The wild west, guns a’ blazing, train robberies, and bank robberies occurring, was this what this western frontier really looked like? Hollywood's films of the late 1960’s like True Grit, would have the American people believe that the Western frontier was full of outlaws and crime. In reality, it consisted of something entirely different, from what the movies of the 1960’s had it viewers believe. History was changed, in a sense re-written to entice the audience, of their own vision of the “wild west.” This vision consisted of making the wild west into a place where danger lies around every corner. Guns, kidnappings, and vigilantes flooded the streets of the small developing boomtowns in the west. Yet as time went on and the public interest for wild west continued certain directors made an effort to bring historical …show more content…
Francis shows his methods of approaching his buffalo. “The method of 'approaching,' being practiced on foot, has many advantages over that of 'running'; in the former, one neither breaks down his horse nor endangers his own life; instead of yielding to excitement he must be cool, collected, and watchful; he must understand the buffalo, observe the features of the country and the course of the wind, and be skilled, moreover, in using the rifle”(Parkman). The most exciting part of the job and life of a cowboy was the buffalo hunt. A hunt for their own food, no ropes, no horse, just a man and his rifle. This first hand experience about the joy of hunting buffalo show that even what cowboys do for fun doesn’t show what types of lifestyles that old films portray the west to of had. Having fun with simple thing like hunting buffalo and making an honest living, not committing murders, and robberies, among other things. But Hollywood’s idea of the wild west changed to be more historically correct as time went
Duke Lee once said, “This town ain’t big enough for the two of us.” and it became one of the most iconic western saying of all time. The old west was full of outlaws, gangs, murderers, thieves, and lawmen who either broke the rules, or enforced them. Outlaws of the wild west influenced American culture in numerous ways. The three outlaws listed below are the most notorious and gruesome of them all. Take a journey through history and look at what these outlaws did for American society.
The Old West was settled in many different ways. People from all different backgrounds came in hopes of striking gold, finding rich soil to farm on and for a fresh start. While many found what they were looking for, some weren’t so lucky. However, these factors shaped the West as we know it
Arkansas/Arkansaw: How Bear Hunters, Hillbillies, and Good Ol' Boys Defined a State. Brooks Blevins. Fayetteville, AR. 2009. 242 pages
Many a time has Hollywood skewed the difference between reality and fantasy, exaggerating the truth and placing heavy importance on the myths. A recent historical movie was made about the Alamo. This movie though very historically accurate was different from the documentary; I will compare the two and show the differences. The movie was
As the story of both the novel and the movie move it shows descriptions or images of setting. They both romanticize the setting of the west due to its beauty and how it represents freedom. In The Searchers there are long unbroken shots of the nature that makes the West represent freedom and independence from the normal life. While All the Pretty Horses does the same thing in the from of paragraph long descriptions of setting it does it to not only represent freedom, but also as a way of justifying the life of a cowboy. ¨The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country...a solitary bull...in sacrificial torment¨(pg. 302). The realistic life of a cowboy is full of disappointments, but McCarthy argues that the life that connects to nature is worth all the disappointments and things that are lost.¨The blood of
How many times has Hollywood taken a true story and turned it into something different? Hollywood took Chris McCandless’s story and turned it into an overdramatic work of art. Unlike Krakauer’s nonfiction best seller Into the Wild, the movie Into the Wild by Sean Penn overemphasizes ideas or fails to include crucial evidence which twists the viewers understanding of Chris McCandless’s life. The movie overemphasizes Chris’s parents’ relationship and the effect it has on him, creates a love interest for him in “Slab City”, and fails to mention Chris’s knowledge of the wild. Sean Penn’s film skews how people will remember Chris
John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.
One of the chief culprits, he concludes, is Wyoming's manufacture of a false history around cowboy mythology. While the bucking horse is one of Wyoming's most identifiable symbols (it's on every Wyoming license plate), Western notes that Wyoming's key early settlers were, in fact, wealthy merchants who, from the beginning, had an
Hunting is an extremely controversial topic in the U.S. Since the beginning of history, man has hunted animals for food to live and to utilize other parts for clothing and other essential reasons. There are many people who are strongly opposed to hunting and think that it should be banned. There are also many people that support hunting and think that it is an acceptable thing to do. One such writer, Rick Bass, describes a similar emotion in his essay, “Why I hunt”. In the essay, he emphasizes his deep love for hunting and claims that it is an enjoyable activity. He employs such details to his story describing his surrounding beautifully that towards the end of the article, his attempts to appeal to reader’s imagination strengthen his
Typically referred to as ‘Indians’ in popular culture, Native Americans were traditionally seen in Westerns as the antagonists. The Western genre typically tells the story of the colonisation and discovery of America, which saw the major Hollywood studios revive the interest in the Western. Westerns draw on “historical actuality, a romantic philosophy of nature, and the concept of the […] savage” (Saunders, 2001, p. 3). Westerns often split the “depiction of the Indian, with the cruel and treacherous [Indian] balanced by the faithful [Indian]” (Saunders, 2001, p. 3) which resulted in the portrayals of Native Americans witnessed in films today.
Despite being released during the golden age of the Westerns and upheld as one of the best films of the genre, John Ford's The Searchers (1956) is noted for being particularly revisionist in its presentation of Native Americans. Nevertheless, as Robert P. Pippin notes in "What Is a Western…", Ford was subtle in the way in which he reassessed the myths that informed the Western genre. As this response paper shall further elaborate, for every conservative narrative convention rejected in the film, several more were left intact. Consequently, while The Searchers deserves to be recognised as an excellent piece of filmmaking, one should be careful not to overstate the innovativeness and progressiveness of the movie's plot.
According to some, including author Frederick Jackson Turner, the frontier was one of the most pivotal periods to take place in the progression of American history. Bret Harte’s short story “The Luck of Roaring Camp” is one of the best pieces I have read from The Frontier Era. Nature is used on several occasions throughout all of these writings. In “The Luck of Roaring Camp”, the forces of nature are what ended up taking baby Luck and Kentucky’s lives and in the descriptions given about the animals in “The Scavengers.” Other uses of nature in Harte’s short story were the men who lived in this California desert named Roaring Camp were all miners so their source of income was provided by the land that they were living on.
The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources
Since Christianson’s work is a foreword to Cody’s autobiography, it depicts Cody in a relatively positive light. It largely focuses on the importance of Buffalo Bill – describing in the thesis how this image attributed to “a sweeping narrative that places the American frontier at the center of
The movie True Grit is set in a chaotic time period of the American Frontier known as the “Old West,” or the “Wild West.” The American Frontier describes the “edge of a settled area.” Throughout the 18th and 19th century, the frontier continued to expand westward. In the mid-1800s, the frontier had been pushed into Nebraska and Kansas. Gold mines were attractive sources of wealth for many to move West. Eventually, railroads were built that connected the Western states and the East.(“American”). Throughout the West, many towns began to flourish in population due to the attraction of mines. Gambling also became a prominent source of entertainment. Although the West holds many opportunities, it also holds its fair share of difficulties. The climate was dry, the land was difficult to farm. Money was often short. As people struggled for their opportunities, chaotic violence became a telling point of the Old West (“The Western”). The task of controlling the violence of the West often fell into the hands of U.S. Marshals. They became renowned in the latter half of the 19th century for their heroics acts of punishing the lawlessness of the frontier towns (“U.S.”).