The Brief Wondrous Life of Oscar Wao

The Brief Wondrous Life of Oscar Wao is not a happy book. The Author, Junot Diaz, does a great job fooling the reader into believing the story is about the De Leon family, specifically Oscar who is an over weight nerd trying to find the love of his life, but due to a family “fuku” or curse Oscar is having a lot of trouble doing so. Instead, the story actually portrays the dark history of the Dominican Republic under the dictatorship of Rafael Trujillo. Upon reading the stories of Oscar’s relatives the reader feels a powerful message of fear and oppression due to the actions of the Trujillo regime. Even after the demise of

Point of view is important in any novel. It allows readers to see and understand the events and characters in a novel. Depending on who is speaking, point of view can drive the plot and convey the thoughts of the characters in a story. In the novel, The Brief Life of Oscar Wao by Junot Diaz, point of view plays a crucial role in narrating the life of the lonesome outsider, Oscar. The novel is narrated in first person, but Diaz chooses to disclose who the speaker is until later in the book. As the story progresses, there are clues that hint to the reader who the outside source narrating Oscars life is. Diaz uses Yunior to narrate a majority of the novel. This point of view lets the readers understand the Dominican culture through Yunior’s commentary and perspective. It also gives an outside perspective on Oscar which helps build Oscar as a character. Instead of using an omniscient third person or generic first person point of view, Diaz uses multiple characters to narrate the story. This ingenious idea gave the story a more personal and up close look at not only the life of Oscar, but also the lives of his sister, Lola, and his mother, Beli.

“FUKÚ” is an atavistic deadly curse that follows the De León family, and everything that can go wrong for them does. However, I believe that the fukú is only a consequence of their actions and a way for them to rationalize their misfortunes. The characters are using fukú as a crutch in place of taking responsibilities for their own actions. This is because they don’t want to accept the fact that things don’t always go the way they want them to. So they choose to blame the fukú for making their problems happen. So when fukú strikes a mongoose appears it comes as a character of a guardian angel with a sanguine presence. A mongoose is a weasel like animal that appears in the near death experiences of the characters. When it comes it shows a

Belicia Cabral was living another fantasy and she believed that the Gangster truly loved her and her dream of being married would finally come true. “The magic she’d been waiting for. She placed her hand on her flat stomach and heard the wedding bells loud and clears…” (Diaz page 136). Beli was blinded by love.

Oscar is the antithesis of his culture’s idea of manliness. In the beginning we meet an Oscar who is called “Porfirio Rubirosa” (21). Everyone is proud of the boy because this is exactly what he needs to be to be a Dominican man. Men from Dominican Republic, and perhaps Spanish Caribbean men, are expected to take care of their family especially their mothers and sisters, yet they are also expected to be “playboys” who have multiple women. as the first line of the story communicates, “Our hero was not one of those Dominican cats everybody’s always going on about—he wasn’t no home-run hitter or a fly-bachetero, not a playboy with a million hots on his jock” (21). Oscar is the type of man who women say they want; kind, sensitive, considerate, smart, and romantic. He truly want to find true

Oscar de Leon from The Brief Wondrous Life of Oscar Wao is a character that be classified as a member of many different types of social groups. He is characterized as a Dominican, a

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

The conclusion of The Brief Wondrous Life of Oscar Wao by Junot Diaz is satisfying because the ending revolved around Oscar’s death, the separate stories of the novel now intertwined because of him. His transformation and new personality was ultimately the cause of his death, but in a sense it can be considered happy because it seems just right. Oscar becomes a new person and breaks free of his nerdy and rejected persona. Diaz seamlessly weaves the ending of Oscar Wao’s story and all the characters around him due to their natures and the preceding actions. The ending of this novel is convincing and logical because of Oscar’s new transformation which led him to do things which he would have not done before. These things that he did, most specifically pursuing a woman he should not have, led him to his death. Despite the morbid ending, it is not unreasonable; it is certainly logical and therefore satisfying to the

Oscar continued to teach at his old high school in New Jersey, sad and depressed everyday for three years, that is until his trip to Santo Domingo. Oscar forgot how much he had missed spending time in the Dominican. His mind was no longer filled to the brim with disappointment, stress and the feeling of being depressed. For the first time in a while, he saw beautiful

As it unfolds in "The Golden Age" section, Oscar is part of a Dominican-American family that lives in Paterson, New Jersey. As a child he is pushed forward to the opposite sex by his mother, which is very proud about his early signs of virility. This is seen as one of the standing characteristics of Dominican males. Further on, we watch the decline of Oscar's success with women as he gains weight and he deepens himself in literature and isolation. This is caused by Maritza's rejection which affected him profoundly.

In the story, Oscar goes through difficult situations to want to interpret the role of the Dominican man. During the story, Oscar seeks a woman who gives him love and makes him feel like a man, but does not have the masculine qualities necessary to achieve his purpose. While his friend Yunior is the opposite, that is, his role in history is a man that women are always behind him by his charms, to the point that he cannot maintain a relationship with a woman because he cannot be faithful.

Throughout Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao, the Man Without a Face is a recurring character with no evident features. All of his scenes include an event in which he is either a mysterious spectator watching the distress around himself or joins in on the torture. His appearances throughout the story are suggestive of evil or violent incidents that are about to occur. More times than not, the acts are performed by Trujillo 's men. Almost consistently, he emerges whenever one of the main characters is in great discord. The faceless man symbolizes the foreshadowing of malicious occurrences caused by Fukú.

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

To practice machismo, also known as masculinity in a Dominican culture, males have to hide their flaws and act a certain way. If men express their un-masculine nature, they will be seen as expressing their weakness. In Drown written by Junot Díaz, contains many stories about Dominican Republic male struggles as an immigrant in America. One of the struggles Díaz expresses in his text is appearing masculine in society’s eyes. From the story “Drown”, the unnamed narrator expresses what it means to be masculine. “Boyfriend” is a story about another unnamed narrator observing his neighbor’s relationship, and comparing it to his own past. Yunior, the narrator of the story “Negocios”, explains the history of his father Papi, also known as Ramón. Society creates many definitions for what it means to be masculine, leading the narrator from “Drown”, the narrator from “Boyfriend”, and Ramón struggling to choose between doing what they want for themselves, or do what society wants to see.

In the book of Oscar Wao, there was a consistently a balance of good vs evil focusses among each character in the story. Time and time again characters in the book continues being visited two strong images that made an impact on how the character is feeling or seeing. A mongoose with a golden like glow around its body, and eyes who appear to some type good spirt from focuses above, and a dark like figure of a man with no face. Both Symbol consistently reappearing throughout the story by providing a foreshadowing feel on what our characters are facing now. They both do not speak to each other, yet when a crisis is happening or going to happen one of them if not both symbols are there. As one proposes might be to prevent or protect a character, but on the other hand one might courage’s pain and misery.