The Cask of Amontillado and Hills Like White Elephants

Montresor tells the story in detail of how he leads a man, Fortunato, to his death. Montresor repeatedly expresses the need to kill Fortunato because he has done something to insult him and he must pay for it with his life. Montresor tells readers early in the story that he is going to be lying to Fortunato’s face by acting one way, but thinking about killing him the whole time. He says "I continued, as was my wont, to smile in

As the plot of “The Cask of Amontillado” and “The Scarlet Ibis” unravel, both authors

In “The Cask of Amontillado”, Montresor is guilty of the cold-blooded murder of Fortunato and should go to jail for his crime. Montresor speaks of the “thousand injuries” Fortunato caused him and, more recently, the “insult” that Montresor cannot forgive. Vowing to seek retribution, Montresor comments on the importance of ensuring his own innocence throughout the process of revenge. He goes out of his way to be friendly to Fortunato. Other evidence that supports the crime as being preconceived includes Montresor preying on Fortunato’s weakness, his love of wine and his conceited nature. He praises Fortunato on his knowledge of wine and taunts him with the full barrel that he just purchased asking him for his expert opinion. In preparation

The story initially starts off telling us the situation where Fortunato had wounded Montresor a “thousand” times. One day, Fortunato goes too far and insults Montresor ultimately resulting in Montresor vowing revenge. Montresor has to craft a perfect plan, for if Fortunato is able to revenge him in return then Montresor’s efforts will have been in vain.

     In this story the character of Montresor is revealed through his own words. When he reveals he is going to punish Fortunato for merely insulting him, that he has planned the whole act of vengeance, and that he has been playing as being Fortunato’s friend, we know we are dealing with a deranged personality. His character is also revealed with references to his family. It is almost as if Poe has Montresor’s ancestors tell the reader how nicely he fits into the family tree. His legacy from his family motto “No one attacks me with impunity” and a coat of arms that depicts a serpent whose last wish before death is to poison the foot that crushed it. Does the fruit of ever fall far from the tree? Montresor is as evil as his forebears were. He shows no remorse about what he has done, even in old age. When he says, “May he rest in peace” at the end of the story, the reader gets the feeling he means, “ I hope you stay there and rot” rather than, “I hope you found joy and peace in heaven.”

This leads to another step in Montresor’s perfect plan of revenge and makes it one step closer to murdering Fortunato.

In The Cask of Amontillado by Edgar Allen Poe, the dark side of human nature is exemplified through the character of Montresor and his victim, Fortunato. Montresor is a manipulative and vengeful person. These characteristics lead to the death of Fortunato, a man who has wronged him. Through the acts, words, and the thoughts of the character, one is able to see him carry out his plan for revenge.

Montresor’s actions lend to his vengeful and manipulative nature. He lures Fortunato into the catacombs of his home to carry out his plans to kill Fortunato. In the first step of his plan, he boosts Fortunato’s ego by saying that Luchesi was almost as worthy a judge of wine as he. Then Montresor tricks Fortunato into believing that there is an

It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.

However, Montresor has a characteristic that, not shown prominently, but given through little hints until the end. That secret characteristic is guilt, guilt for wanting to kill Fortunato. Some of those hints show at the carnival, down in Montresor’s catacombs, and even as Montresor is building in the wall to keep Fortunato in to die. At the carnival, Montresor calls Fortunato his ‘friend’. “It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend.” (Poe). In addition, Montresor is talking about Fortunato, with the term friend being used. Another is, “I was so pleased to see [Fortunato]...” (Poe). In this part of the story, Montresor even says himself that he was happy to see his friend, Fortunato. He shows signs of actually liking Fortunato, but for strongly believing in his family motto and arms of revenge, he feels the need to get revenge on Fortunato for what he did to Montresor. Montresor greets Fortunato kindly and with warmth, “[m]y dear Fortunato, you are luckily met. How remarkably well you are looking to-day!” (Poe). Montresor

Later on the story Montresor is offended by Fortunato when the fortuned one tells him that he

"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.

The third characteristic we see in Montresor is pride. He isn’t modest and boasts even after fifty years about his perfect crime. His pride is what leads him to seek revenge against Fortunato because he doesn’t want him to think he can go with impunity after insulting him. The murder may have not been just out of anger for the insult but more of because he didn’t want to be seen as weak. Montresor takes pride in his extensively planned out scheme and how he plans out all the details.

Psychoanalysis is the search for evidence for unresolved emotions, psychological conflicts, and whatever else may be hidden in perplexing literary works. Psychoanalytic criticism showcases what has been suppressed by the author’s conscious mind. The author’s sexual conflicts, family life, childhood traumas will be camouflaged in symbolism. One story that lends itself particularly well to this form of criticism is The Cask of Amontillado and throughout the story there are various literary elements that play a major role.

The Cask of Amontillado is a short story written by Edgar Allan Poe published in 1846. The story focuses on a man taking fatal revenge on a friend who, he believes betrayed him. Because of the plot arrangement, this short story seems to be written using biographical strategy. Biographical strategy is concerned about how the author’s biography may have influenced the story. The similarities between Poe’s personal life and the characters love with alcohol, failures in his life and along with the misfortunes Poe had lived shared many likenesses.