The British Museum Exhibition Of A Nation 's Cultural Resources Essay

In the short story “The Flying Machine,” author Ray Bradbury conveys how a dutiful ruler will sacrifice an individual all in the means of staying safe and away from evil. Imagery displays Emperor Yuan’s persona perfectly. The narrator explained of Yuan, “Instead he looked at the Great Wall of China now taking shape out of the farthest mist in the green hills, that splendid snake of stones which writhed with majesty across the entire land. That wonderful wall which had protected them for a timeless time from enemy hordes and preserved peace for years without number.” Moreover, Bradbury allowed us to visualize the Great Wall of China in the fog rising from the grassy terrains with his figurative language. The audience would imagine the

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

Leila Aboulela writes “The Museum” in a way that can make the reader feel like they are connected and present with the characters. Held in a prestigious university in Scotland, the University of Aberdeen, “The Museum” highlights many difficult challenges that can be faced in a lifetime, and that makes the story even more relatable. Leila Aboulela really knows how to capture her readers, which makes her story so memorable. Aboulela uses explicit adjectives to describe common things that advance the story even more. For example the reoccuring color blue on page 372 that evokes the sad feeling that Shadia develops throughout the story.

Chapter 3. 24. The terra-cotta figures near the Qin First Emperor’s burial mound demonstrate the

Monuments are important in keeping history in the present. The viewer experiences the emotions and actions in that specific part of time. Some monuments have awkward locations or the people chosen are unsuitable to represent the time. Any group or agency must consider who the person is and where the monument’s location should be before publically displaying it.

The imperial palaces were built on a grand scale, sparing no expense to display the majesty and dignity of the imperial power of the time. Each successive emperor contributed grandeur to the structures, and today, these palaces stand for all to enjoy. Each imperial palace is a testament to the history and glory of Chinese culture. These glorious structures clearly demonstrate the creative essence and imperial traditions of the Chinese

The Kiowa are a Native American people who have been greatly impacted by cultural imperialism. They were forced to adapt to western culture, and in this many of the Kiowa people were converted to Christianity. Christianity is said to be a very important aspect of many Native American cultures still today, but the way in which Christianity is portrayed and practiced in such societies, including that of the Kiowa, stays true to both the religion itself and their Native practices. The Kiowa are said to have "kiowanized" Christianity. The Kiowa version of Christianity is said to differ from "' the white man's way.'" This means that they believe in God, integrate their culture and lifestyles into Christianity, and they also relay the importance of their religion in a different manner. They use their native language in their hymns, and these hymns are comprised primarily of those elements that pertain directly to Kiowa culture. In the text Lassiter states, "Kiowa hymns 'give life to a unique Kiowa experience, preserve the language, and affirm and ongoing (and continually unfolding) Kiowa spirituality.'" This reveals the effectiveness and importance of the integration of Christianity and native Kiowa practices.

A new discovery has accused in China. About 40 years ago a group of archeologists found a giant tomb of warriors. The Terra Cotta warriors of China. These warriors Were built to protect the kingdom. King Qin was only 13 years old when he became king of the Qin dynasty. These warriors were made out of clay. Each warrior looked different from each other, none of them looked alike. There are up to 7,800 soldiers, horses, and archers underground to protect under the kingdom from being attacked. No molds were used to make these soldiers. This tomb spreads over 20 square miles. Two pits have been evacuated of the three that were made. The third most recently found tomb that the archeologists have found has up to 86 soldiers and 44 Terra Cotta warrior

The film Emperor's Eternal Armies is a great documentary to understand the beginning of China and its society. The film mainly focuses on the first two emperors of China, Qin Shihuangdi and Jingdi, who seemed to have very different ideas from one another. The film introduces archeological finds discovered in Xian and it took a deeper look at their tombs and examined the purpose of them in reference to many opinions from archeologist. Looking at the two tombs and comparing them suggests the two different ideas about how to govern.

The Terracotta Warriors were discovered in Xian, China in 1974 by a group of local farmers. Each figure demonstrates a high degree of individualism, and when first discovered historians questioned whether the soldiers were modelled on Emperor Qin Shihuang’s actual army. This theory is still being investigated today, but with archaeological technologies constantly evolving, historians are analysing the so-called ‘Eighth Wonder of the World’ and are obtaining evidence to both support and discount this theory. For now though, the question remains: were the Terracotta Warriors portraits of Emperor Qin Shihaung’s real army?

The Terracotta warriors found, March 29 1974, was one of the most astounding historic finds of the last century. Although, the statues were buried at the base of the mountain, the Emperor was buried near the peak. 8000 soldiers and counting, over 500 horses, 150 chariot horses found inside the mausoleum. This astonishing masterpiece is 40 years of excruciating work of approximately 700'000 workers.

Sarah Benson explains this concept when she claims that, “The scientific age is an age where we come to know the world as a picture,” and that this poses a threat to understanding other cultures because, “[This age is] an age that equates looking with knowing.” Falling into this habit of likening looking with knowing causes viewers to inadequately understand what makes historical monuments important, such as the Pyramid of Kukulcan. This creates a false interpretation of the value of worldly monuments, which is harmful to the process of understanding other cultures. In addition to a false interpretation, we lose the authentic details that make another culture so unique. Through this lack of detail, artists appropriate other cultures by numbing down the details of monuments, which are so intricately interwoven into other culture’s identities. This process of translation leads to orientalism—viewing ideals from the eastern cultures through the eyes of westernized norms. In this sense, the western-world loses empathy towards foreign cultures because they are only exposed to their own previously created stereotypes that are continuously translated through various art

This was actually my first visit to this museum since I have gone to Kennesaw. My expectations were pretty high initially upon going, because I have heard so many things about it from my peers. Just by their opinions, and my love for art I have myself, I was actually excited about going in to take a look. I must say, I was not disappointed by any of the art work I saw in there. I really enjoyed the exhibit of work from some students from a high school around this area. It really shows that the college really supports the youth of the future and their passion for art as a whole.

Whole rooms of palaces were decorated with porcelain, small Chinese-style furniture and wall murals which presented the ideal world that was supposedly China. This essay will explore the

The Cambridge Dictionary Online defined museums as “places of study, buildings where objects of historical, scientific or artistic interest are kept, preserved and exhibited”. To The Museums Association, a museum is “an institution which collects documents, preserves, exhibits and interprets material evidence and associated information for the public benefit”. Since 1998, this definition has changed. Museums now enable the public to explore collections for inspiration, learning and enjoyment. They are institutions that collect, safeguard and make accessible artefacts and specimens, which they hold in trust for society. Mike Wallace (1996) categorised museums into four distinct types, namely National Museums that hold collection of