The British School Of Archeology

As a result of fulfilling desires, civilized Sumerians were required to use the resources around them at their disposal. A “tablet-box of cedar” and a “clasp of bronze,” would have required cedar trees to be cut down and bronze to be made from mined iron and copper. Unfortunately, due to overconsumption and necessity of these items, an irreversible amount of environmental degradation occurred, providing evidence that yet again, civilized Sumerian culture represented through the “tall, magnificent, and terrible,” King Gilgamesh is the worst version of humanity.

Scotland has an abundance of archaeology all throughout the country and all within different parts of prehistory. Scottish archaeology has a big impact on both the rest of the UK and on the rest of Europe. Although during the beginning of the 20th century, archaeology was seen as nothing more than labour, with the help of the two great men which held ‘the Abercromby chair’ – both with their own contributions to Scottish archaeology as a whole – it soon rocketed into the discipline what we see today.

After rewatching Indiana Jones Raiders of the Lost Ark for the second time I view Indiana Jones as less of an archaeologist than I did the first time I watched it. In my first paper I stated that Indiana Jones was a combination of a grave digger and an archaeologist. Now after completing this course I see that he is even less of an archaeologist than I first depicted. The only ethical archaeology being conducted in this movie is done by the Nazi’s; not Indiana Jones. Beyond, getting historical accuracy of the time period correct this movie fails fails to paint a picture of what archaeology truly is. In turn, since my knowledge is far more comprehensive I have come to realize that the movie fails to showcase archaeology even more than I originally

After one takes in the armed and protective aura of the Winged Being, the eyes

[pic]What aspect of Assyrian society is depicted on the bas-relief stone slabs unearthed at Nimrud?

BOSTON, MA (June 23, 2014)—A world-class collection of jewels from ancient Nubia at the Museum of Fine Arts, Boston (MFA), will go on view this summer in Gold and the Gods: Jewels of Ancient Nubia. The MFA’s collection of Nubian adornments is the most comprehensive outside Khartoum—the result of an early 20th-century expedition by the Museum with Harvard University. The exhibition opens on July 19, and includes works by Nubian goldsmiths and jewelers, who were among the most innovative in the ancient world. Featuring some 100 excavated ornaments dating from 1700 BC to AD 300, which will be on view in the Rita J. and Stanley H. Kaplan Family Foundation Gallery, the exhibition explores the royal tombs of kings and queens, which were filled with elaborate jewelry such as necklaces, amulets, stacked bracelets and earrings. The MFA is unique in its ability to mount an exhibition of Nubian jewelry and adornment drawn exclusively from its own collection. In addition to gold––Nubia’s most important commodity––jewelry in the exhibition incorporates precious materials such as lapis lazuli (imported from Afghanistan), blue chalcedony (imported from Turkey), amethystine quartz and carnelian, as well as enamel and glass––both of which were rare and valuable new technologies at the time. The exhibition is accompanied by a fully illustrated MFA Publication on Nubian jewelry.

The following report details the archaeological fieldwork conducted by New South Associates, Inc. for proposed widening and improvements along U.S. 158 in Forsyth and Guilford counties, North Carolina. The purpose of the survey was to identify and evaluate archaeological sites for the National Register of Historic Places (NRHP), within the proposed project area of potential effects (APE). This project was conducted for the North Carolina Department of Transportation (NCDOT) (TIP R-2577ABC, State Project No. 37405). This is a state-funded project covered under a United States Army Corps of Engineers (USACE) individual permit. As such, the USACE serves as the lead federal agency and the work complies with Section 106 of the National Historic Preservation Act of 1966 (NHPA), as amended.

When discussing Assyrians and my culture in general, people often times are not even aware that we are still around, some even go as far as actually believing that we are a dead culture. Those who know somewhat of who the Assyrian people are, do not truly understand the struggle the Assyrian culture and Assyrians have gone through and continue to go through to this day. That is why I picked the Assyrian flag as the symbol to represent not only my culture, but who I am as a person, too. The Assyrian flag is something very important to me because it is a symbol of strength and prosperity, a sign for me at least, to never back down and give up. I have kept going

Paleontology, or the study of fossils, was still a young science at the start of Victorian times, and the idea that fossils were the remains of species extinct for millions of years was only gradually taking hold. The term "dinosaur," meaning "terrible lizard," was coined in 1842 by the British paleontologist Richard Owen, who went on to produce the first life-size reconstructions of dinosaurs based on the evidence of their skeletons. The Victorian era saw the rise of the first great dinosaur hunters, including the legendary American rivals Othniel Charles Marsh and Edward Drinker

In the sixth century B.C.E., the civilization of Aksum, which was located in what in now Ethiopia, was flourishing. One traveler wrote his thoughts about the trading processes that the Aksumites did. This piece of writing that he wrote can show a lot about how the Aksumites lived.

When professor assigned us to read chapter 2 what is left? As soon I open this chapter, the title of the chapter grab my attention. The deliberation that came to my mind was this chapter is going to be related to past ancestors. Before reading main thought was rolling around my mind was how the archaeologists figure out the past history. The chapter talks about the archaeologists quickly survey the possibility of the enduring substantiation and look at the great variety of ways in which it has been preserved for us. On the main apprehension of the archeology is to study the artifacts, moveable objects which are made by humans, which provide evidence to help get answer questions about the past. Non-movable artifacts such as postholes, floors, ditches, etc. are known as feature.

Ancient Mesopotamia was home to many artistic and mechanical developments. This was due to the emerging civilizations in the fourth millennium BCE. Among these creations, archaeologists discovered musical instruments, which were carefully crafted by Sumerian artists. One of the most acclaimed artifacts from ancient Mesopotamia is the Bull-Headed Lyre. The discovery of the lyre has reinvented the way that history professionals evaluate early human civilization. The Bull-Headed Lyre has impacted history by creating a foundation for an expression of beliefs about wealth in the Sumerian culture. This will be examined through a visual analysis of the Bull-Headed Lyre, evaluating its discovery, and analyzing its representation of wealth.

The British Museum in London holds many ancient pieces of art. There are so many galleries and exhibits inside the museum that several pieces do not get the attention they deserve. One such piece resides in the Assyrian exhibit inside the museum. It is a collection of three alabaster panels that act as registers of a narrative story. The expertly carved reliefs illustrate the great lion hunt performed by an Assyrian king in an arena. So much emotion is portrayed in the brutal imagery of the lion hunt. These great alabaster slabs once resided in an Assyrian palace in present day Nineveh. The reliefs were excavated in the 1840’s by Hormuzd Rassam, employed by Austen Henry Layard of the British Museum. Rassum found the palace by secretly digging at night because the site was originally claimed by French archeologist Victor Place. Since the excavation, the lion hunt reliefs have been displayed in the British Museum. The lion hunt reliefs features so many qualities ranging from historical to artistic. In this report the topic of why the reliefs were made, how they represented the king, the symbolism of the lion, and artistic prowess of the piece will be exposed.

The reliefs from the palace of King Assurnasirpal II at Nimrud play an important role in portraying the power and importance

Stonehenge, erected around 2500-1600 B.C.E. by tens of thousands of labor workers, represents the peaceful coming together of east and west Britain. It is thought to be a cultural, spiritual, historical, and a sacrificial center. Many experts believe Stonehenge may have also been a burial site for the elite. Located in Wiltshire, United Kingdom, it is believed that 3 separate tribes are responsible from building what is known as Stonehenge. The Windmill people around 2500 B.C.E., the Beaker people around 2000 B.C.E., and the Wessex people around 1600 B.C.E. Today, Stonehenge is the most famous megalithic site in the world, attracting more than 800,000 visitors. Stonehenge uses color, material, and shape, as well as pattern, balance, and emphasis, in order