The Bse As Developed By Darrick Jolliffe And David Farrington

It is without a doubt that Spotify has now become the go to place for listening and streaming music legally. Its impact on society has been massive. Spotify now has over 75 million active users, with over 20 million of those being paying users, (Spotify, 2015).

I believed the basic aim of these websites were to digitally respond reasonable to the technological changes of how music was conveyed to drive sales In a positive manner but musician ended up getting a small fraction of the income receive from streaming videos and audio songs as royalties. I can personally testify to this with my personal attitude towards many popular songs I downloaded for free online that I heard for the first time on radio. In his article published in the New York Times on January 2013, Ben Sisario commented on how online streaming has hurt the industry and partially reduced sales. According to him, Many consumers has greatly welcomed this system citing them as a smart way to save money since streaming saves them more money than buying the physical album. This will virtually hurt the artist survival unless they are engaged in an important side business for survival. ( Hartwig Masuch, chief executive officer of BMG rights

Musical Preferences of Subscribers & Non-subscribers (see Appendix A): Classical, twentieth century, pops or Canadian. The ratings for “choice of music appealed to me” increased by 17% from the first survey to the second. The survey did not ask what music the VSO doesn’t offer but attendees want to hear. Being able to hear classical music performed

This service it’s surly the most Music streaming Service used in the World with over 75 Million active user every month tea qui 15 million user pay the subscription every month. (Adam Shepherd, 2015) http://www.cloudpro.co.uk/leadership/5577/what-is-spotify ) Spotify was funded in April 2006 by Daniel Ek and Martin Lorentzon and it was Lunched in in September 2008 in Sweden. With over 30 million song available to play Spotify has an huge success thanks to the capability of create playlist , Over 20.000 songs are added on Spotify every day, The playlist made on Spotify are 2 billion and 5 million are the playlist that get edited or created every single day. This is surly a stream service that people like to use infact The number average of hours that listen to Spotify is 20 billion

The purpose of this memo is to better understand how the cloud has changed the music industry for both artists and users. This is an evaluation of 5 of the most popular cloud-based music streaming applications. These applications allow people to have access to more music than ever before, wherever they are. Each app has different features that may make them appealing to different people, so it is important to evaluate them to see strengths and weaknesses.

This case study about the Spotify business model allows a broader vision of what the digital music industry is. In a short time, many companies have developed and managed marked their territory in a highly competitive industry. The start-up Spotify has undergone a remarkable evolution in a financial point of view but also in terms of its popularity. Its various competitive benefits regarding the market leader and its respect for music labels have enabled the company to be renowned and to have a reputation in the real business. Today, five years after its creation, Spotify is certainly criticized in some aspects of

This effect inhibited us from finding significant differences and correlations between the two different songs and the reaction rate. Since our sample size was comprised of only nine people, and consisted mostly of White students from a Midwestern university, it would be wrong of us to generalize our findings to the rest of the population. Although our data showed some trends of minor differences in reaction rates to different songs, further research must be done with a larger and more representative sample to facilitate generalizing to the rest of the population and to make our results applicable. Also, future research should include a control variable that excludes listening to music while performing a visual motor response test. It would be interesting to see the difference between subject preferred music versus not preferred or no music at

As is observed there is present statistics on this two different music sites and their comparability.

" A corporation paying for these costs can make the difference between artist's growing their careers, or completely giving up on the muscle business altogether (Coates)." So do artist's go to music advertising for the last resort of giving up or do they use it to start their career off? "In November of 2014, award winning musician Taylor swift pulled her entire music catalog from Spotify, a popular steaming app, claiming that their business model suggests that music does not hold much worth (carter)." So it's both artist's go to these advertisings to determine if it will help and it does but after your career is already started it doesn't help anymore as much. Earlier, the former, at first, an distinct difference, by contrast, not long after, thus, therefore, of course, therefore, surely, in the last place, lately, nor, next, commencing with, so far, for one thing, in another case, in fact, in one example, in order to clarify, in other words, in particular, in the following manner, in the same manner, indeed, more important, moreover, most important of, most of all, of great

Sure, Taylor Swift is only one artist, but look at those numbers. Over 40 million users, 16 million of who played her tracks in the last 30 days (the number for the last six years is probably staggering), and 19 million playlists. That’s significant, even for a service with as many artists as Spotify.

The purpose of this research is to explain the structures behind musical preference. Research suggests that preferences for the music factors are affected by the social and auditory characteristics of the music. The research informs readers about the nature of music preferences. It broadens our understanding of the factors that shape the music preferences. In study 1, advertisements were placed in several locations on the internet inviting people to participate in an internet-based study of personality, attitudes, and preferences. “Participation involved completing multiple surveys on separate occasions, one of which included the musical preference measure. After completing each survey, they were told that they would receive an email message within a few days with a hyperlink that would direct them to the next survey. The first step was to identify broad musical styles that appeal to most people. 5,000 participants and 600 University students filled out an open-ended questionnaire to name their favorite music genres and examples of music for each one. From this, they identified 23 genres and subgenres that occurred on lists most often.” (Rentfrow, 2011). They added 3 more for the sake of completeness. The next step was obtaining musical exemplars for the 26 music subgenres. They consulted 10 professionals(musicologists and recording industry veterans) to identify representative or

As streaming grew in popularity, a quandary developed: An artist's streaming and singles numbers must in some way affect their number of records sold, but how?

Authors Schneider and Flanagan, state approximate a year ago, Apple took step number 1, jumping into the streaming services market for the first time, by purchasing Beasts for three billion dollars. Beast, a hibernating streaming service at the time, is co-founded by record producers Dr, Dre and Jimmy Lovine; the two of them joined Apple in executive roles said the authors. Streaming music is moving away from algorithms, where the music being generated by computer to the more modern version called human curation said Schneider and Flanagan. Human curation for example, when one knows music very well, such as an artist therefore, he or she can make better recommendations or advice selecting from a playlist compared to a search engine.

With a great deal of different genres of music available for listening to, each genre must effect, shape, and allow for the expression of personality to be contrasting with each of the different genres of music that are available to us. In a recent study executed by Yair Neuman, Leonid Perlovsky, Yochai Cohen and Danny Livshits, from the Department of Education & Homeland Security Institute, based their experiment on “a very specific research question: Do personality types differ in terms of their essays’ similarity to the lyrics of various music genres?” (4). They set up their experiment to solely test whether a person’s personality can be directly affected by certain types of music. Their experiment concluded “…all results were statistically

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.