The Celtic Twilight And Celtic Revival

For Gerald of Wales, religion was one of the most essential aspects of being a civilized human being. Therefore, when he wrote, The History and Topography of Ireland, he portrayed its inhabitants as subhuman and barbaric during his apparent travels to Ireland. As a colonizer, Gerald picked a far away place in which many had not been to, in order to establish them as the “other”. Unfortunately, for Gerald, he may have ridiculed the Irish for their lifestyle conveyed in his writing, but his exploitation of them most likely was done because he could in fact relate to them. In the book, The Postcolonial Middle Ages, Jeffery Jerome Cohen’s analysis in his chapter, “Hybrids, Monsters, Borderlands: The Bodies of Gerald of Wales”, closely focuses

The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.

    In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.

“People everywhere brag and whimper about the woes of their early childhood, but nothing can compare with the Irish version”(11).

William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.

The purpose of my paper is to show how the Scotch-Irish culture came to be in the United States. There were several things that led the Scotch-Irish to make the perilous journey across the Atlantic Ocean to America including famine and high rents. It is estimated that 40-55,000 Scotch Irish arrived in America from 1763 to 1775. (Everyculture) The Scotch-Irish is one of the strongest cultures in the United States and their influence has been generous.

The essay illustrates that the greed-filled English have taken away everything from the Irish. This includes their material things such as their money, their

In the first stanza Yeats expresses his conflicting loathing and admiration for modernity through the juxtaposition of “vivid faces” and “grey houses”. This represents the possibilities that modernity can bring; the revitalising of the community or the destruction of tradition and age old energy already lost by the modifications in the city. The repetition of the phrase “A terrible beauty is born” in the first and fourth stanzas articulate this inner turmoil revolving around modernity. This oxymoronic declaration is emphasised throughout the text by Yeats’ confusion towards the rebellion and its necessity. The fourth stanza embodies this conflict, removing the previously represented idea that life in pre-rebellion Ireland was a “casual comedy”, alluding to an Elizabethan play where the characters were content. By asking the rhetoric questions “was it needless death” and “O when may [British rule] suffice?” Yeats parallels the unresolved contradiction of “terrible beauty”. However, this sensitive treatment of conflict allows the retainment of ambiguity and can be related to any change within life, hence allowing audiences to superimpose their own beliefs and ideas into the poem. Yeats continues to explore his aversion towards modernism in The Second Coming with the appointment of a new “gyre” standing as the symbol for a new age. The fear of

The Druids and the Celtic temple were outlawed when the Roman  Emperor Claudius came to rule Great Britain. A Roman temple was established in its place. Under Roman rule the British continued to worship Celtic deities, such as Ancasta, but it was in conflict with the Roman deities like Mars. Governor Publius Ostorius Scapula established laws requiring attendance of all citizens at the new Roman temple . The religious decree was strictly enforced. Most citizens attended the temple regularly, but the religious decree created a hostile environment. Elspeth Bains, a young British native, did not mind the religious decree. She was usually walking into the Roman Temple as the horns were played.

Identity is pivotal to the story and holds its own innate power, but what is even more pivotal is that the Irish do not necessarily all share the same views. The Irish find their history very important because it is the foundation of the language. Hugh says, “It is not the literal past, the ‘facts’ of history, that shape us, but images of the past embodied in language” (88). It is evident then that Hugh finds the historical meanings of

The history of Ireland is one of early scholasticism and rich culture in times when the rest of Europe had less of a literary and artistic tradition. By the time of Hyde’s speech, the nation had become “one of the least studious and most un-literary”3 countries of the area, and he claims that the fault lies in a divergence from “the right path.”4 Progressive Anglicization has led the Irish to forget their own culture and its traditions. The British claim that because the Irish have forgotten much of their language and customs, they should be content as an integral part of the United Kingdom, and

“A cross having essentially the form of a Latin cross with a ring about the intersection of the crossbar and upright and shaft” (CITE HERE). From the outside looking in, that is what a Celtic cross would appear to be, but the cross has a deeper meaning than just it’s looks.

The Irish had suffered long before in the hands of the English when Cromwell had been in control and had taken away land held by the catholic majority of the country to members of the protestant minority. This created a large tension among the population with the oppressed majority and the rather entitled minority who by Trevelyan’s snooty tone did indeed see themselves as the superior people in the country. (Trevelyan’s tone is probably the most dismissive when in discussion of the Irish, mayhaps showing his own true dislike.) (Trevelyan, p. 116-

“To be or not to be, that is the question.” Hamlet’s famous quotation implies only two solutions: to be, or to not be. However, there is another option that Shakespeare never explored: to remain paralyzed between the two states, unable to commit to either. James Joyce’s Dubliners is a collection of short stories first published in 1914, that follows the inhabitants of Ireland. Published nearly a half a century before the Republic of Ireland would be recognized as an independant country, many of Joyce’s short stories in Dubliners explore the theme of Irish paralysis, that Joyce found afflicted both the whole of Ireland and its individual citizens. Many

At the time of publication, 1916, Ireland had seen events such as The 'Easter Rising ' in which Catholics rebelled against the British and the Protestants in a bid for independence. This mix of both the need for Independence and religious extremism are elements that we see portratyed through Stephen. Knowing this information we can see that Joyce portrays not only his own struggles with religion and independence using this method but also the conflict found