The Call By Yannick Murphy

In the novel Montana 1948, by Larry Watson, we witness this through the eyes of David a 12 year old narrator, the sickness and death of his beloved caretaker Marie Little Soldier by the doing of his Uncle Frank whom he has always looked up to. An important character central to the story is David’s father Wesley the sheriff of Bentrock who is brave, courageous, conflicted and, protective of his family. A message Wesley helps us understand a thought-provoking message that it is difficult to choose between family and doing the right thing.

John just stood in shock. Two Englishmen came out the trees, one was named Daniel Smith and the other was named Walter Kelly. They had thought Little Hawk was attacking John so they killed him. They threw Little Hawk’s body aside, and started hacking at the branch to free John’s father. John began to cry and shrieked at the men, saying that Little Hawk was just trying to help. John started to grow a sense of hatred towards the two Englishmen. People carried John’s father away in a litter and nobody noticed John taking Little Hawk’s tomahawk and sliding it under his jacket. That night, John’s father died. Soon after, Daniel Smith married John’s mother. One year later, Daniel sent John away to be an apprentice to a cooper named Master Medlycott. On the way, he met a pretty girl named Huldah Bates who was going to live with the Kelly household and help the mistress there. When John arrived to the Medlycott household, Master Medlycott greeted him and gave him tasks to do. The schedule was same every week. On Sundays, John and the Medlycotts went to the meetinghouse for a sermon. John rarely had the chance to speak to Huldah Bates but they exchanged smiles in the meetinghouse. One Sunday, a preacher named Roger Williams arrived at the meetinghouse and talked about freedom of religion and stated that everyone are all brothers and sisters, including the Indians. This disturbed many

Ever since technology began so prominent in the modern world, can anyone remember going outside for more than 30 minutes and not see a cell phone or computer? Probably not, as these pieces of technology have become so ingrained in people’s lives, no one wants to leave their home without still being connected. And there is no reason to, as friends, family, and strangers share the same sentiments. Unplugging from technology is not only a decision people don’t make for personal reasons, it simply isn’t conducive to a productive life, as many people’s work and social lives wouldn’t be the same, if exist at all, without being connected to other people or the internet with just a single touch.

Contradiction in the mind, we struggle between decisions. Whether it is correct or not, it leaves an indelible memory. In Tim O'Brien's confessional writing, Ambush, he creates a flashback and recalls his memory in Vietnam. With detail descriptions, Tim O'Brien expresses his guilt towards killing an innocent young man. Furthermore, reinforcing his opposition against war with the writing.

In “The Victims” by Sharon Olds it describes a divorce through the eyes of the parents’ children. The first section is shown through past tense as the speaker is a child and the last section is shown in present tense with the speaker already being an adult trying to make sense of past events. The word “it” in the first two lines carries a tremendous weight, hinting at the ever so present abuse and mistreatment, but remaining non-specific. The first part generates a negative tone toward the father who is referred to as malicious by the mother who “took it” from him “in silence” until she eventually “kicked him out.” Through the entirety of the poem the children are taught to hate their father. Who taught them? Their mother showed them that their father was a villain and were taught to have no sympathy for him but “to hate you and take it” and so they did so. Although the poem never directly states what the father did to receive the family’s hated, the speaker gives examples as to why he is hated.

The small city of Brownsville is small in both population and mind. Even though there are individuals who commute morning and night from country to country, there is no unity. Growing up, I had never experienced a “diverse” city. In the city of Brownsville, Hispanics are the majority. As a result, individuals who saw somebody of a different race or ethnicity would make negative and offensive comments towards them. At times, these offensive comments were accidental. Other times, the offensive comments were on purpose and intended to appear humorous to friends. Apart from discriminatory remarks to outsiders, this happened amongst people of my Hispanic community.

Reading the book, The Other Side of the River, by Alex Kotlowitz, the author writes about the relationship between two towns in Michigan, and the death of a young boy named Eric McGinnis. The two towns, Benton Harbor and St. Joseph, are called the “Twin Cities”, but are ironically not related in any way. St. Joseph is 95 percent white, while Benton Harbor is impoverished and is 92 percent black. Throughout the book Kotlowitz questions the residents from both towns and how they are affected by the environment around them. The author also starts with the climax on the first page of the book – the death of Eric, and uses this as an technique to tell the story of the disagreements between the two towns.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

When a young author from New York City decides to take a trip to the southern city of Savannah, he finds himself falling in love with the town and ends up renting an apartment. He encounters many different characters, including Danny Hansford and Jim Williams, that gives the reader a good look into the aura of Savannah. The main conflict in the book occurs when a murder happens in an old mansion located in the town. The book follows the progression of the trial and the outcome following the court’s decision.

I made my way to my aunt’s house. Her home smelled of fresh cut pine, and she offered me a cup of coffee with a cinnamon stick in it. I accepted, and we went to the kitchen table and discussed our week. As she talked, I looked out her kitchen table. A small oak grew in the front yard. Snow capped the birdfeeder beside her bird bath.

“The Occurrence at Owl Creek Bridge,” by Ambrose Bierce tells the story of a man being punished for a crime. While he is dying, he vividly imagines his escape, the one thing that urges him on is the thought of his family. “White Heron,” by Sarah Orne Jewett follows a girl named Sylvia who lives in a small country home with her grandmother. She has a simple life: walking with her cow and hanging out with the forest creatures. However, when a young hunter arrives on the scene with a very alluring offer, Sylvia is faced with a tough decision. The setting of the short story, “An Occurrence at Owl Creek Bridge”, is in northern Alabama during the Civil War. The short story, “A White Heron”, takes place in New England during the summer on a farm. Throughout the short stories both Jewett and Bierce, describe the similar scenes a pond, a forest, and a faint sunlight.

In the chapter, "No Need to Call," by Sherry Turkle, the author uses repetition, contrast, and anomalies, to exemplify today’s generations inability to talk on the phone. With our world consumed with the latest technology, all available at the tips of our fingers, it's no wonder this generation doesn't even know how to hold a phone conversation properly. Texting is the newest way of communicating with one another. It is fast, easy, and convenient. However, only texting and not speaking on the phone is not preparing this generation for the real world.

Already in the beginning, miles of farmland wedge between John and Ann as he ventures off to “help [his father] with his chores, while “mak[ing] sure he’s all right in case [they] do have a storm.” Without her husband for company, she spends the day alone at home, painting, “brooding” and witnessing the intensity of the storm grow vicious. As “the double wheel around the moon” foreshadowed, the storm tested the “elements of human meaning and survival,” forcing the wise to stay indoors away from its “sharp, savage blows.” Also, the desolate prairies, themselves, add to the tense, stultifying aura of solidarity. While the landscape lay bleak and uninviting, how even “the distant farmsteads [Ann] could see served only to intensify a sense of isolation” appears clear. Not only “miles deep between her now and John,” Ann faces a natural barrier between the neighbouring homesteads as the “long white miles of prairie landscape” conceived a “region strangely alien to life.” In essence, the physical barriers, from the “sudden, maniac raging of the storm” to the vast stretches of farmland, allows loneliness and the “ever-lurking silence” to creep into the characters’ hearts until suffering takes control of their

Finally, the reader is introduced to the character around whom the story is centered, the accursed murderess, Mrs. Wright. She is depicted to be a person of great life and vitality in her younger years, yet her life as Mrs. Wright is portrayed as one of grim sameness, maintaining a humorless daily grind, devoid of life as one regards it in a normal social sense. Although it is clear to the reader that Mrs. Wright is indeed the culprit, she is portrayed sympathetically because of that very lack of normalcy in her daily routine. Where she was once a girl of fun and laughter, it is clear that over the years she has been forced into a reclusive shell by a marriage to a man who has been singularly oppressive. It is equally clear that she finally was brought to her personal breaking point, dealing with her situation in a manner that was at once final and yet inconclusive, depending on the outcome of the legal investigation. It is notable that regardless of the outcome, Mrs. Wright had finally realized a state of peace within herself, a state which had been denied her for the duration of her relationship with the deceased.

“In modern war... you will die like a dog for no good reason.” - Ernest Hemingway.