The Catbird Seat Essay examples

After reading the novel Nest in the Wind: Adventures in Anthropology on a Tropical Island, written by Martha C. Ward, I learned about a culture on an island that is much different but similar in many ways to ours. The Climate of the Island was tropical with heavy rainfall. The Island was known as a “tropical paradise”. Ward a female Anthropologist went to this Island to study its inhabitants . Some area she focus on was Family, Religion, sex, tradition, economics, politics ,medicine, death, resources and daily activities . Ward approach to getting this information as accurate as possible was to live among the Pohnpeians as . She got involved in their culture and community. She even , though unwanted gained rank in their society. Her and

The characters in the novel are full of secret motivations. Explain the underlying thoughts, fears, and motivations of the narrator—the second Mrs. de Winter.

     The author wrote this story as a literary genius. There is an extreme level of suspense that leaves you wanting

In the short story “The Red Convertible” you will find some important elements that are integral to the support and development of the theme brotherhood. First, you will see how the road trip gives a lesson in the story. Second, you will discover how the war affected the relationship of Lyman and Henry. Finally, you will understand the symbolism of the red convertible and the link it has between both brothers. One important element that has a powerful lesson in the story is the road trip. While Lyman and Henry went on a drive one afternoon, they met a girl named Susy in the middle of the road. Susy had her hair in buns around her ears and was very short. They let her jump in the car and

Bierce begins the story with a man, by the name of Peyton Farquhar, standing on Owl Creek Bridge with a noose tied around his neck. Through arrangement of events within the story, Bierce creates suspense of death in the beginning by stating the quote, “Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him,” (Bierce, 1) after the hanging has happened. Yet the process is then suspended to describe the background of the scene as Bierce stated, “he was a civilian, if one might judge from his habit, which was that of a plater.” (Bierce, 1) Furthermore, suspense is built through words being used in past tense when Bierce states, “Evidently this was no vulgar assassin.” (Bierce) Suspense is built from the beginning of the story, through the arrangement of events, when it is told to the readers that a hanging has occurred but no details are given about why the hanging took place.

A narrator, who is without a name, tells of his first hand experiences throughout the story. This is in contrast to ‘Miss Brill’ in which narrative is delivered in the third person, with the use of free indirect speech to depict the story and portray the characters. By Wells selecting a first person narrative he draws the reader closer into the character’s mind set. This gives Wells the ability to convey the primary characters full spectrum of emotional thought, from open mindedness to the conflict and fear within him. First narrative provides the reader insight to thoughts and observations therefore adding suspense of the unknowing into the gothic style.

By using descriptive words and phrases to help us imagine the characters and setting the readers are drawn further into the suspense. Beginning with the descriptions of the carnival, usually a joyous time, it is not so joyous but mostly dark with the vision of “[dusk] one evening during the supreme madness of the carnival

Suspense is an important trait in many works of fiction. In David Montrose’s novel The Crime on Cote Des Neiges, he uses narration, digression and secondary characters to create suspense throughout the novel.

The spy was the first to see the Union army march through the valley. He noted that the army was moving fast and marching in extreme heat. His intentions now were to return and report this information to the General Robert E. Lee. Lieutenant General James Longstreet received him back at camp, and the spy let him know of the information, which he had obtained. Longstreet found it useful information to pass on to Lee. Both Lee and Longstreet were skeptical of this information, but if the spy was right they would be in extreme danger. After viewing the map, Lee decided to go ahead and move his army towards Gettysburg, which would be the direction in which the Union army would

Burrows’. This is the moment he is visualizing repeatedly, and one can assume that he will take her life once he sneaks in. There is no reasonable explanation he would be here. This woman was nothing other than a nuisance to him, and it is obvious he is showing up with unpleasant intentions. He does not walk in as a guest, he prowls like a poisonous snake, on the move for his prey. Once he is clear of potential witnesses, he makes his way to her door where she stands. This shocks him and he moves into swift motion and, “He rushed past her like a football tackle”(3). Mrs. Barrows blows it off with a snarky comment, but there is suspicion lingering, when he questions if there is anyone else there. Sadly, she does not head warning, but instead she answers him concluding they are indeed alone, and he is at ease. Frantically, he scans the room for the weapon for murdering her. Mr. Martin is not a hunt for any weapon, the text reads, “Mr. Martin looked quickly around the living room for THE weapon”(3). The search for something to hit her with is not random, it is the weapon he assumes would be available, as mapped out. Initially, his plan all along was to kill her with whatever he found in her place. Following, he catches sight of a knife and he test if it is sharp enough, but came to a loss because, “It was blunt. It wouldn’t do”(4). Obviously, this is a red flag, especially considering how much he despises her. Not only is he seeking the appropriate sharp object, he also makes sure to retain his gloves, in case there is a residue of blood or fingerprints. Once he fails to find a dagger, a sudden thought arises. Instead of striking her dead, he realizes it is possible to deceive her. As he lies, he still throws back a drink and smokes to further eliminate the chances that his employees believe

more and more like Big Daddy's and at the end of the play repeats his

In recent decades, Cormac McCarthy has staked his claim as one of the all-time titans of American literature through publishing masterpieces like Blood Meridian, Suttree, and The Road. In his works his advanced level of technical mastery becomes apparent through his expertly harmonized coordination of literary elements toward certain narrative ends, such as the generation of suspense. In this light, McCarthy’s literary style is a practical one, in that he organizes literary elements in his works toward actualizing particular goals. In The Road, for instance, McCarthy directs his style throughout the text so as to maximize the feeling of suspense that readers experience throughout the book. This kind of stylistic maneuvering is expressed on pages 105-110 and pages 118-123 of the the text. But, it must be noted here that the generation of suspense in these passages does not result from similar stylistic approaches. McCarthy uses style in differently in Passage A and Passage B but ultimately toward the same end, namely generating suspense for readers of The Road. Passage A relies on dialogue to develop its suspense, whereas the style of Passage B relies on narrative action for its suspense.

The novel begins on a deathly note. Three months before the main events of the story, the grandmother of the Hooper household dies. Her son Joseph then refuses to live at Warings, the family home, until he owns it, i.e. until his father dies and he inherits it. This tells the reader knows immediately that the relationship between Joseph and his father is poor. Soon afterwards it b ecomes clear that the relationship he has with his own son is no better. Communication between Joseph and Edmund Hooper is limited and a cause of some concern to Joseph.

While Mrs. Mallard remembers Mr. Mallard as a kind and tender man who loved her, she also viewed him as the oppression that marriage put upon women and men. While Mr. Mallard was kind and loving to his wife, he was also controlling and overbearing. Josephine, Mrs. Mallard’s sister and Richards, Mr. Mallard’s friend is there to break the news of Mr. Mallard’s death. Richards has learned of Mr. Mallard’s death at the newspaper office, not wanting to believe the information that was received, Richards waited for the new to be delivered for a second time before enlisting the help of Josephine. They are both there to support Mrs. Mallard and their support shows that they care for Mr. and Mrs. Mallard.

In this ISU, I will explain how Catherine Morland’s youth is purposely brought to the reader’s attention to deepen their understanding of how her innocence plays a huge role in shaping many events occurring in the novel. I will prove this by tracking