The Cabinet Of Dr Caligari Essay

In my analysis I will be looking at a scene near the end of the film where Bud White and Ed Exeley take part in a shootout at the victory motel. The narrative conveys very common noir aspects here; the shootout takes place in a very dark room. The only light comes from outside. This shows the mood of the scene to be sinister and bleak. It puts the audience in a scared state as the shadows can conceal anything. It is also hard to see what White and Exeley are doing. The shadows are very menacing because they use a chiaroscuro lighting effect. This means that the rooms, people and settings are hidden from view by shadows. The blinds over the window cast strong grid shadowing over the characters showing uncertainty and anxiety. This lighting is very common in film-noir films as it shows the seediness of the settings. The

The original film is eerily presented in black and white and uses mood influencing silences, long pauses, and various sound effects to depict the hallucinations. Furthermore, the angle of the camera is positioned below the actors, which intensifies the feeling of horror. Visually, the film using ‘chiaroscuro lighting’, which is designed to cast shadows and contrast light with dark to dramatically intensify the gloominess of the films context. These film features are necessary because the actual murder, dismembering and disposal of the corpse portrayal is relative tame and largely left up to the viewer to determine what is actually happening. The dismembering in particular largely relies on the viewers memories of the opening scenes where the younger man is preparing a chicken for his dinner by grizzly hacking

Lighting is important to tell the mood of a film. Burton depicts sinister and scary images with low-key lighting. Tim Burton’s lighting techniques are completely unique. In “Edward Scissorhands“he contrasts lighting. Peg lives in a town that is bright and cheerful looking. Edward’s castle is depressing and gloomy. Tim Burton again shows off his

The image is brighter and sharper in the film. The contrast of the film really affects the mood. Since the contrast is so bright the viewer is bound to stay focused and aware because everything is so catchy and noticeable. Also, the exposure changes throughout the film. At the very beginning the film starts in black and white and changed to color as the story progressed. The filmmaker uses a lot of Long Takes, each shot of Dorothy meeting someone new is pretty lengthy.

This film is a black and white film and the lighting is more towards dim effect which terrified the audience. Music plays the biggest effect in the film. Bernard Hermann’s theme is used for this film because it uses mostly high-pitched string instrument notes so the suspense and horror mood can be formed to the audience.

Lighting and filming through the movie is applied creatively causing people to be interested in not only the plot but the aesthetic . Lighting gave the movie a mysterious ambiance. They also use the lighting to create a contrast of characters, they manipulate the lighting in a scene with Harvey Dent to show the dark side Of himself. Doing these

Realism is a major reason why "Citizen Kane" stands out from other films of the time. However, it is the way realism and theatrical effects are mixed together that truly marks it out as one of the greatest films ever made. Ceilings on the set allowed for scenes lit by normal lightbulbs, giving the appearance of real rooms, but the theatrical spotlights through the windows in the newsreel showing room and the library highlight parts of the scenery, leaving others in shadow. The people working on "Citizen Kane" went to great lengths to get authentic-looking film for the newsreel.

Director Tim Burton exploits lighting to construct a suspenseful and dismaying feeling in the audience. One way Burton does this is when he uses low key lighting in Charlie and the Chocolate Factory. For example,when Willy Wonka ventures through the jungle, the low key lighting creates shadows cast by the leaves surrounding Willy Wonka making the area seem more dangerous; with the tension that the fierce creatures that inhabit the jungle will come to attack. By creating the dismaying feeling of the jungle and it’s creatures,

In Alice in Wonderland, while Alice is falling down what seems to be a never ending hole, the lighting changes to a frightening darkness to an eerie yellow. This causes the mood to change because it is not exactly terrifying but it is not at all happy. It makes the mood a bit terrifying but it is also a bit overwhelming. With the lighting changing quickly since she is falling so fast it just makes the mood just a little too much. A similar effect is created in Charlie in the Chocolate Factory. At one point in the tour, the guests were all on a dragon boat going through a tunnel. While in the tunnel there was just enough light to see the characters and quite a few ominous shadows. This sets the mood to be very anxious and suspenseful. In something as fun as riding a dragon boat on a chocolate river, it starts to look like a horror movie. In his other film, Edward Scissorhands, there was a scene of the house Edward grew up in. The lighting had been manipulated to a point where it was not dark but it was not quite bright either. This placed the mood at secured yet anxious feeling because you could see everything but it was still dark. Although this cinematic technique is very effective, the most noticeable technique is

Tim Burton uses lighting to make characters look evil. In the movie Edward Scissorhands Tim Burton uses dark and low key lighting to make Edward look evil. When Edward is first seen he was in low key lighting, and he looked evil with his big scars and his scissorhands showing. Once you

The first aspect used in this film is lighting choice. One way that the lighting choice created emotions in the audience is whenever something bad is going to happen, the lighting gets darker. For example, when Elvira (the house maid) set down the hammer and opened the locked door that Blanche was in and Jane picked up the hammer and was about to kill Elvira, the lighting in the room was darker than normal. Also, the use of dark lighting is used to create suspicious, dark, or scary emotions. For example, when Jane is moving Elvira's body to her car, the setting is very dark and creates dark, suspicious, and scary emotions.

There are many different camera shots in the movie. The camera is used for close-ups, medium shots, and long shots of the characters which help generate a feeling of awareness. There were wide angles, high angles, and eye level angles used and these gave the audience a spectacular view of how the prison and characters looked.

The mise-en-scene of Interview with the Vampire is relatively theatrical in nature. Long shots are used for much of the movie and the intense close-up shots are retained for the extremely moving victimization scenes where the camera closes in on the eyes of the vampire attacking its victim and what the vampire is feeling thru its eyes (Rice). Also because of the darkness of most of the settings within the movie and the lushness of the immediate sets and costuming one gets the feeling of the importance of the characters and where they are at. The character proxemics and intimate distance of the shot when Claudia curls up with Louis in his coffin, shows the feelings and morality that Louis is fighting so hard to hang onto in his immortality and the loss of the innocence Claudia has accepted.

Another aspect of this film is that it is in black and white. This gives it a serious tone. The lighting they used also gave a dramatic effect. There is a scene where two gentlemen are talking but you can see Kane dancing in the reflection of the window. This reminds the audience that he is still important to the scene even though he isn't directly involved. This

Camerawork was the second of many techniques that Federico Fellini used for the production of 8 ½. The way Fellini used the camera to show close ups, long shots, images, frame within a frame, and montage were very eye catching to the audience. One example would be, the scene where Guido remembers when he was younger and how he was wrapped with sheets. Then suddenly he starts to fantasize that all the women who live in the house with him, where carrying him. Fellini focused on that specific scene where Guido´s face is far beyond noticeable on the camera and the viewer can clearly see his face expressions. The audience can almost feel as if they where there with Guido in that same house. Another good example of Fellini’s great camerawork would be the scene where Guido is in some sort of sauna with many men and women, and the audience can clearly see Guido’s facial expressions when he sees the woman in some sort of bath robe walking to her side of the women´s sauna. Guido rapidly, gets distracted