The Cask Of Amontillado By Edgar Allan Poe

Is killing someone justifiable? In Edgar Allen Poe’s short story The Cask of Amontillado that question is one that could be asked. The short story is about a man named Montresor and his quest to get revenge on his foe Fourtando who has apparently insulted Montresor. Around the time of the carnival season Montresor leaves his house to go find Fourtando and get his revenge he tells none of his servants to leave his house, but Montresor knows once that he has left the servants will leave and go to the carnival. Montresor who is dressed in all black finds a intoxicated Fourtando who is a professional wine taster, and then Montresor claims to have some Amontillado wine but he is not sure whether is genuine or if it s a fraud. In order to intimidate Fortunato and to lure him in, Montresor tells him he is going to get Luchresi another wine taster in the area, but Fortunato tells him no thus Montresor plan comes together and then he leads hims to the catacombs and chains Fortunato up where he leaves him to die. In my opinion the first question should be what did Fortunato do that was so bad for Montresor to want to and eventually kill him? Then the next question would be was the killing justifiable? In my opinion the killing was not justifiable. The reason the killing was not justifiable is because of the fact that nobody deserves to die such a brutal death. Another reason why the killing

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

In his writing, Edgar Allan Poe has multiple uses of direct and indirect characterization. In The Cask of Amontillado, Montresor had rules such as “I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 2). Poe used indirect characterization to show the reader that Montresor is an unreliable narrator because he justified his actions or in this case, murder, to the reader using rules that he created for himself. Poe revealed to us that Fortunato looked at Montresor “…with two filmy orbs that distilled the rheum of intoxication” and “the wine sparkled in his eyes…” (“The Cask of Amontillado “6, 8). It is revealed to the reader that Fortunato was drunk. Fortunato and Montresor are both full of pride. Fortunato “prided himself on his connoisseurship in wine” and Montresor considered himself as “skillful in the Italian vintages” (Poe, “The Cask of Amontillado” 3). When Fortunato “ventured upon insult, I vowed revenge” (Poe, “The Cask of Amontillado” 2). Montresor is vengeful and creates rules for killing with impunity. Poe also showed indirect characterization in Hopfrog. The king had known that “Hop-Frog was not fond of wine; for it excited the poor cripple almost to madness, and madness is no comfortable feeling. But the king loved his practical jokes, and took pleasure in forcing Hop-Frog to drink, in

Edgar Allen Poe 's, "The Cask Of Amontillado," is a between two enemies. It humorously portrays the foil of Fortunato, as he is led through the catacombs. Poe 's humor is dark, sarcastic and very ironic, which quickly becomes a signpost of the tale. Poe sets himself apart from other authors in his works, based on how he depicts and encounters death. It accentuates the notion that at times, your worst enemy will appear as your best friend. Pride is the downfall of every man and the same can be said for Fortunato.

In Edgar Allan Poe’s short story Cask of the Amontillado, the main character Fortunato undergoes being buried alive, essentially, in the wine cellar in his own estate. The person responsible for this death is a man named Montresor. The theme in this tale is that of revenge. Montresor, the main antagonist and murderer, claims his vengeance is justified and that while he is committing a crime he is doing so justifiably. Raymond Struckhart of Berlin University, in Germany also concurs my position; by also claiming Montresor is to blame. The argument in this paper is that Montresor is not only delusional to his claims of justification, but also that his crime of killing Fortunato is not justified; and that in fact it is out right murder. Therefore to reiterate the thesis of this paper is, the killing of Fortunato by the hands of Montresor, despite his claims of justification, is just an excuse for murder and not justified by any means. The paper examines the work of Raymond Stuckhart, Elizabeth Dowager, and Barbara Cane as proof to my claims. The paper begins by identifying what “injury” Fortunato enacted upon Montresor and its justifiability. Next the paper examines the correlation between pure revenge and Montresor 's warped sense of morality and justice. With this in mind, one can deduce the guilty nature of Montresor and lack of justification.

Francis Bacon once wrote “A man that studieth revenge keeps his wounds green, which otherwise would heal and do well.” Bacon is telling us that it really hurts the individual to hold a grudge and seek revenge. “The Cask of Amontillado” is a short story by the American poet, editor and story writer Edgar Allen Poe. This story is a tale of revenge touching on the darker sides of human nature and at what lengths a man will go to achieve vengeance. We are told by our narrator Montresor that he had been insulted by a wealthy wine connoisseur named Fortunato. Montresor picks him out of the carnival and lures him into his wine cellar with promise of a renown sherry wine, Amontillado. Fortunato is baited by the trap and follows Montresor to the

The story initially starts off telling us the situation where Fortunato had wounded Montresor a “thousand” times. One day, Fortunato goes too far and insults Montresor ultimately resulting in Montresor vowing revenge. Montresor has to craft a perfect plan, for if Fortunato is able to revenge him in return then Montresor’s efforts will have been in vain.

Edgar Allan Poe is one of the most recognized and praised fiction writers in world literature. Not only does he masterfully create the atmosphere of suspense and danger in his short stories, he also builds up a sophisticated blend of horror and elegant irony that haunts the reader and reveals the complexity of Poe’s literary talent. “The Cask of Amontillado” is a perfect example of such combination. In this twisted short story of revenge, Poe puts an emphasis on the ironic tone in order to highlight the relationship between Montresor and his victim Fortunato and reveal the evil nature of Montresor’s desire for cruel vengeance.

What can a character that lived in 1700s Italy have in common with a teenager in the 1960s? Though it may seem impossible Edgar Allan Poe’s character Montresor in The Cask of Amontillado shares similar characteristics to John Updike’s A&P teenage Sammy. Both of these characters share sarcastic tendencies and a need to make a name of himself. Though, each man differs in the way he goes about making that name. While Montresor decides murder is the way, Sammy quits his job to be noticed.

“The Cask of Amontillado” was written by Edgar Allan Poe and was published in 1846. In the short story the narrator, Montresor, executes his friend Fortunato because he feels like he insulted him. For this, he seeks revenge. Fortunato is known to be very knowledgeable about all types of wine. Montresor uses this to his advantage to take him down to his family crypt during the carnival celebration. He tells him that he has a unique wine, and believes it is an Amontillado. After Montresor and Fortunato go deeper and deeper into the crypt, Montresor chains Fortunato and builds a wall around him. At first Fortunato thinks it is a joke, but he soon realizes that he will be dying in the crypt. Montresor goes on to boast about his crime and how he has never been caught. This shows that Montresor is a sinister, mentally insane, and a narcissist.

Amontillado is a classically known amber-colored, medium-dry sherry wine, and in the case of Poe’s The Cask of Amontillado, it is the taste for Amontillado that results in the unfortunate and rather untimely death of Fortunato at the hands of the maniacal Montresor. Revenge is something that no one should have to experience; however, sadly sometimes, it is an inevitability that cannot be avoided. The Cask of Amontillado exposes Poe’s dark side and cruelty towards society and the world. In this short story, Poe tells about a rich drunk man, Fortunato, picking on a not-so rich friend, Montresor, but things quickly take a turn when Montresor decides to take out his revenge against his “pal.” Poe uses ethos, logos, and pathos deeply throughout his storyline to enhance the story and better the imagination of the characters, the deep meaning behind the setting, and the Amontillado’s secret.

Symbolism is the use of objects to represent ideas or qualities in the story. In the story many things are used as symbols such as the actual cask of amontillado, the trowel, the jester costume and the setting in which there is two in the story. Another literary technique used significantly in the story is irony. Irony is the expression of ones meaning by using language that normally signifies the opposite.

The purpose of the short stories “The Cask of Amontillado”, “El Tonto del Barrio”, and “Cathedral” is to explore the concepts of prominence in religion driven by symbolism, characterization, and theme used to manipulated the reader’s analytical views. Christianity plays an imperative role on all three short stories by the author’s through their descriptive scenarios symbolizing a religious ideology. Edgar Allan Poe’s use of religion as a hidden message in “The Cask of Amontillado” is portrayed through the ambiance developed in and the characters symbolism compared to Christianity and Freemasonry. In comparison, “Cathedral” exposes Christian principles shown in the beginning through the title and the symbolism behind the characters description. On the other hand, “El Tonto del Barrio” unveils the principles of Christianity via the theme of greed. Thus, all of the three short stories have a deeper meaning directed towards a religious audience that can capture the symbolism behind the story.

Is there anything that someone could do to you that would cause you to commit murder? Could you get away with it? Montresor is the murderous narrator who has committed the perfect murder in just such a tale, “The Cask of Amontillado.” Montresor plots and kills an unwary friend/foe during carnival time for motives that are unclear. The author of this tale, Edgar Allan Poe, influenced by his somewhat tragic life and one of the most influential Gothic writers, uses symbolism and irony to show the multitude of complicated motives of the narrator in his famous horror story.

“The master of macabre” is a title that goes to a man by the name of Edgar Allen Poe. Poe was a gothic writer in the 19th century and has left us with amazing literary work that will be studied for centuries more to come. Such stories as “The Cask of Amontillado” and “The Fall of the House of Usher” are classic examples of Poe’s dark and eerie work. Even though these two stories share similar elements they over all are quite different. With these works, Edgar Allen Poe help establish the dark romantic era of the 19th century.