The Broken Circle Breakdown ( Kubler Ross : Denial, Anger, Bargaining, Depression, And Acceptance

Write a 750-1,000 word paper analyzing Woterstorff’s reflctions in Lament For a Son. In addition, address Kubler-Ross’ five stages of grief, as they are expressed throughout Lament for a Son, and respond to the following questions:

However, the characters in Ordinary People do not conform to the stereotypical gender grief scripts and instead reflect the different grieving styles captured in Martin and Doka’s (2011) grieving styles continuum. Martin and Doka (2011) conceptualizes grieving styles ranging on a continuum from intuitive to instrumental. Grieving styles reflect individuals’ ability to adapt to loss and are distinguished by their use of cognitive and affective domains to process grief.

Everybody goes through grief, and it can be really hard. To grief, there are five stages that everyone experiences. In the novel Drums Girls & Dangerous Pie by Jordan Sonnenblick, the main character Steven, goes through these grim five stages of grief. The five stages of grief include denial, anger, bargaining, depression, and acceptance. Throughout the novel, Steven shows signs of these in many ways.

Since the start of time, and the preceding generations, death has impacted people and the way they act. A sudden, or even an expected death of a loved one, takes a toll on a person. It’s human nature for people to process and want to make sense of death and the loss it leaves behind. The five stages of grief reflect this process of dealing with the loss of a loved one. Through these stage of grieving, people can get lost either searching for answers or trying to get past it. In Hamlet, William Shakespeare depicts the role human nature plays in the striving for answers and justice surrounding death. Even though Hamlet was written early in the seventeenth century, the depiction of death and human nature still rings true today; people and

The Two-Track Model of Bereavement is a model that states loss is conceptualized along two axes. Track I pertains to the biopsychosocial functioning in the event of a loss and Track II pertains to the bereaved’s continued emotional attachment and relationship to whoever is deceased. The effect of Track I is seen through the bereaved’s functioning, including their anxiety, their self-esteem and self-worth, and their depressive affect and cognitions. Noting the ability of one to invest in life tasks after experiencing a loss indicates how they are responding to the loss of the deceased. This Track is seen as an expression similar to one of trauma, or crisis. Track II holds that the bereaved has difficulty physically separating from the deceased. This can be seen in emotional, interpersonal, or cognitive ways. It is shown through imagery and memories that the bereaved experiences surrounding the deceased, whether positive or negative, as well as the emotional distance from them. These pictures in the bereaved’s head explain both the cognitive and emotional view of the person who has died (Rubin, 1999).

The life transition of death and dying is inevitably one with which we will all be faced; we will all experience the death of people we hold close throughout our lifetime. This paper will explore the different processes of grief including the bereavement, mourning, and sorrow individuals go through after losing someone to death. Bereavement is a period of adaptation following a life changing loss. This period encompasses mourning, which includes behaviors and rituals following a death, and the wide range of emotions that go with it. Sorrow is the state of ongoing sadness not overcome in the grieving process; though not pathological, persistent

Everyone goes through a grieving stage in their lives. Lose of a loved one like a mother or just personal problems can cause a person to be upset and grieving. In the novel Thunderwith by Libby Hathorn, the main character Lara gives an example of the stages of grieving. And how she learnt to overcome her mother's death.

People deal with grief in different ways. As a small child, the way the narrator handles uncertainty and pain is distressing, yet also expected. She finds distractions in the furniture and decorations. The child notices a

The book, Lament For a Son, written by Nicholas Wolterstorff talks about his pain and grief after losing his 25-year-old son (Joy, 2009). His son died while on a mountain-climbing expedition. Dr. Wolterstorff has several books published during his career as a philosophical theology professor in Yale Divinity. However, he wrote Lament for a Son with a different journal style since it is a personal thing for him. The book is similar to a journal as he narrates the events that happened before and after his son’s death. The emotions expressed in the book are common among people who lose close relatives. What matters is how a person handles the issue. Kubler-Ross invented the five stages of grief; denial, anger, bargaining, depression and acceptancethat explain the escalation of grief when stricken by bad news (Axelrod, 2004). The paper looks into the book and its relation to the five stages of grief.

"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger,

Grief is the act following the loss of a loved one. While grief and bereavement are normal occurrences, the grief process is a social construct of how someone should behave. The acceptable ways that people grieve change because of this construct. For a time it was not acceptable to grieve; today, however, it is seen as a necessary way to move on from death (Scheid, 2011).The grief process has been described as a multistage event, with each stage lasting for a suggested amount of time to be considered “normal” and reach resolution. The beginning stage of grief is the immediate shock, disbelief, and denial lasting from hours to weeks (Wambach, 1985). The middle stage is the acute mourning phase that can include somatic and emotional turmoil. This stage includes acknowledging the event and processing it on various levels, both mentally and physically. The final stage is a period of

Nader and Salloum (2011) made clear that, at different ages, children differ in their understanding of the universality, inevitability, unpredictability, irreversibility, and causality of death. They believed, despite the increasing understanding with age of the physical aspects of death, a child may simultaneously hold more than one idea about the characteristics of death. However, factors that complete the determining nature of childhood grieving across different age groups may be a difficult task for a number of reasons including their environment in means of the support they have available, the child’s nature in terms of their personality, genetics, and gender, coping skills and previous experiences, the developmental age, grieving style, whether or not therapy was received, and the relationship to the deceased (Nader & Salloum, 2011). Crenshaw (2005) found that according to our current understanding of childhood traumatic grief and normal grief, thoughts and images of a traumatic nature are so terrifying, horrific, and anxiety provoking that they cause the child to avoid and shut out these thoughts and images that would be comforting reminders of the person who died. The distressing and intrusive images, reminders, and thoughts of the traumatic circumstances of the death, along with the physiological hyper-arousal associated with such re-experiencing, prevent the child from proceeding in a healthy way with the grieving process (Crenshaw, 2005). McClatchy, Vonk, and

Death in any person’s life is tragic, whether sudden or unexpected. Everyone experiences it at least once throughout a lifetime. In the novel Extremely Loud and Incredibly Close by Jonathan Safran Foer, the reader meets several characters that lose people very close to them. Each person has a certain way of dealing with the death, but overall his or her grief is out of love. These two emotions are triggered by one another. Extremely Loud and Incredibly Close displays few characters that show any sign of moving on with their lives. Grief takes over and seems to stay forever. Characters such as Oskar, Grandfather, Mr. Black on the floor above, and Ms. Black in the Empire State Building experience grief

Theories and models that have been developed to explain how or why we feel what we do and ways of working through grief. Many professionals have expanded on Freud’s model of bereavement, which emphasises that grief about personal attachments and the process of experiencing pain, detaching from the deceased and rebuilding a new life with them (Walsh, 2012). Margaret Stroebe and Hank Schut’s model attempts to explain how people alternate from intense pining and normality for the dead person (Walsh, 2012). Psychologist J. William Worden’s stage-based model outlines four tasks of grief, to: accept, work through, adjust, maintain and move on (Worden & Winokuer, 2011). Therese Rando’s model outlines how people proceed through six phases of mourning in order

(J.) William Worden’s Tasks of Grief model outline the major tasks or stages the KC described during her interview (Worden & Winokuer, 2011). KC discussed how she has to come to terms with the loss of the Chontay; her feelings of shock and disbelief; everything seemed surreal, as if in a dream. KC experienced intense pain, while her and her family worked through their feelings / thoughts of Chontay’s impending death (Worden & Winokuer, 2011). KC also experienced numerous emotions of intense sadness, emptiness, numbness, and anger (Worden & Winokuer, 2011).