The Broken Child From A Broken American Dream

Junot Diaz was born in the Dominican Republic and immigrated with his family to New Jersey, where a collection of his short stories are based from. Out of that collection is a short story “Fiesta, 1980”, which was featured in The Best American Short Stories, 1997. This story is told from the perspective of an adolescent boy, who lives in the Bronx of northern New Jersey with his family. He is having trouble understanding why things are the way they are in his family. Diaz shows Yunior’s character through his cultures, his interaction with his family, and his bitterness toward his father.

How not having a father figure affected their emotional and phycological well-being. Also, it taught the readers that sometimes having a father does not necessarily, mean they are a father figure, for example Mr. Clutter, he was there for his family and children, but he chose other things to be proud of instead of his children, he felt that his achievements were more important than his children’s

Here we are revealed more about human nature. Just like any society that instills fear into its followers or citizens that is exactly what the father does with his family. The father is the figure of power of this family and instead of leading with love and kindness he demonstrates his power through fear and dominance. We are able to see that the family in itself is a whole and loves each other, yet there is this rift between each family member that is threatening to tear it apart. For example, when Yunior gets in trouble with his father and his brother is around instead of standing with Yunior and speaking up Rafa backs away and avoids any confrontation with their father in order to avoid his wrath. This makes Yunior look down on his brother in a sense that Rafa doesn’t have his back at times when he needs him most, so he truly can’t trust him (Shreve & Nguyen, 2006). This is just the small part of the family for there are even parts of the whole family that act in a similar fashion.

While George and I share same social aspects we also share some personal aspects with each other. Like George, I was left without a father figure in my life. George’s father and my father left around the same time in our lives, which I find particularly interesting. Our fathers left when we were between the ages of seven and ten years old. As our fathers left we were looked at as the “man of the house” in our household. This might seem like a big responsibility for young boys our age but, we established ways to make a positive result for ourselves and those affected by the situation.

Although single parenthood is on the rise in homes today, children still often have a father role in their life. It does not matter who the part is filled by: a father, uncle, older brother, grandfather, etc...; in almost all cases, those relationships between the father (figure) and child have lasting impacts on the youth the rest of their lives. In “I Wanted to Share My Father’s World,” Jimmy Carter tells the audience no matter the situation with a father, hold onto every moment.

As children grow up in a dysfunctional family, they experience trauma and pain from their parent’s actions, words, and attitudes. With this trauma experienced, they grew up changed; different from other children. The parent’s behavior affects them and whether they like it or not, sometimes it can influence them, and they can react against it or can repeat it. In Junot Díaz’s “Fiesta, 1980”, is presented this theme of the dysfunctional family. The author presents a story of an adolescent Latin boy called Junior, who narrates the chronicles of his dysfunctional family, a family of immigrants from the Dominican Republic driving to a party in the Bronx, New York City. “Papi had been with

The American Dream is one of those terms that people refer to when talking about immigration, financial status, and so much more. But what does the term really refer to? People used to think of the American Dream as financial prosperity, religious and financial freedom, and all around success. Now, the term may mean something similar, but people are much less focused on it. If anything, the American Dream today is focused on gaining material goods and proving your bank account is larger than your neighbors. With today’s economy, laws and regulations, immigration customs, and overall attitude towards work, people are seldom focused on achieving the American Dream.

Junot Díaz, unlike most authors, has an ability to tell his stories without the use of large, descriptive passages. With only a few words he can immerse his readers into the environment of his stories, such as the subject work, Drown. Whether in a comfortable suburb or a decrepit neighborhood, Junot Diaz is skilled in producing active scenes with minimal words in his piece Drown. As Barbara Stewart writes about Junot’s work in Outsider with a Voice, “The New Jersey of which [Junot] writes is the one he knows: a place of blue-collar towns and Latino immigrants, of tostones (mashed fried plantains) and malls and roads where ‘beer bottles grow out of the weeds like squashes’” (New York Times, 8 Dec. 1996). I agree with Stewart’s assertion that, “[Junot] writes about the [place] he knows” because of his rich environmental descriptions, and the way he uses this information to provide context within Drown. Díaz uses his language to immerse the reader into his works. One chapter within Drown that illustrates this well is “Aurora”, a chapter centered on the life of drug dealer Lucero and his romantic endeavors with a questionable woman named Aurora. Díaz uses his careful word choice to illustrate the story setting, to provide context clues, and to provide a deeper meaning to the text in “Aurora”.

The American Dream is indefinable. There is no one set of words or characteristics that the entire population assigns directly to its definition. With the American population consisting of people of various races, ethnicities, ages, classes, and genders, it seems trivial to even attempt to attribute a single definition to the concept of the American Dream. It is this inability however, to be confined within one single meaning, that allows for the American Dream to govern the desires and goals of the large and diverse American population. And, regardless of all of the heterogeneity within society, the American Dream is generally a goal of all American peoples. In examining this idea, I began to think about the specific meanings attributed to the American Dream for different types of individuals. I broadly outlined the American Dream for myself, to represent the belief in hard work as a pathway to success and raising oneself in society. Consequently, this higher position in society allows for the possession of increased amounts of power. My definition however, neglects to take into account the certain other societal constructs that could possibly have a decisive role in how to both define and achieve the American Dream for the wide variety of people who pursue it.

One thing all human beings, have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and family expectations were major obstacles as they struggled to establish their identity.

I think Yunior is the opposite of his brother Rafa. Instead of hiding his emotions and keeping everything inside, he looks for attention by acting out. He’s always in trouble, getting a “whack on the nalgas”, or a “slap on my neck”. The year when Papi was supposed to return, he threw tantrums, got hit and was punished almost every day. He rebelled by tearing his clothes, just to hurt his mom. On the day when Mami leaves

Yunior’s casual wording, essential to the tone, creates the illusion that the reader knows him personally and thus demands an emotional response to his suffering. His negativity, undoubtedly stemming from a combination of his father’s abuse and the false hopes of America, adds to the story’s sense of intimacy:A third-world childhood could give you that…he found me sitting on the couch feeling like hell…I wasn’t that sort of son. (Drown, 25, 29)Yunior’s frequent references to his difficult childhood and his current discomforts, “third world”, “like hell”, “that sort of son” in the above excerpts; never allow the reader a moment’s relief from what he experiences.

American Dream: Noun, the ideals of freedom, equality, and opportunity traditionally held to be available to every American. That is the definition of the American dream according to Dictionary.com, but the American Dream is more than a definition, but a way of life for many. Millions of immigrants come to our country in search of this “American Dream” including my grandparents but more and more are disappointed. So does the American Dream exist? Has it ever existed or has it all been an illusion?

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

To practice machismo, also known as masculinity in a Dominican culture, males have to hide their flaws and act a certain way. If men express their un-masculine nature, they will be seen as expressing their weakness. In Drown written by Junot Díaz, contains many stories about Dominican Republic male struggles as an immigrant in America. One of the struggles Díaz expresses in his text is appearing masculine in society’s eyes. From the story “Drown”, the unnamed narrator expresses what it means to be masculine. “Boyfriend” is a story about another unnamed narrator observing his neighbor’s relationship, and comparing it to his own past. Yunior, the narrator of the story “Negocios”, explains the history of his father Papi, also known as Ramón. Society creates many definitions for what it means to be masculine, leading the narrator from “Drown”, the narrator from “Boyfriend”, and Ramón struggling to choose between doing what they want for themselves, or do what society wants to see.