The Caged Birds In The Awakening

But they need not have thought that they could possess her, body and soul" (504).  Although Edna did perform her duties as a wife for some time, she is not the typical housewife.  She does not worship her husband or idolize her children, which makes both Edna and Leonce begin to sense that Edna is different from the other mother-women (Lin 1).  Edna never realized the reasons she neglected her duties as a wife until she fell in love with Robert and acknowledged that her desires and needs exist outside of her marriage.  Thus, after her experiences with Robert, Edna is ready to neglect her husband even more, because she now realizes that her husband is holding her back from her needs.  When Leonce tries to make Edna act like the other women that obey their husbands, his attempts to control Edna further instigate Edna's desire for independence from him.  For example, the scene when Edna is lying in the hammock, Leonce says: "I can't permit you to stay out there all night.  You must come in the house instantly," Edna replies: "I mean to stay out here.  I don't wish to go in, and I don't intend to.  Don't speak to me like that again; I shall not answer you" (492).  Edna is carefree and spirited, and she refuses to conform to her husband because she does not want to lose herself.  Becoming the perfect, obedient wife would mean losing her individuality, and Edna realizes she can gain no fulfillment

Edna does not care about society or even about being married but Robert knows that they can not be together. Robert leaves and essentially breaks up with Edna. Edna then realizes that she cannot be independent or just be who she wants to be without society judging her but she does not want to go back to how she was. “Despondency had come upon her there in the wakeful night and had never lifted.

Her friends see the gifts Mr. Pontellier gives Edna and assumes he is perfect, but they don’t know what goes on behind closed doors.

She would rather let herself be lonely and sad than be judged by others. The thought of how society would perceive her was enough to sway her life course. We can also assume this happened when Edna was younger. She, like many other girls for hundreds of years, was told that her life would consist of getting married, having children, and caring for her husband, all while being obedient and happy. Edna outright refuses to go to her own sister's wedding because she has come to believe that marriage is the worst thing that could happen to a woman.

To begin with, right before Edna kills herself she has a flashback. In the flash back, Edna recalls her childhood; “I was a little unthinking child in those days, just following a misleading impulse without question,” (Chopin, ###) in agreeance with Mary Bird, the writer of “Reconciling Edna’s Suicide and the Criticism Surrounding Kate Chopin’s The Awakening.” The reader can see that Edna is still emotionally scarred from her childhood. Being raised by her emotionless older sister and her father never paying her any attention to her has caused Edna

The Awakening by Kate Chopin introduces the reader to the life of Edna Pontellier, a woman with an independent nature searching for her true identity in a patriarchal society that expects women to be nothing more than devoted wives and nurturing mothers.

Although Robert left to get away from Edna, he might have actually made things worse. He promised to write to her, but never did. By Robert not writing to her, it left Edna in agony. She longed for him even more when she did not hear from him. Not knowing that Edna would eventually read the letters, he wrote to Mademoiselle Reisz unintentionally professing his love for Mrs. Pontellier. After reading the letters, Edna realized that the feelings were mutual. Edna came to the conclusion that she wanted to get away from her house, husband, and anything that reminded her of the such so she decided to move into a small apartment around the corner.

Deeper into Edna’s alternate personality, she begins to realize how much positive has come from the new Edna. When the Doctor and Edna finally get to meet, the Doctor talks with Edna in hopes of changing her back to the stereotypical wife Mr. Pontellier wants her to be. In the conversation between the two, Edna says, "The years that are gone seem like dreams--if one might go on sleeping and dreaming--but to wake up and find--oh! well! Perhaps it is better to wake up after all, even to suffer, rather than to remain a dupe to illusions all one's life" (Choppin 38). Edna is praising herself for being one of the few women who have been able to be a realist, and for not letting illusions pull her into a fantasy life. She believes it is better for one to live aware and conscious to the world around one’s self. This being a new way of looking at life at the time, especially for a woman. While there are many positive changes that are present in Edna’s life due to her recent awakening, there are some negatives as well. There are days where Edna feels as if she understands the world and everything within it. But then there are days where Edna feels utterly alone. Edna’s thoughts are expressed, in which she says, “There were days when she was unhappy, she did not know why—when it did not seem worthwhile to be glad or sorry, to be alive or dead...She could not work on such a day, nor weave fancies to stir her pulses and warm her blood” (Choppin 19). Edna expresses that she feels what appears to be a depressed mood at time, due to the life she has become awakened to. It is a confusing sadness that she does not know how to explain, completely countering the days of pure happiness that she often feels. Thus showing the change in Edna’s psychological views are apparent, and bring both happy, understandable thoughts, as well as

The final reason for Edna’s escape from her troublesome life is the failure of her relationship with Robert. Edna was able to find some form of escape through her desire and hope of being with Robert, but when those plans fell through Edna feels as if she has nothing to look forward to, nothing to live for in life. Robert realizes that he and Edna will never be able to have a true

Robert leaves Edna his note because he realizes he cannot be with Edna in the way that she wants, especially since they are already creating a mess out of everything she has ever created in her life with Leonce. Edna does not want another husband or to belong to anyone and Robert wants to be that to her; he wants to be her husband. In his “good-bye-because I love you” note he implies that his reason for saying goodbye is because he loves her, so he wants the best for her. Robert does not want to uproot Edna from everything she is in right now, especially not from her children, whom Robert cares deeply about. Robert also does not wish to be a toy, a distraction for Edna while she figures her life out, because he cares too much for her to be tossed around by her careless actions.

Chopin confirms this by saying, “Mrs. Pontellier was not a woman given to confidences, a characteristic hitherto contrary to her nature. Even as a child she had lived her own small life all within herself…” (Chopin, 2005, Chapter 7, para. 1). Over the summer, even though she was already married, Edna met a young man by the name of Robert Lebrun and surprisingly fell in love. “The action was at first a little confusing to Edna, but she soon lent herself readily to the Creole’s gentle caress. She was not accustomed to an outward and spoken expression of affection…” (Chopin, 2005, Chapter 7, para, 19) meaning Robert gave Edna the kind of attention that she never got from her husband, Leonce Pontellier. She became ignorant of her surroundings and carried on into this “fantasy” (Chopin, 2005). Edna’s passions became overpowering to her self-control. This was a feeling that she had not felt with her husband even when she married him. Robert decided at the spur of the moment, he would leave on a business trip to Mexico without telling Edna. This caused Edna to feel even more alone and confused because she did not enjoy being married. Chopin proclaims, “Her marriage to Leonce Pontellier was purely an accident, in the respect resembling many other marriages which masquerade as the decrees of Fate” (Chopin, 2005, Chapter 7, para. 24). Her husband was never home and the man she ultimately loved left her

She leaves the care of her children to her grandmother, abandoning them and her husband when she leaves to live in the pigeon-house. To her, leaving her old home with Léonce is very important to her freedom. Almost everything in their house belonged to him, so even if he were to leave, she would still feel surrounded by his possessions. She never fully becomes free of him until she physically leaves the house. That way, Edna has no ties whatsoever to that man. Furthermore, Edna indulges in more humanistic things such as art and music. She listens to Mademoiselle Reisz’s playing of the piano and feels the music resonate throughout her body and soul, and uses it as a form of escapism from the world. Based on these instances, Edna acts almost like a very young child, completely disregarding consequences and thinking only about what they want to do experience most at that moment. However, to the reader this does not necessarily appear “bad”, but rather it is seen from the perspective of a person who has been controlled by others their entire life and wishes to break free from their grasp. In a way, she is enacting a childlike and subconscious form of revenge by disobeying all known social constructs of how a woman should talk, walk, act, and interact with others.

Through the story Edna becomes more and more uneasy about not being able to do and have what she really wants. This can be shown from the beginning when she lets her children play by themselves and doesn’t miss her husband when he is away from home. Edna tried to be a good mother by becoming friends with an old fashioned woman, Madame Adèle Ratignolle, who devoted her life to her husband and children. However, when Edna was not around Madame Adèle Ratignolle, she forgot how to be like Adèle Ratignolle and instead busied herself with what was considered to be her “childish ways”. She would try to make herself as happy as possible; she was not her happiest with her husband and kids. When Edna discovered her passion for art, she embraced it and neglected her family even more so than before.

Lastly, Edna explores self-expression in her own physical passion. Her romantic relationships with Alcee and, most importantly, Robert, give her the means to express love and passion she had preciously repressed. When Edna first explores these sexual feelings she, as Davis states, "succumbs to the seductions of a roué, Alcee Arobin, without

The story, The Awakening, is about Edna Pontellier’s internal conflict between her desire for independence and her need to remain a high-class member of society. When away on summer vacation Edna has the realization that she has control of her own life and begins to focus on her self and not what others think. During her awakening, Edna is faced with much resilience from her husband and friends and instead of becoming someone she is not, Edna Pontellier ends her own life as she sees it is her only option. The author, Kate Chopin, uses many characters to exemplify the conflicting ideals emerging in Edna; particularly Madame Ratignolle acts as a foil to Edna’s newfound persona, instead symbolizing the conservation of a traditional