The Bracelet By Colette

In The Awakening, the mother-women were “women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels (Chopin 19).” They readily relinquished their individual identities. Madame Ratignolle exemplified the role of the mother-woman as she was defined by and found pleasure in her roles of both wife and mother: she “played [the piano] very well, keeping excellent waltz time and infusing an expression into the strings that … inspired… keeping up her music on account of the children… because she and her husband both considered it a means of brightening the home and making it attractive (Chopin 61).” Although Edna revels in motherhood, she believes that there is an ideal truth beyond it. This truth, according to Dyer, cannot coexist with the social, the moral, or even the biological obligations of motherhood (105). Edna, therefore, finds

As the novel begins we are shown Edna’s life before her escape from society’s standards. At the beginning we are shown that Edna is valued by society because of her physical appearance and is portrayed as a housewife married to a wealthy husband. On only the seventh page of the novel we are shown the lack of individuality women had during this time period. We are first introduced to Edna and Edna’s husband, Leonce. Leonce creates the income for the family as well as viewing his wife more of a possession rather than a partner. Leonce notices Edna is sunburned when she has come back from swimming and views her as “a valuable piece of property which has suffered some damage” (7).

Edna’s artistic pursuits are very different than Madame Ratignolle’s. Edna’s art represents her quest for individuality (Boren 181). Her form of art does not provide pleasure or enrichment to her household. Instead, it takes her away from her family and her domestic duties (Dyer 87). Edna paints in her “atelier” (Chopin 579). Mr. Pontellier chides Edna for spending too much time in her atelier; he says that she would “be better employed contriving for the comfort of her family” (Chopin (579). Edna makes good progress in her painting; she dreams of “becoming an artist” (Chopin 584). However, her devotion to art is contrasted to that of novel’s true artist.

The short story“The Necklace” by Gui de Maupassant follows Madame Loisel and her husband who are living in the middle-class during the rise of the middle class in Paris, France.There are many different examples of irony throughout the short story, demonstrating Maupassant's talent at commenting on the society in which he was immersed in. The theme of “The Necklace” is revealed through the character Madame Loisel, irony, and symbolism.

Edna Pontellier was a very respectable woman from the 1800's that was unsatisfied with her situation in life. Mrs. Pontellier was a mother of two sons and had a husband whom she adored at the beginning of their marriage, but overtime they have became distant and her sexual desires were no longer being fulfilled. She soon broke the role society had casted upon her and became rebellious by leaving her womanly duties behind. Kate Chopin reveals Edna Pontellier's character through the her actions, through dialogue, and by telling the reader the thoughts and feelings that are circulation through Mrs. Pontellier.

As they get older, many people start to experience a sense of demoralization and little self-worth. Nikki Giovanni reflects her dismay in the poem “Quilts” by comparing herself to an old piece of cloth as she transitions from hopeless to hopeful throughout her acceptance of aging.

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

In the early 19th century, women were oppressed, and marriage was a social status, not a choice. Mrs. Mallard was a wife during 19th Century and her home was where she would spend most of her days. She also suffers from a heart condition. She learns of the tragic news on the first floor of her two story home. Her sister Josephine was the one to tell her “ in broken sentences, veiled hints that revealed in half concealing.”(287) The news was revealed as delicate as possible, due to Mrs. Mallard's heart condition. Mrs. Mallard heard the news, she wept, a sense of grief comes upon her. Once she removed herself from her sister Josephine's arms, she went off to her room. It reads, “ When the storm of grief had spent itself she went away to her room alone. No one to follow her”(287). During this time, women were looked down upon if they were not married. Most women were given away by their

This description of Adele by Edna Pontellier gives a deeper meaning to Adele 's characterization as the perfect mother. Other women were aware of her perfection and her immense love of her children and they envied how easily it was for her to love her life and be content with just being a homemaker. Both Mademoiselle Reisz and Adèle Ratignolle are extremely contrasting characters with completely different outlooks on life in the late nineteenth century.

A reflection of feminist criticism deeply relates to Desiree as she submissively faces Armand’s character and words. Desiree brings love to Armand in such a despairing way that she chases him and shows affection towards him through their difficult times. When “He frowned, she trembled,” but still loves him, and “when he smiled,” she feels that she is in a good position (Chopin 3). This quote displays a woman 's ability to do anything necessary to assist the male character. Her actions emphasize how Armand means the world to her,

The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.

As the main character in Kate Chopin’s novel The Awakening, Edna Pontellier experiences strong internal conflicts that could be influenced by the social standards of the time as well as her close Creole companions. Throughout the novel we are given a first hand look at how Mrs. Pontellier deals with these conflicts and in the end, her final decision. Edna Pontellier poses as a double-minded character struggling with the inclination to satisfy her own desires by carrying out an affair that has been on her mind or to satisfy society by remaining faithful to her current family.

Along with living up to this towering expectation they were presumed to “live their lives largely homebound, taking care of the cooking, cleaning, and child rearing,” (Sallus) which restricted a woman of this time’s value to what she could do and how she could serve others. Edna says her children’s absence was a relief in a sense because “It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin 25). This reveals that Edna feels as though she does not fit the role of the mother, nor does she want to. Edna later argues to Madame Ratignolle, the epitome of a motherwoman, that she would give up the unessential for her children, for instance money or even her own life, but she would never sacrifice herself. Madame Ratignolle demonstrates the values of a woman in their society when she replies with: “... but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that.” (Chopin 64). This shows that Edna differs from the women in her society because she places herself above her family and focuses on her own happiness rather than tending to her children and husband’s every last need or want.

During this time period, women’s role in society was that of a submissive, powerless position. They often relied solely on their husband for direction, allowing the husband to make decisions and take lead no matter what. In the story of The Necklace, Maupassant illustrates these

As a convention, marriage for women has been a landmark of success. It is necessary for a woman to enter into marriage to be recognized by the society as successful. The requisites of marriage such as love and affection are often neglected in exchange for some financial value imposed by the husband. In The Story of an Hour it is exemplified in ?a heart trouble? of Mrs. Mallard while in The Girls in Their Summer Dresses points out to Frances? longing to keep her husband in spite of her doubtful interest upon her.