Throughout Brothers Karamazov by Fyodor Dostoevsky, Eastern versus Western ideas are constantly being introduced and in turn debated, sometimes violently. This being the case, it would be uncharacteristic of Dostoevsky to include such an extensive account, The Grand Inquisitor, against Christ and there not to be an East versus West theme. Eastern versus Western may be understood as Orthodox versus Roman Catholic although it is not to be restricted only within the scope of religious debates. The
Russian author and philosopher, Fyodor Dostoevsky, was best known for his literary contributions between 1866 and 1880. Of his substantial work, Crime and Punishment, The Idiot, The Devils, and The Brothers Karamazov are the novels he remains most recognized for. In each of these novels, Dostoevsky examines and interprets several social, physical, mental, and emotional situations and conditions, which he believed to, influenced the nature of humanity. His theories concerning the causes and effects
characters of Dostoevsky's novel The Brothers Karamazov are, as the title suggests, the members of the Karamazov "family," if it can indeed be called such. The only things that the members of this family share are a name and the "Karamazov curse," a legacy of base impulses and voluptuous lust. References to this tendency towards immorality are sprinkled heavily throughout the novel; phrases such as "a brazen brow and a Karamazov conscience," "voluptuary streak
Fyodor Mikhailovich Dostoevsky was a Russian novelist and philosopher best known for his novels Crime and Punishment, The Brothers Karamazov, Notes From the Underground, and The Idiot. He used his works to learn about the social customs and movements of nineteenth-century Russia, and also to explore himself and gain a deeper understanding of his life. Dostoevsky’s personal life experiences and the philosophical movements of his time influenced his works by shaping the subjects he discussed and the
Dostoevsky was an Anti-Semite Literary anti-Semitism is as old as Western culture itself. A full listing of writers who have expressed hostility toward Jews and/or Judaism--from Shakespeare to T.S. Eliot, from Pushkin to Pasternak, etc.--would add up to a Who's Who of Western literature.1 Undoubtedly, Dostoevsky follows in this tradition. It is disparaging, however, that as the true novelist of ideas and Christian love, Dostoevsky could harbor such ill will towards the Jews. Does this not
God Answers the Questions Presented by Dostoevsky's The Brothers Karamazov and Crime and Punishment In Dostoevsky's novels pain and some heavy burden of the inevitability of human suffering and helplessness form Russia. And he depicts it not with white gloves on, nor through the blisters of the peasant, but through people who are close to him and his realities: city people who either have faith, or secular humanists who are so remote from reality that even when they love humanity
Fyodor Mikhailovich Dostoevsky (1821- 1881) is one of the most famous and widely translated Russian writers in the world. He was born in 1821, in Moscow, one of eight children of a staff doctor at the Mariinskii Hospital for the Poor. Dostoevsky was educated first at home, then at the age of 17 he was sent to the Academy for Military Engineers to study engineering. After training as a draftsman, Dostoevsky embarked on the literary career. 1846 saw the publishing of his first book, Poor Folk that
The last son of Fyodor Karamazov was a bastard, born from the town’s holy fool. Although it is not entirely known whether Fyodor was the true father of Smerdyakov, he was widely believed to be so. Smerdyakov was raised by Gregory and his wife after his mother died during childbirth and later worked as Fyodor’s personal cook. As a child, Smerdyakov “loved to hang cats and then bury them with great ceremony” (Dostoevsky, 1981). As an adult, he was unsociable, arrogant, and despised everyone. Smerdyakov
Throughout the entirety of Dostoevsky’s novel, The Brothers Karamazov, the author chooses to insert lines of poetry in order to give more insight to the situations he is portraying. Out of all of the Russian poems that were referenced, this paper will be focusing on the five that, I feel, were the most crucial to the deeper understanding of the scenes in which they were placed. These poems; Lermontov’s “Do not, do not believe in yourself,” Pushkin’s “Demon,” Pushkin’s “Chill Winds Still Blow,” Tiutchev’s
The Problem of God in Devils and The Brothers Karamazov In contemplating the creation of the novel The Idiot, Dostoyevsky wrote in a letter to A.N. Maikov that he hoped to focus the work around a question "with which I have been tormented, consciously or unconsciously all my life--that is, the existence of God."1 Dostoyevsky's personal struggle with the question of faith, and also his own experience with trying doubts as a believer, are manifested in the characters he writes. A large