The Cask Of Amontillado By Edgar Alan Poe

Is killing someone justifiable? In Edgar Allen Poe’s short story The Cask of Amontillado that question is one that could be asked. The short story is about a man named Montresor and his quest to get revenge on his foe Fourtando who has apparently insulted Montresor. Around the time of the carnival season Montresor leaves his house to go find Fourtando and get his revenge he tells none of his servants to leave his house, but Montresor knows once that he has left the servants will leave and go to the carnival. Montresor who is dressed in all black finds a intoxicated Fourtando who is a professional wine taster, and then Montresor claims to have some Amontillado wine but he is not sure whether is genuine or if it s a fraud. In order to intimidate Fortunato and to lure him in, Montresor tells him he is going to get Luchresi another wine taster in the area, but Fortunato tells him no thus Montresor plan comes together and then he leads hims to the catacombs and chains Fortunato up where he leaves him to die. In my opinion the first question should be what did Fortunato do that was so bad for Montresor to want to and eventually kill him? Then the next question would be was the killing justifiable? In my opinion the killing was not justifiable. The reason the killing was not justifiable is because of the fact that nobody deserves to die such a brutal death. Another reason why the killing

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

The story initially starts off telling us the situation where Fortunato had wounded Montresor a “thousand” times. One day, Fortunato goes too far and insults Montresor ultimately resulting in Montresor vowing revenge. Montresor has to craft a perfect plan, for if Fortunato is able to revenge him in return then Montresor’s efforts will have been in vain.

In addition, the place that Montresor chose to kill Fortanato is also sarcastic. It seems abnormal that the “vaults” were situated inside the “catacombs”. When they were looking for the wine, Fortanato did not suspect anything even when he saw the “bones” and “catacombs”. He still kept on asking where the “Amontillado” was. Ridiculously, while they were drinking the wine in order to keep themselves warm, Fortanato said that he drank to “the buried that repose around them”. Whereas, Montresor said that he drank “to your long life”. Surely, what Montresor said is ironic; He certainly knew that Fortanato would not have a “long life” since he would kill him soon. Perhaps, what Montresor means here is that Fortanato may

     The plot of the story is a simple one. Montresor tales revenge on his friend Fortunato by luring him into the tunnels under the family estate. There he leads Fortunato into the depths of the catacombs where he buries him alive by walling him into a niche. The story is told in first person from the point of view of Montresor

As Montresor and Fortunato reach the entrance to the catacombs, Poe adds nervousness to Montresor by using words that explain his movements or the surroundings around him and Fortunato. He is so close to murdering Fortunato, and Montresor is feeling a little doubtful on how it is going to go down. Montresor is

The intricately placed details and glimpses of death in “The Cask of Amontillado” can establish a dark and thought-provokingly immersive environment for the reader to explore. Being able to make a connection with a story and digging in is a wonderful experience and is something every reader should be able to do. That is why “The Cask of Amontillado” is such an important story. Poe left out any extra details that were not needed and boiled the story down to the core essentials. This allows the reader to look straight into the heart of the story and immerse themselves in it

Montresor knew that Fortunato was drunk from being at the carnival all day. To get him in the catacombs he simply just mentioned that there was Amontillado down there. Once they are in the catacombs Poe uses some distinct wording making the reader use his imagination. “It was in vain that Fortunato, uplifting his dull torch, endeavored to pry into the depths of the recess (6).” Poe uses the adjective dull to give a sense of low light that is associated with fear. He then switches to say, “…pry into the debts of the recess (6).” This simply means exploring the catacombs, however it inputs a sense of fear because when exploring the debts there is an unknown which creates fear. The imagery he uses makes the reader see the story as if he or she is there. Poe writes, “We had passed through long walls of piled skeletons, with casks and puncheons intermingling, into the inmost recesses of the catacombs (5).” He uses the word “intermingling” giving the sense that there are bugs and animals squirming around in the catacombs. In this case he simply means that large cask or puncheons and tightly packed together.

The dark and eerie tone of the murder story and its unusual setting contribute to the story’s theme of defense of one’s honor and avenging wrongdoing. The haughtiness and conceited attitudes of the two men create an extension of this theme in which Poe wants to show how far some men will go when they receive a blow to the ego. The story’s setting in the

What can a character that lived in 1700s Italy have in common with a teenager in the 1960s? Though it may seem impossible Edgar Allan Poe’s character Montresor in The Cask of Amontillado shares similar characteristics to John Updike’s A&P teenage Sammy. Both of these characters share sarcastic tendencies and a need to make a name of himself. Though, each man differs in the way he goes about making that name. While Montresor decides murder is the way, Sammy quits his job to be noticed.

Amontillado is a classically known amber-colored, medium-dry sherry wine, and in the case of Poe’s The Cask of Amontillado, it is the taste for Amontillado that results in the unfortunate and rather untimely death of Fortunato at the hands of the maniacal Montresor. Revenge is something that no one should have to experience; however, sadly sometimes, it is an inevitability that cannot be avoided. The Cask of Amontillado exposes Poe’s dark side and cruelty towards society and the world. In this short story, Poe tells about a rich drunk man, Fortunato, picking on a not-so rich friend, Montresor, but things quickly take a turn when Montresor decides to take out his revenge against his “pal.” Poe uses ethos, logos, and pathos deeply throughout his storyline to enhance the story and better the imagination of the characters, the deep meaning behind the setting, and the Amontillado’s secret.

Is there anything that someone could do to you that would cause you to commit murder? Could you get away with it? Montresor is the murderous narrator who has committed the perfect murder in just such a tale, “The Cask of Amontillado.” Montresor plots and kills an unwary friend/foe during carnival time for motives that are unclear. The author of this tale, Edgar Allan Poe, influenced by his somewhat tragic life and one of the most influential Gothic writers, uses symbolism and irony to show the multitude of complicated motives of the narrator in his famous horror story.

Death is an important theme in Edgar Allan Poe’s short stories, “The Pit and the Pendulum” and “The Masque of the Red Death”.

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

There is something odd and strange about a Poe story, satisfying in the way it often leaves the reader uncertain over whether what has just been read was a character’s real or imagined experience or whether one can actually call a Poe ending its end of the story. This is in large part due to the fact they linger in a reader’s mind with an intriguing idea of “unfinished business. There is much unclarity in Poe’s own life as there are in his characters’ thoughts, and that is he has the ability to hypnotize his readers with the heart-thumping curiosity of unmentionables or omitted detail in Poe’s work. The indulgence in a fantastical tale of forbidden romance like “Ligeia” there exists an unexpected touch of magicness in Poe’s stories about madness, death, and deception. This obviously due to Poe’s exploration of the bizarre and perverseness of human nature. In Michael Wood’s essay, “Poe’s Tales: The Art of the Impossible,” he argues that Poe “could see being buried alive, for example, both as a gag and a nightmare. Odd changes take place in a nightmare once you have seen its potential as a gag” (16-17). Going along with Wood’s suggestion, one can consider the tragic moment of revenge and justice in Poe’s “The Cask of Amontillado” where a drunk Fortunato has battle with his entrapments and screams for release before recognizing in a defeated voice to the murderer that he has been a part of “a very good joke indeed–an excellent jest”