The Central Character In The Misfit

Two more pertinent points are made by the author, in regards to the grandmother, follow in quick succession; both allude to further yet-to-be seen gloom within the story. O’Connor writes of the grandmother “[s]he didn’t intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself” (1043) and of the way she is dressed “[i]n case of an accident, anyone seeing her dead on the highway would know at once that she was a lady” (1043). These two observations are innocent enough on the surface but provide true intent on the foreshadowing that O’Connor uses throughout the story. It is these two devices, irony and foreshadowing, that I feel are prominent and important aspects of the story and are evidenced in my quest to decipher this story.

The car “turned over once and landed right-side up” (O’Connor 191). The family suffers from minor injuries after the wreck. The family is not aware that they are being watched at the time of the accident. Out of an approaching car hops three men with guns. The grandmother recognizes one of the men as The Misfit, the escaped convict. Once the grandmother identifies The Misfit he has no choice but to starts killing members of the family. The grandmother ends up being the only family member left to be killed. She tries her hardest to talk The Misfit into not killing her like he did the rest of her family. Stuck in a difficult situation, the grandmother pulls religion into her conversation with the Misfit. She relies on her southern roots to soften the cynical beast in front of her. She rambles on and on telling The Misfit to pray. She tries to gain The Misfit’s trust so she can manipulate him into thinking letting her go is a good idea. He seems to reevaluate his life as he squats in front of her. Moments before her death, the grandmother tells The Misfit that he is “one of my own children” (O’Connor 196). Thinking she has fully gained The Misfit’s trust, the grandmother “reached out and touched him on the shoulder” (O’Connor 196). At this moment, The Misfit shoots her in the chest three times. The idea that The Misfit trusts the grandmother is eliminated and so is the entire

The grandmother also secretly brought the family cat, “She had her big black valise and underneath it she was hiding a basket with Pitty Sing, the cat, in it” (O’ Connor 1106), even though “Her son, Bailey, didn’t like to arrive at a motel with a cat” (O’ Connor 1107). When The Misfit arrives, “The grandmother had the peculiar feeling that the bespectacled man was someone she knew” (O’ Connor 1112), but when she later realizes who the man is, she claims, “‘I recognized you at once!’” (O’ Connor 1113). She tells The Misfit, “‘we turned over twice!’” (O’ Connor 1112), even though they both knew that it was only once. Lastly, the grandmother lies again to herself and to The Misfit when she says, “‘you shouldn’t call yourself The Misfit because I know you’re a good man at heart’” (O’ Connor 1113). The only reason she says this is in an attempt to save her life.

The family is set to go on a vacation to Florida. Due to her longing for the trip to go to Tennessee, the grandmother “seized every chance she got” (O’Connor 427) to attempt to alter the family’s destination. To her dismay the final destination was never changed. Instead of staying home the grandmother goes with the family because she is “afraid to miss something”(427) no matter how unimportant. When the family leaves for the vacation the grandmother, refuses to leave her cat at home, and in turn decides to smuggle her cat inside a basket because her son would not be very happy with arriving “at a motel with a cat” (427). Little did she know that her precious feline would be associated with the whole family’s demise.

For example, Bailey does not want her to carry the cat to their journey. However, grandmother does not listen to him and she hides the cat inside the car in a basket and thus secretly brings the cat along with her. On their way, she also wants to go and visit the old plantation even though Bailey does not agree to this. In order to see that she gets what she wants, she talks to the children and convinces them to tell Bailey to do as she wishes. The author writes “There was a secret panel in this house…. and the story went that all the family silver was hidden in it when Sherman came through but it was never found . . .” (O’Connor 45). Grandmother says these words craftily in her attempts to convince Bailey to drive to the old plantations even though she knows that she is not telling the truth. Evidently, she leads the family into a dangerous tour drive. In this tour, the family ends up having an accident due to the Pitty Sing cat sneaking out of the car, leaping on Bailey who loses control of the car. She avoids responsibility by pretending to be hurt. Her actions put the family in dangerous situations.

I’ll give you all the money I’ve got!” (O’Connor 355). She is pleading the Misfit for her life only by saying the word lady repeatedly and offering him the money. She is also praising the Misfit by calling him a good man and trying to save her life. She was also careless about her family. When her family is taken down into the woods, she continues to talk to Misfit. She ignores the sound of when her son and rest of the family were being shot. She is apparently oblivious to many things. She was ignoring everything but the Misfit. “The shirt came flying at him and landed on his shoulders and he put it on. The grandmother couldn’t name what the shirt reminded her of” (O’Connor 354). The grandmother doesn’t even realize that shirt was her son Baileys. She had no interest in knowing where that shirt came from and what happened to my family. For the concern of her life only, she tries to persuade the Misfit the same way she tried with her family. “I know you’re a good man. You don’t look a bit like you have common blood. I know you must come from nice people!” (O’Connor 352). She is trying to manipulate the Misfit and hopes that he will bear her. She is thinking about no one else but the sake for herself. However she fails once again to influence the Misfit.

In the beginning, the grandmother is reading the newspaper where she then learns about the Misfit who escaped prison. The grandmother says, “I wouldn’t take my children in any direction with a criminal like that aloose in it. I couldn’t answer to my conscious if it did” (O’Connor 485). This quote foreshadows as the accident happened with her guidance on the road it is what led them to steer off the main road. They were on and into the arms of who they call the Misfit and his

The result of these characteristics give each story suspense and mystery, leaving the readers wondering what each character will do next and what further action will take place. Characters hold a primary role in determining the outcome of a story, which is the reasoning behind the many similarities and differences among literary characters. Also, a clear example is the similar plots with two completely different outcomes. Once the audience understands a character, they are capable of building on their existing knowledge to foreshadow events or understand the text more logically, which is evident when reading these

The minor characters in a story can play such a major role. In the novel, “The Strange Case of Dr .Jekyll and Mr.Hyde” by Robert Louis Stevenson, the readers are introduced to several minor characters, such as Lanyon, Enfield, Carew, and Poole, who help advance the plot. Hastie Lanyon was an old friend of Jekyll who wrote a letter to Utterson about what he witnessed, Richard Enfield told the story of the door , Sir Danvers Carew was murdered by Hyde, and Poole was Jekyll’s butler who got Utterson for help. These minor characters play a major role in the plot.

The irony of the story is that it is under the directions of the Grandmother that leads the family into a run in with The Misfit, which is what she told her son she would never do. Throughout the trip we are given examples of the racism that was present during this period. The Grandmother makes multiple racist innuendos such as her observation of the “cute little pickaninny,” and her statement that “little niggers in the country don’t have things like we do” (O’Conner 2). During the ride, The Grandmother convinces Bailey to take a detour down an old, dirt road which supposedly leads to an old southern plantation home she once visited. The road leads them deep into the woods where an accident is caused by The Grandmothers cat, which leaves the car upturned and the family stranded. It is then the family encounters The Misfit, whom discovers them stranded as he was passing by. He approaches the family with two young men and shortly after The Grandmother lets out a scream as she realizes him. During their encounter, the readers are given a small glimpse into the deranged mind of The Misfit. It is apparent that he has an upturned moral compass. He gains pleasure from committing crimes and the meanness that goes along with it. During his conversation with the Grandmother, he slowly has his men take members of the family out

The Grandmother wants the Misfit to receive salvation from God, so that he can be forgiven for his sins. Even though the Grandmother got the family into this mess, she can still be viewed as the hero.

A protagonist is the leading character or actor in a play, novel, or story. The leading character of a play is not easily interpreted. A protagonist does not necessarily have to be good or bad. Determining the protagonist is one of the many engaging issues presented in the play. Many characters exhibit the characteristics of a true protagonist in Julius Caesar, few stand out over all others. Caesar was a powerful, courageous, yet arrogant leader who is depicted in many different ways. Brutus friend of Caesar, loves Caesar greatly but does not think he possess leadership skills. Antony is loyal, trustworthy, and a devoted follower of Caesar, and proves to be a required character in Julius Caesar. All three of the protagonist must go

Stories are presented to the reader through the eyes of a leading character, a figure of power that will defeat the evil presented to him, the hero that saves the princess. Yet, at the end of the day, the hero presented to us is not perfect, there will be a fall and redemption that mirrors the human life. The protagonist is not perfect, so it would be natural for the creator of the story to give the hero characters to strengthen them through their journey. The protagonists can also be hindered by these characters, so when the injury of the hero heals, they will grow stronger. The secondary characters add flavor to the worlds created by the authors, often helping the protagonist overcome the obstacles that are presented in front of him. Three

I am writing my paper on a character from the story A Good Man is hard to find

Central Character: There is no real central character in this story. All the men on the boat are spoken about more or less equally and no prominent character jumps out at the reader as being the central character. Although more emphasis is put onto the correspondent, and Billie the oiler.