The Brief And Wondrous Life Of Oscar Wao Analysis

In analyzing portrayals of women, it is appropriate to begin with the character of Margarita. For, within the text, she embodies the traditionally masculine traits of bravery, resilience, and violence as a means of liberating herself from an existence of abuse and victimhood. Even more, the woman plays upon stereotypes of femininity in order to mask her true nature. The reader witnesses this clever deception in a scene where the character endures a “wholesome thrashing” from her huge, violent, and grizzly bear-like husband, Guerra (81). Although Margarita “[submits] to the infliction with great apparent humility,” her husband is found “stone-dead” the next morning (81). Here, diction such as “submits” and “humility” relate to the traits of weakness, subservience and inferiority that are so commonly expected of women, especially in their relationships with men. Yet, when one

The Brief Wondrous Life of Oscar Wao is not a happy book. The Author, Junot Diaz, does a great job fooling the reader into believing the story is about the De Leon family, specifically Oscar who is an over weight nerd trying to find the love of his life, but due to a family “fuku” or curse Oscar is having a lot of trouble doing so. Instead, the story actually portrays the dark history of the Dominican Republic under the dictatorship of Rafael Trujillo. Upon reading the stories of Oscar’s relatives the reader feels a powerful message of fear and oppression due to the actions of the Trujillo regime. Even after the demise of

There is a fine distinction in the fabric of DNA that separates men and women- one has the opportunity to give life and one does not. Although beneath skin and flesh is the foundation of a body, the bones. What every human being also shares with each other is the ability to cast emotions. However throughout history, men have been brought up to be seen as if they have little to no feelings at all and women are to be too emotional. Everyone has the potential to feel pain at some point in their lives. Objectification is the central concept dear to feminist thinkers. Many think that objectification is something that remains in history, but it continues to be a problem in modern society. F. Scott Fitzgerald applies this to the characters in his book: The Great Gatsby. The underlying theme of the podcast: Relationship Radio dealt with the objectification of human beings. Aidan Buckner, Olivia Lujan, and Penelope Tucker’s three podcasts: You Can Buy Me Love, Daisy, Money and Usage, and Puppy Love tie the notion of objectification through the relationships: Jay Gatsby and Daisy Buchanan, Tom and Daisy Buchanan, George and Myrtle Wilson, and Tom and Myrtle Wilson through the book The Great Gatsby.

Obsession has been used as a controversial tool in literature for many years. It provokes strong feelings in people because of the different ways obsession can take form, whether it be soft and affectionate, or aggressive and violent. Often, the targets of obsession are females. In The Great Gatsby, The Virgin Suicides, Lolita and Fear, there are men who obsess over a female character. These female characters are all shown to be powerless, whether it be at the hands of their obsessor or because of other factors in their lives.

Throughout the novel, The Brief Wondrous Life of Oscar Wao, Oscar falls in love with several girls throughout his life whom never love him back. This is partially due to Oscar’s love for women that are extremely out of his league. These women are beautiful and desire the stereotypical man which is the opposite of overweight, nerdy Oscar. Several songs display the scenes throughout Oscar’s life in which he falls head over heels for women that would never publicly date him.

Oscar is the antithesis of his culture’s idea of manliness. In the beginning we meet an Oscar who is called “Porfirio Rubirosa” (21). Everyone is proud of the boy because this is exactly what he needs to be to be a Dominican man. Men from Dominican Republic, and perhaps Spanish Caribbean men, are expected to take care of their family especially their mothers and sisters, yet they are also expected to be “playboys” who have multiple women. as the first line of the story communicates, “Our hero was not one of those Dominican cats everybody’s always going on about—he wasn’t no home-run hitter or a fly-bachetero, not a playboy with a million hots on his jock” (21). Oscar is the type of man who women say they want; kind, sensitive, considerate, smart, and romantic. He truly want to find true

Junot Diaz’s The Brief Wondrous Life of Oscar Wao, set in the late 1900’s, tells a story of Oscar Wao, an overweight Dominican “ghetto nerd”, his mother and rebellious sister who live together in Paterson, New Jersey. Throughout the novel Diaz incorporates many different stories about each character that show acts of resistance. One of the most prominent stories of resistance in the novel is through Oscar’s mom; Beli, who is prompted by great tragedy, known as the Trujillo curse, to love atomically and thus follows a dangerous path. Beli’s family history plays a large role in her choices that eventually compel her into a different life than what her adopted mother, La Inca, had wanted for her.

Upon reflection, the film’s plot is not actually that far-fetched: numerous members of society share the experiences of being female, transgender, same-gender attracted, and/or HIV positive. A significant proportion of people have also been sex-workers, grieving parents, organ donors, drug addicts, or patients with Alzheimer’s. The only difference is that the aforementioned social groups have been misrepresented or entirely underrepresented in the media (especially during 1999 in Catholic Spain) (Allinson 2009). Consequently, Almodovar’s story is sometimes interpreted to be “unrealistic” because it “brings characters from the fringes of society to centre stage”. (Bruining

As it unfolds in "The Golden Age" section, Oscar is part of a Dominican-American family that lives in Paterson, New Jersey. As a child he is pushed forward to the opposite sex by his mother, which is very proud about his early signs of virility. This is seen as one of the standing characteristics of Dominican males. Further on, we watch the decline of Oscar's success with women as he gains weight and he deepens himself in literature and isolation. This is caused by Maritza's rejection which affected him profoundly.

Throughout Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao, the Man Without a Face is a recurring character with no evident features. All of his scenes include an event in which he is either a mysterious spectator watching the distress around himself or joins in on the torture. His appearances throughout the story are suggestive of evil or violent incidents that are about to occur. More times than not, the acts are performed by Trujillo 's men. Almost consistently, he emerges whenever one of the main characters is in great discord. The faceless man symbolizes the foreshadowing of malicious occurrences caused by Fukú.

Gender and identity are both unique features that make up a person. Society has expectations on how everyone should act, especially when it comes to a person’s gender and gender roles. In “The Wondrous Life of Oscar Wao”, the character Oscar is conflicted with his identity and with his masculinity. The people around him are constantly attacking him for not living up to the standards that society has put into place. Gender and identity are themes that each character in the story struggles with.

In popular culture and mainstream media, women are often portrayed as overtly sexual objects that are obligated to entertain the idea of patriarchy. The strong outward appearances and characteristics of women in The Brief Wondrous Life of Oscar Wao by Junot Diaz are deceiving, as they do not reveal their powerlessness against men. Throughout the entire book, women are described and seen as sexual objects through the eyes of Yunior, Oscar, and various other men. In the first chapter, Oscar and his peers treat women like they are disposable, despite their desire and need for them. This negative trend is reinforced in the next two chapters, as the narrators shamelessly describe women by emphasizing their feminine traits whilst simultaneously displaying the idea of male dominance. In addition, strong-willed women like Beli and Lola refuse to succumb to such lustful treatment, but when they are tempted with the fantasy of true love, they immediately lose their strength and surrender. In the last few chapters, these ideas are further reinforced through the sexual desire that Oscar possesses. He meets Ybon, a prostitute with a boyfriend, and immediately falls in love. Ybon is committed to her boyfriend, but because of the way she is seen in a patriarchal system, she gives in to the forbidden love that Oscar offers. No matter how strong these women were within the story, they always let the men have their way. In the end, Oscar dies because of his uncontrollable desire for love. The

There are many companies in the world today that put an idea of this perfect female body into the heads of women. These images lead to a faulty standard men hold of women and their bodies and that women strive to become. Margaret Atwood addresses the issue of the way men view the female body by writing her essay in the viewpoints of a male so the reader can better understand how the expectation men have of the female body is unrealistic. First, she uses an allusive comparison to show the male expectation of the female body and how it is objectified as if it were a doll that comes with accessories. Next, she uses an anecdote with defamiliarization to show how the way the father views a Barbie doll and the way it portrays the female body to young girls is hypocritical. Lastly, Margaret Atwood uses insidious diction to talk about how men not only view the female body as a product but how they also use the female body as a product which can be sold amongst businessmen. In The Female Body, Margaret Atwood uses many rhetorical devices to convey how the female body is viewed through the eyes of men.

Sexual objectification is the act of treating a person as an instrument of sexual pleasure. Miller elucidates this by using milieu of the time period. This sexual objectification of women is mainly used by Willy with his mistress and also with the philandering Happy when he talks about women. This ideology that women are only good for the pleasure of men something that has been prevalent for centuries, stemming from the stereotype that women are objects and/or possessions for a man to exploit. Willy shows no respect to either his wife or his mistress. On his way back to Brooklyn, Willy tells his mistress to “keep [her] pores open” (1.39). This degrading statement gives insight on how Willy views women. He does not view women as people who have identities of their own, but objects that he can use for his own pleasure. Not only does this statement give insight on Willy’s views on women, but also how the mistress views herself. Her response to this statement was “Oh, Willy (1.39)”, and starts to burst out laughing. This depicts how in this time men treated women with no respect, and there were no repercussions. Linda never stood up to Willy in Brooklyn, and neither did his mistress in New England. Willy’s insolence towards women definitely rubbed off onto Happy. Happy, a philanderer, had an “If I want it, then I will get it” attitude towards women. This attitude is demonstrated when he states that, “...I don’t want the girl, and still I take it and- I love it” (1.25). This statement is the epitome of sexual objectification towards women. Happy doesn’t view women as people, but instead just as things that he can “take”.

The decision to go against conformity is the only way to escape the situation that one is in, as shown in Díaz’s novel and Malala’s journey. Oscar, the main protagonist of Díaz’s novel, is frequently told by the people around him who he is and who he must be, sparking a deep conflict within Oscar. “Our hero was not one of those Dominican cat’s everybody’s always going on about ... dude never had much luck with the females (how very un-Dominican of him)” (Díaz, 11). From the beginning of the book, Oscar is pinned as an unfavorable choice for women. He notices this when girls reject him for the way he looks and his family members critique his lack of “improvement”. The Dominican expectation tells men they should be charming and a lothario however Oscar is neither. Oscar has the decision to conform to or reject the expectations. As it is more difficult to push the expectations away, Oscar spends his life chasing women in hopes of sex, which is also