The Book Thief Comparison

Over the course of reading The Book Thief, readers will come to know about Markus Zusak’s constant use of descriptive words, figurative language, and character plots throughout the story. In one particular part of the novel, Zusak shows an example of all three of these points to support one of the many central themes he gives us. While Liesel is standing in front of the burnt offerings near the town hall and the square after a Hitler rally, she sees a book underneath all of the hot ash. This moment allows Zusak to go into explicit detail to make a point about the significance of the moment to the reader. In The Book Thief, Zusak uses vocabulary that evokes recklessness and stealthiness, personification about books, and Liesel’s internal

“The power of words, written or spoken, have life. They can change the world.” (search quotes). The power of words should not be underestimated. Liesel proves this to be true in the novel and the film The Book Thief. She uses words to develop relationships with her foster father, Hans Hubermann; Max Vandenburg, the illicit Jew in her basement; and her neighbours. In the novel The Book Thief by Markus Zusak there is much more relationship development compared to the film The Book Thief directed by Brian Percival. This consequently causes the theme of the power of words to be less prominent in the film.

How is innocence portrayed and corrupted in The Book Thief and The Boy in Striped Pyjamas?

The Book Thief is a historical novel written by Markus Zusak. It provides the readers a deeper understanding of the lives of Jews and Germans in Germany during the brutal Nazi regime and how they manage to survive. This includes not only the physical survival of the fittest, but also the survival of their moral beliefs. In addition to the author’s theme of inhumanity and humanity of man, he provides a background story for the characters in the book and how they are similar and different by their moral beliefs, their goals, their guilt, and their relationship with words. Two of the characters that are mentioned throughout the book to remind the readers of their struggles to survive in the Third Reich are Liesel and Max. Liesel is the foster daughter of Hans and Rosa Hubermann and “the book thief” who realizes the power of words in the Nazi community while Max is a fist fighter and German Jew who hides in Hans’s basement to escape from Nazi incarceration and eventually survives the concentration camp after he is arrested on his way to Stuttgart by the Nazis. Liesel and Max can be compared and contrasted through analyzing their struggles, includes their fear of the death, their guilt of

The Book Thief, written by Markus Zusak, outlines the tragedies and events that take place in Liesel Meminger’s life, in Nazi Germany. Throughout this young girl’s struggle of living in the oppressive Nazi regime, she is able to learn crucial lessons about life and the art of survival- some that follow her to the grave. The most important lesson she learned and the pivotal theme of the novel is that rebellion can be and beneficial in certain situations.

The Book Thief, by Markus Zusak, takes place in 1940s Nazi Germany in the small town of Molching. The main character, Liesel Meminger, takes on a role as the foster child of Hans and Rosa Hubermann. She also meets a young boy named Rudy Steiner, who goes on to be her best friend and lover. In the book, Liesel faces many challenges big and small. From hiding a Jew in the basement to a thieving lifestyle, Liesel has to learn to overcome all of life's problems. Through all of this, she is supported by her foster father Hans Hubermann who is caring to people he barely knows, intelligence despite his lack of education, and generosity even when he has little for himself.

One of the main characteristics of war is its ability to take away individuals’ feelings of strength. Such individuals will become unable to feel a sense of identity unless they find some source of power, no matter its form may be. The main characters in The Book Thief and Between Shades of Gray use art and literature as a means for empowering themselves within the conflict-ridden setting around them: World War II. The “testimony [of these characters is produced] to create an absolute record, to speak in a world where [their] voices have been extinguished” (Sepetys 338). Liesel, the main character in The Book Thief, and Lina, from Between Shades of Gray, create testimony of their endurances by leaving behind writing and drawings that tell their story to future generations after being forced into silence during their own lifetime.

Throughout The Book Thief, Max and Liesel’s friendship is developed amidst war and suffering. Given the circumstances of the time and Max’s background, they still manage to develop a special bond between the two of them. This is made evident several times in the novel including when Max gives Liesel the book, The Standover Man for her birthday. This story that Max writes himself defines the significance of their friendship, as he says in the story; ‘Now we are friends, this girl and me’. He illustrates and expresses his love and friendship with Liesel by comparing their dreams with each other as they

Historically, people have used literacy to obtain political power. In the novel The Book Thief by Markus Zusak, it is evident that books, reading, and words themselves represent power for different characters in different ways. Close analysis of Liesel Meminger and Max Vandenburg reveals that power can be achieved through literacy in a context where literacy is severely limited.

The movies which our group chose to study for the assignment, were, The Book Thief and The Blind Side. We thought that both films were similar in a sense that they both revolved around reading and writing literacies. We decided to watch these films because they were the two films which we had access to and which we had read good reviews about. Both the films show the main characters literacy journeys from being illiterate to literate.

In the beginning of The Book Thief, the reader meets Liesel Meminger, her mother, and her brother, Werner Meminger. The father is never introduced. It is only said that he is a communist. Werner dies on the train to Himmel Street, the place that Liesel is left with a couple, Hans and Rosa Hubermann. Liesel’s mother is never seen again, but the reader assumes that she was taken away for being one of the Nazi’s targets. According to The Book Thief, “What came to her then was the dustiness of the floor, the feeling that her clothes were more next to her than on her, and the sudden realization that this would all be for nothing—that her mother would never write back and she would never see her again.” Nazis were the epitome of evil. They tore families apart and killed millions of innocent people.

The human race is constantly contradicting itself throughout everyday life. The most ideal example of this contradictory is in the book, The Book Thief. In this book, Hitler was trying to make what he thinks is the perfect race. Hitler’s desire is so strong that he collected all of the Jewish People in Molching and sends them to camps to be punished and even killed. On the other hand, the Hubermann family was trying to help the Jewish out and save them. The family even went as far as putting their own lives in jeopardy by letting Han’s old friend named Max live in the basement. Even Liesel’s best friend named Rudy tries to help the Jewish as they march through Molching. But when Rudy and Liesel go to help them and give them bread, they are beaten by the Nazi’s

Love brings hope to hard situations, but love also brings torture, hatred, and

Bruno, initially, has ignorance about everything going on in his life. For example, his dissatisfaction with leaving Berlin is demonstrated in many parts of the story. He is shown to the reader as being innocent, immature, and unable to give things a chance. On many occasions, Bruno complains about moving to “Out-With” (Auschwitz). He continually complains before even giving himself a chance to experience it. He was whining and being stubborn. To illustrate, in the novel, the author says, “Nothing, thought Bruno, not even the insects, would ever choose to stay at Out-With.

Bruno is growing up in Berlin, but moves to Auschwitz during World War II, sets out to explore the