the patriarchy and how she defies the social norms placed on females.

Ann Cahill describes in her book, Overcoming Objectification: A Carnal Ethics, that women are merely playing roles projected by men. Implying that a woman is not a separate entity. That she is bereft of her own intelligence and rites to passage. That she is not truly other but a man 's inverse. Here Cahill moves past the term objectification and introduces a concept called derivatization.

"The Book of Kells- Arrest of Christ", Insular Monks, on vellum, c. 900 B.C., now in the Trinity College library

There are many companies in the world today that put an idea of this perfect female body into the heads of women. These images lead to a faulty standard men hold of women and their bodies and that women strive to become. Margaret Atwood addresses the issue of the way men view the female body by writing her essay in the viewpoints of a male so the reader can better understand how the expectation men have of the female body is unrealistic. First, she uses an allusive comparison to show the male expectation of the female body and how it is objectified as if it were a doll that comes with accessories. Next, she uses an anecdote with defamiliarization to show how the way the father views a Barbie doll and the way it portrays the female body to young girls is hypocritical. Lastly, Margaret Atwood uses insidious diction to talk about how men not only view the female body as a product but how they also use the female body as a product which can be sold amongst businessmen. In The Female Body, Margaret Atwood uses many rhetorical devices to convey how the female body is viewed through the eyes of men.

“Objectification isn’t about seeing someone as a person in a box, but rather seeing the box as being the person” (Anonymous 2000). This objectification has been a particular problem for females over time, especially in the early ages. In Of S Theodora, A Virgin, Who is Called Christina (1096-8-1160), translated by Talbot, an anonymous author displays the objectification of women through the denial of autonomy, violability, and inertness, which were features that also impacted other women of this time period. Christina displays these features when her mother forced her to marry, when she became confined to inhumane conditions as well as beaten, and when she needed to channel masculinity in order to complete her actions.

Religion in the Middle Ages takes on a character all of its own as it is lived out differently in the lives of medieval men and women spanning from ordinary laity to vehement devotees. Though it is difficult to identify what the average faith consists of in the Middle Ages, the life told of a radical devotee in The Book of Margery Kempe provides insight to the highly intense version of medieval paths of approaching Christ. Another medieval religious text, The Cloud of Unknowing, provides a record of approaching the same Christ. I will explore the consistencies and inconsistencies of both ways to approach Christ and religious fulfillment during the Middle Ages combined with the motivations to do so on the basis of both texts.

In Christina Rossetti’s poem Goblin Market, Laura is saved from death through the bond of Sisterhood: a female power that embodies both traditionally feminine and masculine characteristics and values. Ross Murfin’s essay “What is Feminist Criticism?” feminist criticism, in the study of literature, is described as a criticism that examines how the values and attitudes of patriarchal societies affect the portrayal and expression of women in text (186-194). French feminists have focused on analyzing the way meaning is produced and have concluded that a gender binary is formed by language (186-187). Meaning is created by what a thing is not; for example, men are men because they are not women. The gender binary determines what things are masculine and what are feminine. This essay will adopt a feminist perspective and examine the gender roles (the behaviours, expectations, characteristics and values assigned to each gender by a society’s gender binary) depicted in Goblin Market. The primary focus will be on how gender roles affect the actions and decisions made by Laura and Lizzie throughout the poem and how sisterhood, a construct that blurs the gender binary, is the means that saves Laura’s life.

This classification is constructed by discourse with the objective of recreating hegemonic paradigms and perpetuating current power relations. Defining Women and Men as universal categories disguises the interests it serves. Therefore, anything that is defined as natural or universal should be studied critically. She writes, “Signification is not a founding act, but rather a regulated process of repetition that both conceals itself and enforces its rules precisely through the production of substantializing effects” (185). The assumption that there is a pre-discursive body with a pre-determined sexuality and gender sustains oppression against subjugated and marginalized subjects. Disconnected from the body, she suggests, gender can include more than two versions. The analysis of these concepts--or deconstruction-- provides tools to the socially oppressed to fight against the existent social