The Castle Of Ontario Essay

The Castle, directed by Rob Sitch, is an Australian comedy, which delves into the lives of a stereotypical Australian family, the Kerrigans. The film touchs on issues close to home in a humourous way. The audience is introduced to the classic Aussie family, narrated in the viewpoint of the youngest of the Kerrigans, Dale.

Although many gothic novels are written in a complex manner, the novel “We Have Always Lived in the Castle,” is very different. This gothic novel is written in a simplistic fashion which is understandable on the surface. However, if one digs deeper than the surface of this novel, “We Have Always lived in the Castle,” proves to be full of details and themes. There are many important themes in this story and some which are not as important. In the novel, “We Have Always Lived in the Castle,” there are many extremely important themes such as, domesticity, rich vs. poor, and sibling relationships. Also, in the novel, “We Have Always lived in the Castle,” there is one theme which is not essential to the novel, which is the supernatural and potential witch elements in this story. All of these themes help to portray the message of Shirley Jackson’s novel, “We have Always Lived in the Castle.”

Introduction Boundaries are important as they indicate a limit a person not supposed to cross, it important that people respect boundaries as once boundaries are crossed, it can affect the relationship between two people or society as a whole. Crossing boundaries come with consequences. In regards to this assignment we will be looking at consequences of challenging boundaries in the gothic novels Wuthering heights and Frankenstein. The social and cultural background of the genre gothic novel According to Mullan, (2014), gothic fiction began as a sophisticated joke Horace Walpole first applied the word gothic to a novel in the subtitle – ‘a gothic story’- of the Castle of Otranto, published in 1764. According to Tiffin (2011) the historical context of the late eighteenth and early nineteenth century is important to the gothic form, as

Darryl’s life is worth fighting for. “You can’t buy what I’ve got.” ‘The Castle’ directed by Rob Sitch, about one man, his family and neighbours on the verge of being homeless. Darryl Kerrigan, the “backbone of the family” won’t stand for that. Of course no one can buy what he has. He’s spent almost his entire lifetime building what he has, why should he give it up? Darryl’s way of life is simple yet filled with family values. 3 Highview Crescent is the home to Darryl, his wife Sal and their 3 children: Wayne, Steve, Tracy and Dale. (Wayne currently being in jail.) The house is made up of love, and simple family values. Darryl’s also added bits and pieces to it. He’s added on so much to the house, his own personal touch. His neighbours,

By undermining typical principles of the Gothic hero (William Harding), Faber tricks his arbitrators into feeling sympathy for him, a deception that makes him much more calculating and undermining than conventional Gothic villains” (Jett).

Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.

Many children are affected by child abuse or neglect across the globe. The book The Glass Castle written by Jeannette Walls is about herself and the time set is in her childhood. In the book Jeannette talks about all the hardships that she and her siblings had to face while growing up with a very poor family and always being on the move. In the book it's very evident that Jeannette and her siblings face many types of abuse and neglect from many events that take place inside The Glass Castle. The Walls children should have been taken away from child protective services.

We Have Always Lived In The Castle is a novel written by Shirley Jackson, a popular and influential American writer of the 20th century. The narrative revolves around two sisters, Mary Katherine and Constance, who live together with their amnesic and out-of-touch Uncle Julian in their opulent, ancestral home. The sisters’ parents and brother, as well as Uncle Julian’s wife are dead, all killed by arsenic put into the sugar bowl one night at dinner. Constance, who cooked the meal, was acquitted for the crime but was still held suspect by the village while strangely enough, Mary Katherine had been sent to her room without dinner that night as a punishment and therefore was never questioned. Despite this tragedy, they seem to live happy, stagnant lives until their distant cousin Charles shows up desiring the family’s wealth and bringing radical change. The novel is played out through the consciousness of the younger sister Mary Katherine or “Merricat,” who has wild fantasies and modes of processing the world around her, inserting the reader into her demented imagination. Shirley Jackson employs fairytale and witchcraft into the story through imagery and symbolism presented by Merricat in order to convey the psychoanalytic effects of ignorance and isolation.

“Mom frowned at me… that gives it its beauty.” (p. 38) When Jeannette devises a plan to uproot the Joshua tree, which has grown sideways in the direction of the constant wind that passes over it, her mother quickly dismisses the idea. Rose Mary claims that the tree is beautiful not because it grows straight like the other trees, but rather because its struggle defines it and makes it unique. Rose Mary is typically unwilling to tamper with nature and she is particularly drawn to the unique form of the Joshua Tree. Through the figure of the tree a young Jeannette learns an important lesson about non-conformity.

The author’s job in a novel is to tell the story in a way that the reader will be able to understand and follow the narrative. The novel We Have Always Lived in The Castle by Shirley Jackson is about two young women that are living alone because their parents have died under mysterious circumstances. The one sister’s name is Mary, but her nickname is Merricat, and she has a weird and wild imagination that causes her to think that everyone is after her except for her sister Constance. Merricat also believes that objects and people are varied colours dependent on if she feels comfortable or uncomfortable in the surroundings. During this novel, Merricat’s narrative does not move in a progressive way because she never feels guilty for what she does and justifies it by wanting the best for her sister.

Mystery is the driving force of Gothic Literature both from within the story and within the reader. In both the Castle of Otranto by Horace Walpole and The Romance in the Forest by Ann Radcliffe mystery is implemented onto the story by the use of Gothic architecture, specifically its effect on the human senses and its interactions with the characters. In Aiken and Aiken’s On the Pleasure Derived from Objects of Terror, it is stated that pleasure and curiosity are the main cause on why people read Gothic literature, proving that in Gothic Literature, curiosity is what keeps the readers entranced with the story, and curiosity is always best portrayed in mysteries or suspenceful stories. The architectural environments of the Gothic stories, convey a sense of fear, dread, and terror

In this passage, the author intends to cite a highly detailed explanation about the Gothic world by first providing background information of it and then elaborating on it with specific examples such as ‘The lady with the Unicorn’ and ‘The North Portal of Chartres’. The writer effectively depicts the Gothic world in mainly two ways: comparing it with the medieval era and using luxurious vocabulary to describe the characteristics of sentimental courtly love. The author firstly uses words like ‘chivalry’, ‘courtesy’, and ‘romance’ to demonstrate the traits of the gothic world and in order to give a better image of the Gothic world, the author adds on that the Gothic era was when architectures reached a point of exaggeration unique in history. In addition, the author compares Gothic art to a contradicting medieval art in order to emphasize

The Gothic genre is an increasingly popular area for feminist studies, showing contrasts in society at the time and the expectations of women within it. In pre industrial times, women were expected to play a subservient role to men, they were expected to marry young and bare children, they would simply care for their husbands and support the family, they were denied the right to vote or own property and were expected to be the innocently silent, supportive backbone behind patriarchal society. It is noted that female characters in Gothic novels and plays often fall into one of two categories: innocent victims, subservient to the strong and powerful

Horace Walpole’s The Castle of Otranto, is acknowledged by many as the first gothic novel. It was the first of it’s kind and many of the conventions used by Walpole, which put it in a literary genre of it’s own, were continued by authors such as Ann Radcliffe and Matthew Lewis. Many of these defining characteristics can be seen within the very first few pages of the text and for the purposes of this essay, to identify some of these conventions used and the relevance of this text to modernity I shall focus this analysis on the passage between pages twenty-four and twenty-six from the Oxford World’s Classics edition.

One of the most common settings in Gothic literature, which also can drive forward the plot, is an old medieval castle. Horace Walpole’s “Castle of Otranto” is not an exception to this trend. Almost immediately after Manfred tries to force Isabella to marry him, she tries to escape from the castle but can not since the building is so well fortified. If she had been inside of just a large house instead, then it would have been easier to escape. Since she could not find normal way out of the castle, she was forced to locate another way out. If she had escaped earlier then she would not have found the secret tunnels that she used to escape, therefore