The Broken Circle Breakdown By Felix Van Groeningen Essay

One theme that seems consistent in Catharine Breillat’s films thus far the theme of rape. In the film Romance, the protagonist, Marie is sexually frustrated. Maries partner, refuses to have sex with her and in an attempt to fulfill her sexual needs, Marie has several affairs with men including her boss and random men who solicited her on the street. As Simone de Beauvoir describes sex in virtually every setting, sex is rape because the penis is invading a woman’s private space who has little control and lacks choice and autonomy (Beauvoir). In this sense, men have such power and women lack control and power in our patriarchal society that women cannot possibly consent to sex under their free will. Particularly, as Catharine Mackinnon describes

The lovers are in love with themselves being in love. They love each other, but are more preoccupied with being seen as lovers. They often feign mild hatred. She is extremely aware of being watched and plays with the audience for sympathy in their plight and ccasionally flirts with spectators.

In present day society, individuals dedicate their time to social media on the internet and electronics, towards updating statuses, rebloging pictures, favoriting videos, reading up on current events, and staying connected in general. It’s only been 25 years since Tim Burners-Lee invented the world wide web and it’s no secret that it is one of the most progressive and influential invention of our time. Dave Eggers, in his current book The Circle, foretells his version of what can happen with the growth of technology and social media and pushes our current standard of being virtually connected from the main social networks Facebook, Twitter, Google, and Tumblr. In

In their journal article of “Hetero-Romantic Love and Heterosexiness in Children's G-Rated Films,” Karin Martin and Emily Kazyak discussed how the animated Disney films as well as G-rated movies construct heterosexuality to young viewers – children, as they should not contain any of heterosexual scenes. According to the authors, young children are seemingly involved deeply in media world as it is a fruitful chapter of their sexual socialization; animated Disney films or other G-rated movies are what they are oftentimes engaged and attracted. It is always plotted as a stunning, beautiful lady waits for a brave, handsome guy to come to her life, then they would live happily ever after since the movies mark relationships between opposite sex repeatedly,

Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.

The article takes many examples from primary sources, mostly from films of the pre-Code and post-Code era. He utilizes these films to exemplify the difference in the portrayal of sexuality due to the Production Code. Secondary sources, including a book called Pre-Code Hollywood by film historian Thomas Doherty, are used to analyze pre-Code films, which did not follow political or moral patterns of the time.

This genre is typically modern, perky and upbeat, but the common narrative in all of them is that it features a woman who is strong and she overcomes adversity to reach her goals. There is also a message of empowerment that also struggles with a romantic predicament and using comedy to poke fun at the male characters. Industries are still producing soppy romantic comedies for the female audience but the divide between the standard chick flick and romantic comedy is slowly disappearing. Similarly to the beginning of this essay it is evident that institutions are moving in the direction of women’s place in culture in relation to this film genre; women are usually shown as the super power since they are made to appeal to the female audience. However

The films framework is centered around the exploration of sexuality, and although it is subtle the film implies that the two

This also reveals to the audience an empathy that the two “star-crossed” lovers were made fore each other. Luhrman achieves this via the use of smitten, longing looks, the close-up shots, and the music of Des’ree (Kissing You).

Today’s filmmakers have three areas to focus on: the event or theme of the film, the audience who will be watching the film, and lastly, the individual characters and the roles they play and how they are portrayed and interpreted. Many of these films bottom line objectives are to focus on the “erotic needs of the male ego.” The focus on fetishistic scopophilia tend to slant the view such that we see the world as being dominated by men and that woman are

With reference to relevant cultural theories analyse the representation of sexuality in a film/television text of your choice.

Like most popular gender-bending films, Some Like It Hot calls us to critique constructions of sexuality and gender both within the context of historicized moment of the films production and from the perspective of later

Different countries have people that hold many different views and beliefs. In Nigeria the Igbo area is located in the southern area of the country. And within this area is Umuofia, which is where the Ogidi tribe lives. These people have beliefs that rest strongly on religion and faith in god. "Things Fall Apart" by Chinua Achebe takes a look at the life of an African tribe that has been isolated from the outer more technologically advanced world where science has become a part of religion proving that certain things live sickness are not caused by evil spirits. But the African tribe has no knowledge of this and they live in a society where there traditions, beliefs and there forms of communication differ from are own.

Since its humble beginnings in the later years of the nineteenth century, film has undergone many changes. One thing that has never changed is the filmmaker’s interest in representing society in the present day. For better or worse, film has a habit of showing the world just what it values the most. In recent years, scholars have begun to pay attention to what kinds of ideas films are portraying (Stern, Steven E. and Handel, 284). Alarmingly, viewers, especially young women, are increasingly influenced by the lifestyle choices and attitudes that they learn from watching these films (Steele, 331). An example of this can be seen in a popular trope of the “romantic comedy” genre in this day and age: the powerful man doing something to help, or “save” the less powerful woman, representing a troubling “sexual double standard” (Smith, Stacy L, Pieper, Granados, Choueiti, 783).

In society, women are often perceived as the weaker sex, both physically and mentally. In modern times women have leveled the playing field between men and women, and feminism is a highly discussed topic, but for years, women faced discrimination and prejudice both in life and in the workplace, due to their sex. This way of thinking flooded into the world of film. In their works, the authors of each of the various sources address the limitations and liberations of women both on and off the screen in nineteenth century Film and Cinema. Not every source is completely filled with information related to the research topic, but they do cover and analyze many of the same points from different perspectives. Prominent points addressed in each