The Cask Of Amontillado Essay

They found grave robbing, or “resurrecting” a body, disgusting. Resurrecting a Christian body was sacrilege, meaning it violated something sacred. (Lawrence). Family members even watched over graves at night and implemented other means of protecting their loved ones’ bodies. Some would install grave alarms or use iron coffins to discourage resurrectionists (“Body Snatching Around the World”).

Imagine yourself locked away in a dark dungeon, chained to the wall, waiting for death, and the only sound you can hear is the screams of your best friend bleeding out in the jungle all alone. Now Imagine you're someone else, now best friend leads you down into the catacombs, you’re looking for that amazing taste of the rare wine Amontillado, and now he is the last thing you see before they buries you in the darkness of an underground tomb, chained to the wall. These are the two frightening stories “The Cask of Amontillado” by Edgar Allen Poe, who writes about a most despicable man, Montresor, who murders a victim named Fortunato, in the damp, darkness of his own catacombs. The second story, “The Most Dangerous Game” by Richard Connell,

How would you feel if you were to die, plastered inside a wall? In the short story “The Cask of the Amontillado” written by Edgar Allan Poe, one of the characters die exactly like that. Montresor lures his former friend, Fortunato, into underground catacombs in a way that Fortunato couldn’t resist. Fortunato is very fond of wine, so Montresor tells him to follow him down to a vault where he could taste the Amontillado. From there, Fortunato falls into Montresor’s plan for revenge.

Edgar Allan Poe’s “The Cask of Amontillado” is a goosebump-evoking tale that follows one man’s twisted plot for revenge. Although carnival season is in full-swing above ground, Fortunato finds himself being lead to his death underground in the catacombs. His “past insults” will ensure that he will never again participate in such feasts and merriment; Montresor, his “frenemy”, will make sure of that. As if the story isn’t creepy enough, Poe uses dialogue and sensory details to produce a mood that is both suspenseful and dark.

The tombs had two main functions. The first function was a place that provided an eternal resting place in which the body could lay protected from thieves and scavengers. The second function of the tomb was a place where cults and ritual acts could be performed to ensure eternal life (Taylor, 2001:136). The body of the person was buried along with their belongings in the tomb to ensure the individual had all the proper materials needed for the afterlife. The Egyptians usually did this because “Tombs were constructed to mirror aspects of the afterlife” (Olson, 2009). These tombs were not only a place where bodies of a deceased lay; it was also a place where rituals would take place. One ritual that was done on the bodies was the ‘Opening of the Mouth’. This was a burial ritual that “accompanied the placement of funerary goods in a tomb- and was a necessary step in the deceased’s rebirth” (Olson, 2009). One very important service that had to be done was the mummification process in which the removal of organs

The Egyptian during this time used the coffin to house the dead person’s body, as it was believed that only after

Could you keep a gruesome and murderous secret to yourself for 50 years? A good horror story should contain suspense and fear but also should include a well-produced plot, setting, and should include literary devices. Well, the author is able to successfully accomplish this in the short story, “The Cask of Amontillado” by Edgar Allan Poe. Due to its dark, eerie and crowded setting like the catacombs, the riveting plot that makes the story suspenseful, and the intriguing point of view that helps the reader understand what Montresor is feeling make this story clearly a prime example of a quality horror story.

In The Cask of Amontillado Montresor lived for fifty years after killing Fortunato and he narrates the events of the story coldly and that leads some to wonder whether or not Montresor has changed and if he has changed how did he change. Over the fifty years between the events of The Cask Of Amontillado and the time when Montresor narrates the story, time changed Montresor into a guilty and shamed man that may have PTSD.

As H.H. Scullard brings up, they were frequently cut out of the earth and were "improved with engineering exteriors, in this way providing for the cli!s the appearance of urban communities, with houses, sanctuary fronts, steps and avenues" (Scullard 93). These tombs, which were set a short separation far from the fundamental towns, were utilized by the entire town. Families, nonetheless, normally accomplished their own particular segments in which to put their precursors. Inside of the tombs archeologists have found, among different things, sarcophagi containing the ashes or stays of individuals (Scullard 93-94). In spite of the fact that the sarcophagi were by and large very vast, they were utilized to house the cremated stays of people.

A reflection on religious monuments and their implements in their connection to their faith and use of prayer. This reflection uses Christian, Islamic, and Jewish religions as examples of study in the Medieval era.

* Michelangelo –Pieta/Dome, St. Peter’s, Rome; Bacchus; David; Moses, tomb of Julius II; Bound Slave; Prisoner; Sistine Chapel Ceiling: Creation of Adam, Creation of Eve, Temptation, Expulsion, Erythraean Sibyl, Prophet Jeremiah, Last Judgment; Dani Tondo (aka Holy Family); Tomb of

Priscilla was a wealthy woman. She was marred to Consul Acilius who, became a Christian but was killed by orders given from the Domitian. Widowed Priscilla then donated the land to the poor that was intended to be used for the burial of her family. The land was turned into a burial ground which held the millions of Christians who were prosecuted. The catacombs were dug into the ground and held Christian martyrs. The grave spaces usually contained sarcophagi if the person was rich. The grave space would then be covered in marble and then painted. However, if the person was poor they were usually wrapped in cloth and then laid in a hole dug out in the wall. The wall space was then covered with terracotta. One thing that stands out about the

The catacombs overall design was painted as a cross, a prominent Christian symbol. The picture in the middle of the Good Shepherd and Jonah & the Whale were prefiguration, stories that foreshadow the Life of Christ himself. A lot of art, like the one Constantine mentioned above, were principal narratives of Christ in the new testament of the Bible. Christian architecture utilized spolia, which is the use of old architectural elements to build something new. To accompany the large scale Christian architecture, they adapted a new art form, called wall mosaics.

Several times after the body is buried in its tomb, the families will bring food and put it inside the tomb as a sign of respect. The pyramid burials were reserved for the persons of high power, mostly the pharaoh. Many objects were placed inside the tombs such as tools because the Egyptians believed the soul still had to work in the after-life. Other objects such as amulets were placed in the tombs to ward off evil magic in the after-life. The underworld was a different concept in Egyptian religion than Greece.

An excellent example of Roman vaulting is the Basilica of Constantine and Maxentius in Rome. A logical advancement of the vault was the dome, which permitted the construction of vaulted ceilings and the roofing of enormous communal spaces such as public baths and basilicas. The Romans relied massively on the dome for a lot of their architecture, such as the Baths of Diocletian and Hadrian's Pantheon and the Baths of Caracalla.