The Calling Of St. Matthew

In this paper, there will be research on the Gospel of Matthew from Daniel Harrington’s commentary “The Gospel of Matthew”, This paper will explain the teachings of the “6 Antithesis” in chapter 5 verses 21-48, and the main point on “Jesus came not to abolish but to “fulfill” the Law and Prophets (Harrington 90).” This paper will also have Daniel Harrington interpretations of the writing of the gospel of Matthew. I believe that Jesus had a reason for his teachings and how he went forward to preach them to the congregation.

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

The name Matthew comes from the Greek Maththaios, which is derived from the Hebrew or Aramaic Mattiyah. His name means “gift of Yahweh” or simply “gift of God.” Saint Matthew was one of the twelve apostles and he wrote the Gospel according to Matthew. Although he was a publican, it is said the Saint Matthew was a Jew. Before his conversion, he was a publican, which was a tax collector, by profession. Not much is really known about Matthew later on in his life. His beginning of apostolic activity started in the communities of Palestine. He wrote for his countrymen in Palestine and composed his Gospel in his native Aramaic. This is refereed to as the “Hebrew tongue” which is mentioned in the Gospel and the Acts of

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

“Beware of false prophets, which come to you in sheep's clothing, but inwardly they are ravening wolves.” This quote from the book of St. Matthew refers to how leaders of the Roman Empire manipulated the people. Likewise, the leaders of Republic of America from the contemporary book legend seems to be benevolent people, yet inwardly they are identical to the description of wolves. Inevitably one of the concepts this novel portrays is regards to how manipulation through lies creates destructive consequences, concerning Day’s trial score and the plague.

     Who is this man Jesus? Where was he from? What did he do for others and us? A great source of reference to answer this question would be someone who had direct contact with him in everyday life. Someone who saw the daily wonders he created would be the best source for information. Matthew, the apostle, is believed to have written the gospel of Matthew. He was able to experience firsthand all of the amazing miracles that Jesus performed. God inspired his words, and his gospel relates to the other three gospels in overall context. They were written in different formats and styles, but the overall message and story remains constant throughout all four gospels. This creates a strong

In this painting, he is being accused by the woman to the soldier. Caravaggio portrays the story of the Denial of St. Peter, as told in all four Gospels (Matthew, John, Luke, Mark) of the Bible. When Jesus was arrested, he prophesied that Peter, his disciple would denounce his name

The painting The Holy Family with Saints Anne and John the Baptist, 1592 (oil on canvas) was created by Italian painter Sofonisba Anguissola (c.1532-1625). It is currently held at the Collection of the Lowe Art Museum, University of Miami, as a gift from Mrs. Forbes Hawkes and Bridgeman Images. This painting is among the unique pious narrative paintings by Anguissola. “The Holy Family” is the last dated painting by the artist. It was executed when she had just returned to Italy after spending 14 years working for King Philip II at the Spanish court. By this time, she had already married to a Genoese ship captain. Her various visits to court and her personal contacts with great painter at that time largely inspired herself. Through these contacts, she successfully stayed in touch with current developments in art. By closely observing this masterpiece, I argue that the artist perfectly sustain the beauty of counter-reformation arts in her work by use of light and shadow, delicate brushwork and accurate proportions of each subjects.

When I see the painting the shape is symmetric in the sense that there are the same amount of people on both sides of Jesus. The genre of this painting is Christian art.There are also four panels on both sides of the walls. In my opinion, the target audience that this painting was intended for are those who are believers of Christ. I feel this way because I think that this painting portrays the event that is talked about in the bible in the scripture Matthew 26, verse 21 where Jesus says “…"Truly I tell you, one of you will betray me.". He then continues in verse 23 saying, “The one who has dipped his hand into the bowl with me will betray me”. In the painting, you can clearly see the man two seats away from his right reaching for the bowl at the same time as Christ. This event lead to the Holy Eucharist, also known as communion or the Lord’s Supper where Christ takes the bread which was to symbolize his body and wine which was to symbolize his

Comparatively, Andrea del Castagno’s Last Supper is early Renaissance completed far in advance of Da Vinci’s rendition. As one of four works commissioned by the Medici family, this mural rests inside the refectory of a former convent Cenacolo de Sant’Apollonia (Kren & Marx, n.d.; Editors Encyclopedia Britannica, 2013). The stone wall assists in dividing the expressions of the disciples in two’s following the news of betrayal (Adams, p.126; Editors Encyclopedia Britannica, 2012). Castagno’s mural is complete with his own view of linear perspective, utilizing the architectural details for movement (Editors Encyclopedia Britannica, 2013; Kren & Marx, n.d). The viewer can see Masaccio’s influence of “pictorial illusion” in the composition in addition to the bright disk like halos seen in his other works (Editors Encyclopedia Britannica, 2013; Kren & Marx, n.d.). Each of the figures in this composition takes up its own space, with the exception of Christ who much like Da Vinci, uses him as the anchor completing the perspective. The space on either of Christ side makes for a dramatic effect, while the lines, tiles and artistic detail frame the scene. Each individual in the mural occupies its own space, unlike that of Da Vinci who incorporated the overlap of the figures gestures for dramatic effect and movement (Last Supper, 2017). The overall composition is balanced, Castagno’s placement of each individual on the opposite side of the table across from Christ completes the geometric triangle seen in early Renaissance works (Editors Encyclopedia Britannica,

The beatitudes are just a sample of the many teachings that this book has to offer.

Kim Paffenroth presents Jesus’ identity using the three aspects of His ministry as the Anointed Christ, the Son of David, and a Healer. His distinction in each aspect provides the readers with a clear image of who Jesus in the Gospel of Matthew. Paffenroth points out that it is only in the Gospel of Matthew where Jesus is presented as the Anointed One despite Matthew’s redaction. The emphasis that Paffenroth made regarding the significance of anointing during the time of Jesus helps the readers further to understand its connection in the ritual of washing as a preparation for feasting and celebration as well as the act of fasting to death. Likewise, Paffenroth highlights Matthew’s interest in Jesus’ healing activities in spite of the redaction

The Gospel According to Matthew is the first book of the New Testament in the Bible, and is a Gospel narrative. The narratives provided by the Gospels in the New Testament are here to provide us with descriptions of the life, death, and resurrection of our savior Jesus Christ, as well as to share His teachings. Like any other narrative, it is important to understand the historical and literary contexts surrounding the Gospel of Matthew, as well as the importance and significance of Matthew itself. As a Gospel, Matthew is here to present us with the narrative of Jesus Christ as our Messiah, as promised in the Old Testament Prophesy. While it is important to evaluate the extensive context surrounding the narrative of Matthew, the meaning behind the narrative can be found through relating it to the various events that are described in the other Gospels. By comparing the Gospels, it is easy to evaluate the underlying meaning and significance, within the context of the Gospels. Because the Gospels were written as narratives to provide us with information on the life and death of Jesus Christ, and all that happened in between, it is important to compare the different accounts described in the Gospels whenever possible. In doing so, it is possible to examine the Gospels within the appropriate context. With 4 Gospels (Matthew, Mark, Luke, John), it is important to compare them with one another in order to further evaluate the importance of Jesus Christ, as he is the

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

The word gospel itself means good news, to spread the message of the gospel is to spread the good news, specifically the good news about Christ. The gospel of Matthew is all about spreading the good news of Christ and notably the good news about Christ’s love. Philosophy is the rational inquiry in search of the first cause of the order of the cosmos, with many philosophers believing that this first cause must be something divine. The message of the love of Christ can provide nuances to the philosophical ideals, like the search of the cause and order of the cosmos, that Plato provides in his Apology.