The Canterbury Tales And The Wife Of Bath And William Shakespeare

    The Wife of Bath's extraordinary prologue gives the reader a dose of what is sometimes missing in early male-written literature: glimpses of female subjectivity. Women in medieval literature are often silent and passive, to the extent that cuckolding is often seen as something one man (the adulterer) does to another (the husband). Eve Sedgwick argues in Between Men that in many literary representations, women are playing pieces or playing fields in struggles between male players. By default it seems, male writers cannot help but create shallow constructions of women; heroism occurs in male spheres of activity, while the wives and daughters make the background, and

The Canterbury Tales by Geoffrey Chaucer consists of frame narratives were a group of pilgrims that are traveling from Southwark to the shire of St. Becker in the Canterbury Cathedral, tell each other to pass time until they arrive at their destination. During The Canterbury Tales the reader is exposed to many characters that represent all of the social classes of medieval England and the reader gets to know them from the general prologue to each individual tale. One of these characters is the Pardoner, when the Pardoners is introduced he is described as the stereotypical pardoner of the Fourteen Century. The pardoner is describe as a crafty and a corrupt individual that will do anything to sell his pardons and relics. Nevertheless one of the most important characteristics that the Pardoner exhibits is his frankness about his own hypocrisy and sins. The pardoner accuses himself of fraud, avarice, and gluttony (the very things that he preaches against). During the Pardoners prologue, but most noticeable during his tale, the pardoners preach about how “Greed is the root of all evil”, and how our sins can lead cause our dismay.

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

There is an evident change from women being completely subjected to men's superiority and authority to them starting the question the social rules and beliefs. Through "The Wife of Bath" Chaucer illustrates women’s need to be in control in order for men to be happy. Through Alisoun, Chaucer demonstrates how women are beginning to advocate for their rights and illustrates medieval society’s views of women in power ultimately conveying that women need to be in power for men to be happy

In the time period of the 14th century, many woman faced inequality. Women were not viewed to uphold the same quota as men. Most females were viewed as passive to males and were not able to make many demands in their relationships or make any contributions to their own survival or life. In the “Wife of Bath Tale”, written by Geoffrey Chaucer, Chaucer gives an insight into the struggles of a woman. Chaucer gives a voice for women who cannot speak for themselves. He creates a tale for the Wife of Bath that includes and questions the societal views of women. Written in the words of a woman, Chaucer undermines what it means to be a female in the fourteenth century who desires independence and

Geoffrey Chaucer’s The Canterbury Tales is considered a work of satire towards medieval society by many literary critics. Chaucer uses the Wife of Bath as a prime way to quip a key fourteenth century practice wherein medieval society is patriarchal from noblemen to peasants. Women are one of the most restrained groups. The Wife of Bath narrates a story mocking male superiority and spouts a pro-women narrative. In this tale, the Wife of Bath shows women not submitting to a man’s world. For this period in time, she is a progressive who implies men are not in control of society which does not fit the mold of women at the time. She infers women are running everything from behind the curtain with men merely being used as puppets.

Although written long ago, Shakespeare’s The Tragedy of Macbeth still has themes relevant for contemporary society.  Murderous ambition, political intrigue, crafty social alliances, the disintegration of marriage – these could be headlines from any daily news program.  It comes as no surprise, then, that we also find a significant number of moments in the play where gender seems to be an issue. More specifically, we might say that Shakespeare's dramatic investigation into proper uses of power consists, in part, of a rigorous critique of the disparities between the respective roles assigned to men and women. Shakespeare seems especially interested in the moral and ethical implications of such

In his novel The Canterbury Tales, Geoffrey Chaucer presents the corruption of the Catholic Church through several of his characters. Chaucer lived in a time of controversial indulgences, a way to pay off sins. Chaucer’s tales show his opposition to these sinful behaviors that he believed were common among the clergy. In order to protest against sinful behavior and religious corruption, Chaucer uses characters such as the pardoner, the friar, the summoner, and the prioress to show the lack of morality and faith among the clergy, and presents the parson as an example of how to correct corruption of the Catholic Church.

Throughout many pays and novels, women have had important roles of helping form the main characters, in the way they think, move or change the story. Women have always been subordinate to men all through history, but in plays, novels, short stories, etc, they have been given large enforcing roles, showing the power within women. William Shakespeare and Sophocles use guilt, pride, and influence to demonstrate the importance of the women’s role to support the main characters in both the plays of Macbeth and Antigone.

Everyone has a story. Certainly Chaucer believes so as he weaves together tales of twenty nine different people on their common journey to Canterbury. Through their time on the road, these characters explore the diverse lives of those traveling together, narrated by the host of the group. Each character in the ensemble is entitled to a prologue, explaining his or her life and the reasons for the tale, as well as the actual story, meant to have moral implications or simply to entertain. One narrative in particular, that of the Wife of Bath, serves both purposes: to teach and to amuse. She renounces the submissive roles of a woman and reveals the moral to her story while portraying women as sex seeking, powerful creatures, an amusing thought

In the 21st century, many women have been successful because of feminism. Women empowerment in our current time is a lot strong than in the Medieval period, but it is still weak. In “The Canterbury Tales” by Chaucer it represents strong feminist characters in, “The Wife of Bath’s Prologue and Tale”. The characters such as a Wife of Bath, an old hag, and also a Queen from “Wife of Bath’s Prologue and Tale,” play a feminist character in the male-dominated society during that time. Through these three characters, we see strong examples of feminism.

The investigation into whether or not Geoffrey Chaucer was ahead of his time in terms of his views on feminism has been up for debate for hundreds of years. The Wife of Bath’s Prologue is just one solitary

It is true that the majority of women in the 17th century were housewives (Lambert). However, in Shakespeare’s eyes, this did not translate to inferiority of women. Instead, he believed that society’s flawed thinking was both unjust and dangerous. He saw women for what they were worth: humans capable of performing and becoming something everyone else could. Regardless of their genders, woman could be just as assiduous, shrewd, and vindictive as their male

Didactic literature is a work of writing that has been around for many centuries. It can come in all types of forms- novels, plays, poems, etc. The main similarity that all didactic literature have in common is their message. They all aim to impact their audience with a message or moral that usually involves religion, philosophy, history, or even politics. In a way, didactic literature always tries to improve a part of society in a moral basis.

Entertainment and education through the oppression of women finds a common place in Geoffrey Chaucer’s The Wife of Bath Prologue and John Webster’s The Duchess of Malfi. In both stories the audience is introduced to the idea of female independence and strength through a confident and skilled female character who envelops the knowledge required to subvert the standards of patriarchal and misogynistic society. While both women in the The Wife of Bath Prologue and The Duchess of Malfi are varied characters who (think they) exude authority and seem to be able to live outside the limitations of a patriarchal society, at a closer look it is obvious this is not the case. Chaucer and Webster have both developed a story that parallel the stereotypes of the misogynist political and social structure of the time. Furthermore, they have blended comedy and entertainment to create stories that are didactic in nature they reaffirm the stereotype of unruly widows and ultimately show that no good will come to women who attempt to live outside the structural confines of the patriarchal and misogynist structures of society.